BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Friday, May 8, 2026
SILVER SCREEN RIOT
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FESTIVAL REVIEW

SIFF ‘26 Capsule Review: ‘THE ASCENT’ Scales the Heights of Human Drama and Kilimanjaro…Sans Legs

By Matt Oakes · May 8, 2026
SIFF ‘26 Capsule Review: ‘THE ASCENT’ Scales the Heights of Human Drama and Kilimanjaro…Sans Legs

The Ascent, directed by Francis Cronin, Edward Drake, and Scott Veltri, is a climbing documentary–true crime hybrid following bilateral amputee Mandy Horvath’s attempt to quite literally crawl up Mt. Kilimanjaro using only her hands and a whole lot of gumption. It’s a captivating stranger-than-fiction account that resists easy categorization, the film ably exploring Mandy’s difficult upbringing, the shocking incident that led to her losing her legs, and the almost superheroic climb that becomes her means of reclaiming both her life and identity. It paints a complicated portrait of determination – one born from a tragic mix of horrifying circumstance and self-destruction – with Mandy remaining a deeply compelling, complex, and sometimes contradictory, central figure. Over the course of the film, we watch her shift from victim to inspirational icon, though not without a good amount of friction… and plenty of blisters.

CONCLUSION: Both gripping and inspirational, ‘The Ascent’ proves to be a documentary worth its salt as it tracks a mountaineer with no legs’ attempt to scale one of the world’s largest peaks.  

B

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