BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, May 5, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

INTERVIEWS

Exclusive interviews with actors, directors, and craftspeople — candid conversations about making movie magic, career, and any other random thought that crosses my mind.

INTERVIEW
John Magaro on the Weight of ‘OMAHA’, Being a Thoughtful Performer, and Accidentally Missing Out on ‘THE BEAR’

John Magaro on the Weight of ‘OMAHA’, Being a Thoughtful Performer, and Accidentally Missing Out on ‘THE BEAR’

When I told John Magaro I’d watched Omaha twice and was still recovering, he laughed and apologized. It’s a tough movie, but one that’s nevertheless rewarding and Magaro’s powerful, largely wordless turn powers the film confidently. Cole Webley’s debut feature, written by Robert Machoian, is a road trip movie with a dark destination, a slow-burn...

INTERVIEW
Bob Odenkirk on Becoming an Unlikely Action Hero in His 60s

Bob Odenkirk on Becoming an Unlikely Action Hero in His 60s

Bob Odenkirk does not read as an action star. He knows this. You know this. And yet, here he is, three films deep into an unlikely second act as a guy who takes and delivers beatings on screen with the kind of bruised conviction that most traditional action leads can’t touch. With Normal, directed by...

INTERVIEW
Amanda Peet on Finding Authenticity, Being Mistaken for Lake Bell, and Not Wanting to Fuck Up

Amanda Peet on Finding Authenticity, Being Mistaken for Lake Bell, and Not Wanting to Fuck Up

In 2026, Amanda Peet isn’t interested in holding anything back. In her most recent role in Fantasy Life, she plays Diane, a mother of three and working actor navigating a life that, on paper, is fully intact and quite successful, but internally feels much less stable. It’s a performance that resists easy categorization: there’s no...

INTERVIEW
Eva Victor on Turning Trauma into Auteur Filmmaking with Festival Darling ‘SORRY, BABY’

Eva Victor on Turning Trauma into Auteur Filmmaking with Festival Darling ‘SORRY, BABY’

Eva Victor’s Sorry, Baby doesn’t announce itself. And yet, it arrives fully formed, like someone who’s spent enough time in therapy to know that the best medicine is to laugh at their own ridiculous idiosyncrasies. Premiering at Sundance, closing out Director’s Fortnight at Cannes, and now screening at SIFF, the film has quietly (and then...

INTERVIEW
Maria Bakalova On SXSW Debuts ‘WOMEN DO CRY’, ‘BODIES BODIES BODIES’, Fame, Fear, and the Patriarchy

Maria Bakalova On SXSW Debuts ‘WOMEN DO CRY’, ‘BODIES BODIES BODIES’, Fame, Fear, and the Patriarchy

Maria Bakalova is a star. The Borat Subsequent Moviefilm breakout not only captured national attention as Borat’s fictional daughter Tutar Sagdiyev in the 2020 mockumentary but she earned an Academy Award nomination for her efforts. Complete with uncomplimentary prosthetics and raggedy apparel, Bakalova fearlessly faced down judgmental southern debutants and, later, Rudy Giuliani’s roaming hands. But...

INTERVIEW
Talking with SXSW Breakout Mallory Everton: Star, Writer, and Director of ‘RECOVERY’

Talking with SXSW Breakout Mallory Everton: Star, Writer, and Director of ‘RECOVERY’

Look, just about the last thing on earth that anyone is craving nowadays is more COVID-19 talk. No one wants mask jokes or commentary on toilet paper shortages nor do they want to deep dive into the horrors of having lost 550,000 Americans and counting to a pandemic that quickly became a hot-button political issue....