BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, May 26, 2026
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FESTIVAL
SIFF ‘26 Capsule Review: ‘THE ASCENT’ Scales the Heights of Human Drama and Kilimanjaro…Sans Legs

SIFF ‘26 Capsule Review: ‘THE ASCENT’ Scales the Heights of Human Drama and Kilimanjaro…Sans Legs

The Ascent, directed by Francis Cronin, Edward Drake, and Scott Veltri, is a climbing documentary–true crime hybrid following bilateral amputee Mandy Horvath’s attempt to quite literally crawl up Mt. Kilimanjaro using only her hands and a whole lot of gumption. It’s a captivating stranger-than-fiction account that resists easy categorization, the film ably exploring Mandy’s difficult...

FESTIVAL
SIFF ‘26 Capsule Review: ‘THE FRIEND’S HOUSE IS HERE’ Exhumes Tehran’s Underground Art Scene

SIFF ‘26 Capsule Review: ‘THE FRIEND’S HOUSE IS HERE’ Exhumes Tehran’s Underground Art Scene

The Friend’s House is Here, written, directed, and produced by Hossein Keshavarz and Maryam Ataei, is a slice-of-life Iranian drama following two close friends navigating Tehran’s underground art world, where they risk staging performances featuring women without hijabs or dancing ever-so-slightly provocatively on social media, in defiance of state censorship. The film is an intimate,...

LIST
Most Anticipated Films of the Seattle International Film Festival 2026

Most Anticipated Films of the Seattle International Film Festival 2026

SIFF 2026 rolls into Seattle next month with its usual sprawling, borderline-unruly lineup — hundreds of films from dozens of countries crammed into twenty-five days of screenings. It remains, by attendance, the largest film festival in the United States, and one of the last festivals in the country that still programs with the kind of...

FESTIVAL
SIFF ‘25 Capsule Review: ‘COLOR BOOK’ Opens a Window into the Specificity of a Widower’s Grief

SIFF ‘25 Capsule Review: ‘COLOR BOOK’ Opens a Window into the Specificity of a Widower’s Grief

Rich in both place and emotion, shot in evocative black and white, and scored with delicate precision, Color Book is a heartbreaking tale of grief and perseverance. William Catlett gives a tremendous, pathos-drenched performance as Lucky, a father navigating sudden tragedy, alongside his son Mason (Jeremiah Alexander Daniels), who has Down syndrome, after the loss...

FESTIVAL
SIFF ’25 Capsule Review: Irish ‘FOUR MOTHERS’  Juggles Pride, Parents, and Predictability

SIFF ’25 Capsule Review: Irish ‘FOUR MOTHERS’  Juggles Pride, Parents, and Predictability

A perfectly pleasant — if ultimately forgettable — Irish dramedy about gay author Edvard (James McArdle), who juggles the stress of an impending U.S. book tour while caring for his stroke-recovering mother (Fionnula Flanagan) and looking after the elderly mothers his friends abandoned to attend an overseas Pride Fest. Writer-director Darren Thornton delivers a quietly...

FESTIVAL
SIFF ‘24 Capsule Review: ‘SING SING’ Frees the Humanity Incarcerated Within

SIFF ‘24 Capsule Review: ‘SING SING’ Frees the Humanity Incarcerated Within

Based on the true story of the Sing Sing prison’s “Rehabilitation Through the Arts” program, Greg Kwedar’s sensitively-told American drama is a profound act of cinematic grace. Colman Domingo, in yet another towering performance, stars as Divine G, a wrongfully jailed playwright who works with the prison population to put on theatrical productions and find...

FESTIVAL
SIFF ‘24 Capsule Review: ‘BOB TREVINO LIKES IT’ Will Break Your Little Heart

SIFF ‘24 Capsule Review: ‘BOB TREVINO LIKES IT’ Will Break Your Little Heart

When Lily’s (Barbie Ferreira) narcissistic father, Bob Trevino (French Stewart, unrecognizable in the role), cuts off contact with his lonely well-meaning daughter, she finds a “surrogate dad” online (John Leguizamo) who shares the same name. Their relationship blossoms into something profound and poignant, with each struggling with their own personal demons but overcoming them through...

FESTIVAL
SIFF ‘24 Capsule Review: ‘ODDITY’ Brings Paranormal Scares

SIFF ‘24 Capsule Review: ‘ODDITY’ Brings Paranormal Scares

Damian McCarthy’s SXSW audience award winnerOddity sees a blind medium (Carolyn Bracken) strike out for revenge after her twin sister is brutally murdered. A twisty midnight movie from Ireland that effectively balances jump scares and tension within its unique premise of otherworldly vengeance and recompense, Oddity dolls out its narrative breadcrumbs at a healthy pace,...

FESTIVAL
SIFF ‘24 Capsule Review: It Takes a Village to Raise ‘BABES’ 

SIFF ‘24 Capsule Review: It Takes a Village to Raise ‘BABES’ 

Director Pamela Adlon and writer-star Ilana Glazer bring their comedic prowess to Babes, a crowd-pleasing pregnancy comedy that reworks the familiar “oops-I’m-pregnant” trope with a fresh, feminist twist. Despite its predictable plot, the film shines with Glazer’s brassy humor and a heartfelt celebration of female friendship, positioning itself as a millennial answer to Juno. The...