BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, May 26, 2026
SILVER SCREEN RIOT
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FESTIVAL
SIFF ‘24 Capsule Review: ‘JANET PLANET’ Orbits Momotony

SIFF ‘24 Capsule Review: ‘JANET PLANET’ Orbits Momotony

A maladjusted soon-to-be-middle-schooler and her codependent acupuncturist mother navigate summer break and a string of bad relationships in Pulitzer Prize winning playwright Annie Baker’s studious but tedious drama Janet Planet. Janet and Lacy’s intertwined existence rests at the intersection of intimacy and monotony,  as the duo swing between piano lessons, summer camp, local theater, picnics,...

FESTIVAL
SIFF ‘24 Capsule Review:  ‘EVIL DOES NOT EXIST’ Ponders Divide Between Man and Nature

SIFF ‘24 Capsule Review:  ‘EVIL DOES NOT EXIST’ Ponders Divide Between Man and Nature

Ryusuke Hamaguchi’s follow-up to Drive My Car, the meditative nature drama Evil Does Not Exist, is anti-commercial in every conceivable way, its slow-moving narrative primed to test the patience of viewers used to films with more assertive pacing. Though it takes a while to get off the ground and reveal what it’s actually about, this...

FESTIVAL
SIFF ‘23: Danish Mindf*ck ‘SUPERPOSITION’ Freaked Me Right Out

SIFF ‘23: Danish Mindf*ck ‘SUPERPOSITION’ Freaked Me Right Out

Teit (Mikkel Boe Følsgaard) and Stine (Marie Bach Hansen) are storytellers who’ve left civilization to live off the land for a year – and podcast about the experience – in Superposition. The issue is that might not be the only Teit and Stine out there. This dense and well-constructed metaphysical thriller is designed to screw...

FESTIVAL
SIFF ’23: ‘My Animal’ Unleashes Queer Love and Werewolf Angst

SIFF ’23: ‘My Animal’ Unleashes Queer Love and Werewolf Angst

In My Animal, Jacqueline Castel deftly blends ’80s nostalgia and Giallo inspiration into a queer, modern fairy tale. This indie film take on high school werewolf erotica feels like a darker, more niche Stephanie Meyer creation, complete with issues of abuse and alcoholism, the tension of forbidden love, and, yes, werewolf angst. Bobbi Salvör Menuez...

FESTIVAL
SIFF ‘23: Romantic Korean Drama ‘PAST LIVES’ Aches With the Power of Many Lifetimes

SIFF ‘23: Romantic Korean Drama ‘PAST LIVES’ Aches With the Power of Many Lifetimes

Some of the most romantic movies to ever exist (Before Sunset) don’t feature even a kiss. Enter Past Lives, Celine Song’s achingly romantic two-hander about a pair of entangled Korean childhood friends who must navigate their deep connection across 7,000 miles (she’s in New York, he’s in Korea) and 24 years as they drift into...

FESTIVAL
SIFF ’23: Gothic Thriller ‘MOTHER SUPERIOR’ A Tight Haunt

SIFF ’23: Gothic Thriller ‘MOTHER SUPERIOR’ A Tight Haunt

The occult dabblings of the Nazi party casts a dark pall over the estate of a witchy Baroness circa 1975 Austria in Marie Alice Wolfszahn’s Mother Superior. The  atmospheric, feminist midnight movie tells the story of deep-cover nurse Sigrun (Isabella Händler) as she attempts to puzzle out the mysteries of her lineage, only to stumble...

FESTIVAL
SIFF ‘23: Daddy-Daughter Dramedy ‘SCRAPPER’ a Delightful Diversion

SIFF ‘23: Daddy-Daughter Dramedy ‘SCRAPPER’ a Delightful Diversion

Georgie (Lola Campbell) is a 12-going-on-30 type, living on her lonesome in her London flat following the death of her mum in Scrappers. When her estranged deadbeat dad (Harris Dickinson) hops the fence and re-enters her life one day, Georgie has to navigate her newfound feelings towards her out-of-the-woodwork parental figure in writer-director Charlotte Regan’s...

FESTIVAL
SIFF ‘23: Horrifying ‘20 Days in Mariupol’ is As Traumatic as it is Necessary 

SIFF ‘23: Horrifying ‘20 Days in Mariupol’ is As Traumatic as it is Necessary 

Dying babies. Dead bodies. Mass graves. Shelled maternity wards. War crimes. 20 Days in Mariupol is not for the faint of heart. It is however an urgent and unblinking reminder of the atrocities occurring to this day in Ukraine, with director Mstyslav Chernov documenting indiscriminate violence in horrifying detail. This makes for a documentary that’s...

FESTIVAL
SIFF ‘23: Belgium Drama ‘WHEN IT MELTS’ a Painful Kick in the Feels

SIFF ‘23: Belgium Drama ‘WHEN IT MELTS’ a Painful Kick in the Feels

A feel-bad Belgium coming-of-age story, Veerle Baetens’ When It Melts focuses on increasingly predatory pubescent children as they learn the art of exploitation. Icky but powerful – and powerfully performed (young Rosa Marchant is outstanding) – this somber drama is incredibly uncomfortable but packs an emotional wallop. Though it becomes increasingly obvious where things are...