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SIFF ’19: Zom-Com ’THE DEAD DON’T DIE’ Is Stiff Attempt at Satire

As if struck with rigor mortis, Jim Jarmusch’s take on zombies is a DOA satire of sorts, one that’s much too self-aware for its own good. Foregoing the traditional scares of an undead creeper, Jarmusch swings and misses trying to put the “dead” in deadpan comedy. Even his pairing of stars Adam Driver and Bill Murray remains something that sounds better on paper than actually works in this context, their synchronized low-energy, unfazed drift through the world of the undead unable to get much of a rise. Read More

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Out in Theaters: ‘THE OLD MAN AND THE GUN’

There’s a timeless charm to The Old Man and the Gun, easily obsessed in the breezy chemistry of its two elegant stars. The sparkle dancing in Robert Redford’s eye reflects off the Golden Era glimmer of Sissy Spacek’s gentle curl of a smile. Their attraction is palpable, enchanting. Like sweet senior citizens slow dancing to a Sinatra classic. Imported from the height of 1970s quirk, this true story is cool in much the same way a stand-up bass is cool; it’s an old-timey classy caper, outdated though it may be, that serves as a fitting send-off for the always reliable Redford.  Read More