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Awesomely Poisonous ‘HER SMELL’ Turns Elisabeth Moss’ Punk-Rock Stardom into Horror Show

There’s a heartbeat cadence throbbing in the background of Her Smell. Racing like a speed addict’s BPM, undulating and omnipresence, it thrums. Maybe it’s the pulsing cry of the expectant crowd. Or the muted surge of an opening act bleeding through thick subterranean walls. But it’s there, subtly informing the uneasy tension and amplifying the sense that things could go desperately wrong at any given moment. With Becky Something, disaster – in the form of a looming overdose, public implosion, or full mental break – lurks in every corner. Read More

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‘AVENGERS: ENDGAME’’s Epic Stroll Down Memory Lane Makes for Best MCU Film Yet

The Marvel Cinematic Universe began in earnest when Tony Stark proclaimed, “I am Iron Man.” Then Nick Fury stepped out of the shadows and assembled a team. The movie industry shook. It was the beginning of something new; an unchartered holistic approach to franchise filmmaking and the genesis of a box office monolith unlike any to have ever proceeded it. Over the course of 21 films, the MCU has become the equivalent of global Saturday morning cartoons; serialized superhero adventure stories that somehow most of the world has bought into. And all that comes to a head in Avengers: Endgame, a movie that is so momentous, it’s difficult to classify in and amongst other general releases. Empty out your pockets now folks, cuz you’re gonna need to strap into this ride a few times.  Read More

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Robert Pattinson Becomes An Astronaut Dad Aboard Spacey Psychosexual ‘HIGH LIFE’

Throughout the 1960s and 70s, United States prisoners became the victim of scientific research the country over. A new golden age of scientific progress demanded countless scores of human lab rats to test medications, creams, deodorants, etc. on and who better to experiment with than a captive population with rock bottom demands for their participation. The new film from French filmmaker Claire Denis is a response to the age of the Stanford Prison Experiment as High Life blasts a vessel loaded with death row criminals into the stratosphere to see what happens. But even that minimalist description can’t set the stage for what is in store with this hairy meditation on humanity and scientific progress.  Read More

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‘US’ a Superfly Flurry of Inventive Horror-Comedy World Building

Comedy and horror exist in harmonious marriage to one another. Even the grimmest horror exploits regularly squeeze uncomfortable laughs from packed crowds, too hopped up on their own nerves not to giggle with anticipation or great relief after a big scare. Screams and laughs are the wine and cheese of any good horror movie, a perfect pairing, and Jordan Peele’s uncompromisingly cool Us comes boasting a delicious vintage of both.  Read More

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Gaspar Noé Hosts World’s Worst Acid Dance Party in ‘CLIMAX’

Climax is a movie only Gaspar Noé could – and would – make. The French provocateur has long embedded hallucinatory imagery into his pictures – his 2009 feature Enter the Void is a literal out-of-body experience adopting the POV of a slain drug dealer – but takes his flirtation with on-screen drug use to new levels with his latest experimental feature, which follows an acid-dosed troop of dancers over the events of an increasingly unhinged night. The journey is a dark and delirious jaw-dropping mindfuck for sure, but one of horrifying technical marksmanship that is sure to burrow under your skin and peck at one’s brain. Like blood in the carpet, these psychological stains won’t wash out easily.  Read More

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The 100 Greatest Horror Films of the Decade

Love ’em or hate ’em, horror movies are more popular now than they have ever been. And for great reason. This decade has delivered a multitude of diverse horror options, smashing box office records, and even earning a slew of major awards nominations along the way. What’s more, the genre of late has taken a notable step forward out of the schlock, ceaseless sequels, and torture porn of the decade that preceded it and instead allowed fresh voices to give the genre a fresh coat of paint. Whether you prefer plain-ole slashers, psychological thrillers, sensual vampires, classic possessions, evil haunted houses, or even killer mermaids, the 2010s have delivered in spades. And then some. Read More

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Discombobulated ‘Serenity’ Nears ‘The Room’ Levels of Unintentional Hilarity

There are bad movies and there are bad movies, the distinction being that the one is purely torturous to watch whereas the other has the alchemic ability to actually bring us great pleasure. To transmute movie-making stool into movie-watching gold. It’s observed in the difference between Michael Bay’s Transformers movies and XXX: The Return of Xander Cage; the line in the sand dividing Yoga Hosers and The Snowman. They’re all bad but some are bad enough to double back and turn sour to sweet.  Read More

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Silver Screen Riot’s Top Ten Films Of 2018 

It’s that time of year again. The time to whittle down the 147 (as of writing) movies in 2018 I’ve seen into a somewhat arbitrary and totally non-definitive Top Ten list.  Each and every confounded year, us critics fold ourselves into pretzels to construct these things and year in and year out, usually end up regretting a number of the choices, particularly as time moves on. Hell, I’ll probably regret half this list once I hit the publish button.  I totally reserve the right to reverse these choices in the future so don’t hold my feet to the fire if my tastes have changed in 2021. Or 2020. Or January 4, 2019. But such is life and here we are, forced to complete arbitrary rankings in the hopes for improved SEO and reader’s delight. Read More

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‘ROMA’ a Dreamy, Gorgeous Slice-of-Life Historical Fiction

Life is what happens when we’re not paying attention. Small, routine moments mark our transition through the world, often going ignored or unnoticed. We live in them, with them. It is here that Alfonso Cuarón sets his story – in the seeming mundanity of the life of a 1970’s  Mexico City housekeeper named Cleo. Her story is quaint, upon first brush. She tends to a middle-class family, lighter in skin tone than she but suffering their own afflictions nonetheless, and we’re invited to drop in, given visitation rights to observe the lulling normalcy of this chaotic collection of lives.  Read More

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‘THE FAVOURITE’ is the Cattiest Movie of the Year in the Best Way Humanly Possible 

Vying for the sole affection of Queen Anne – and all the status that comes with it – two cousins from different stations stoke a bitter rivalry in Yorgos Lanthimos exquisitely-mounted The Favourite. Scrumptiously rancorous,  Lanthimos’ foray into costume drama is a series of verbal death matches, its characters clawing at one another’s reputation, the performances from its perfectly-cast stars provide each and every syllable of Deborah Davis and Tony McNamara’s wonderfully cutting script a searing eclipse of clever-wit, cunning undercuts and good-humor that never second-guesses going straight for the jugular.  Read More