BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Wednesday, April 22, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

#SXSW 2021

INTERVIEW
Talking with SXSW Breakout Mallory Everton: Star, Writer, and Director of ‘RECOVERY’

Talking with SXSW Breakout Mallory Everton: Star, Writer, and Director of ‘RECOVERY’

Look, just about the last thing on earth that anyone is craving nowadays is more COVID-19 talk. No one wants mask jokes or commentary on toilet paper shortages nor do they want to deep dive into the horrors of having lost 550,000 Americans and counting to a pandemic that quickly became a hot-button political issue....

FESTIVAL
SXSW 2021: ‘SOUND OF VIOLENCE’ Is the Ultra-Campy ASMR Slasher You Didn’t Know You Needed

SXSW 2021: ‘SOUND OF VIOLENCE’ Is the Ultra-Campy ASMR Slasher You Didn’t Know You Needed

There is a scene early on in the absolutely bonkers horror camp-fest Sound of Violence where murderess-musician-mistress Alexis (Jasmin Savoy Brown) kidnaps a homeless man and rigs him up like an electric drum set. Part-hardware, part-flesh, done up as if Kevin Mcalester and Jigsaw were there to help perfect the evil mastermind mechanics. A meat...

FESTIVAL
SXSW 2021: Goretastic ‘JAKOB’S WIFE’ Is the Most Fun Vampire Movie in Years 

SXSW 2021: Goretastic ‘JAKOB’S WIFE’ Is the Most Fun Vampire Movie in Years 

According to Biblical etymology, the name Jakob as found in Genesis is derived from the word for “heel”. In Jakob’s Wife, the eponymous Jakob (Larry Fessenden) is indeed a heel; an old-fashion minister who looks down his nose at his parishioners and town’s hoi polloi and treats his wife as a subservient inferior. When an...

FESTIVAL
SXSW 2021: Dead in the Water ‘OFFSEASON’ A Bloated, Shambling Corpse of a Seaside Haunter 

SXSW 2021: Dead in the Water ‘OFFSEASON’ A Bloated, Shambling Corpse of a Seaside Haunter 

A featherlight folk horror from Mickey Keating (Carnage Park), Offseason fails to conjure much of a reason for its existence, plundering the corpses of similar seaside folklore horror stories but bringing zero new ideas or visual intrigue to the table. At only 83 minutes, the barebones haunted town horror tale still majorly drags, a problem...

FESTIVAL
SXSW 2021: ‘THE FEAST’ Is Scrumptiously Unnerving Folk Horror 

SXSW 2021: ‘THE FEAST’ Is Scrumptiously Unnerving Folk Horror 

High in the Welsh hills, an elemental force awakens. This land is sacred and foreign; a far-flung neverland where verdant hills and the marble-mouthed language both prove striking and ancient. A place where helping neighbors lend a hand and whisper of mythical no-no’s. The first shot of Lee Haven Jones’ gothic folk horror juxtaposes man’s...

FESTIVAL
SXSW 2021: ‘WITCH HUNT’ Explores a World Where Witches Are Real and Illegal

SXSW 2021: ‘WITCH HUNT’ Explores a World Where Witches Are Real and Illegal

America never got past its Salem period in Elle Calahan’s allegorical social horror movie Witch Hunt. The only difference is, in Calahan’s world, witches actually do exist. The United States is a perilous place for those magical few; the practice of witchcraft has been banned and is punishable by death; families of convicted witches are...

FESTIVAL
SXSW 2021: ‘HERE BEFORE’ A Tricky Psychological Thriller That Just Might Awaken the Undead

SXSW 2021: ‘HERE BEFORE’ A Tricky Psychological Thriller That Just Might Awaken the Undead

Andrea Riseborough may be our greatest under-appreciated actress working today. Delivering standout turns in indie favorites like Mandy, Possessor, and Birdman as well as leading Amazon’s excellent crime drama ZeroZeroZero, Riseborough has slowly proven herself a transfixing chameleon presence. A la the great Tilda Swinton, with whom she shares vampiric lily white skin and sharp...

FESTIVAL
SXSW 2021: Floral Horror ‘GAIA’ a Nightmarish Reckoning with Nature 

SXSW 2021: Floral Horror ‘GAIA’ a Nightmarish Reckoning with Nature 

Eco-horror is having a resurgence of late, as are psilocybin mushrooms as a visual language in film. Jaco Bouwer’s formidable woodland creeper Gaia fits snugly into a recent wave of psychedelic folk horror, a subgenre that binds Ari Aster’s Midsommar, Alex Garland’s Annihilation, Ben Wheatley’s In the Earth (a recent Sundance release that would make...