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SILVER SCREEN RIOT
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REVIEW

Out in Theaters: TAMMY

By Chris Bunker · July 3, 2014
Out in Theaters: TAMMY
Where to watch: Rent or buy on digital where available (updated October 2026)Rent or buy on Amazon · Buy on Blu-ray/4KAs an Amazon Associate, Silver Screen Riot earns from qualifying purchases.

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Begin Again played with alcoholism; Tammy’s the kind of movie that’s alcoholic. The whole thing seems inebriated, like it was shot with a camera in one hand and a shot of booze in the other. Never mind that Susan Sarandon spends the film chugging whiskey and brews, or that Melissa McCarthy can’t seem to make it a mile without blowing something up. People you watched in movies back in the ‘80s and ‘90s keep popping up in random places as if you stepped into a bizarro Hollywood career rehab. Hey guys, wanna fit Dan Aykroyd in this movie? What about Gary Cole? Sure. Screw it.

Watching old people make whoopee isn’t fun for anyone. Neither is diabetes. Tammy has a lot of both, usually at the same time. There’s a lot of amusement mixed in with things you’d rather not think about: unemployment, aging, prison. If you want to watch someone crash a jet-ski, you might as well watch America’s Funniest Home Videos and skip Ben Falcone’s hour-and-a-half long road-trip comedy.

I went into Tammy expecting fat jokes and toilet humor. There are a lot of both, but they’re not as bad as you’d think. McCarthy turns a lot of nothing into something. The film opens with her crashing into a CGI deer. Nothing’s funny about it, but the film draws it out for a minute. She recovers: after getting fired from her job at KFC-esque “Topperjacks,” where everyone dresses like a rodeo clown in parachute jumpsuits, she throws a tantrum. As a glorified loser she plays up the moment, throwing burgers and insults. She heads home to find her husband (Nat Faxon) eating a romantic dinner with the next door neighbor (Toni Colette). You don’t want to feel bad for her, but she turns up the embarrassment. It’s sweaty comedy: she has to burn a lot of calories to get any laughs, but damn it does she try hard.

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At first you don’t know what to think about Susan Sarandon as McCarthy’s drunken grandma. Sarandon’s made her career playing a mom—it’s difficult to imagine her suffering as a Grandma. When she heads out to road-trip to Niagara Falls with McCarthy and pulls out the liquor, you can still see the youth in her smile. Along the way they keep getting into crazier situations: jet-ski’s get Viking burials at an all-Lesbian 4th of July party, cars get blown up, the two end up in jail. At one point McCarthy holds up a Topperjacks with a paper bag on her head and a rolled up bag covering a finger gun—all this just to bail Sarandon out. The two go back—hostile paper bags on heads—to return the money.

Awkward romance finds itself in this film too. Sarandon hooks up with the aforementioned Gary Cole in the back of a car while McCarthy and Cole’s son (Mark Duplass) sit on the trunk. They move to a hotel room and McCarthy’s left to sleep outside. Amidst the old people fornicating, Duplass’s character falls for McCarthy’s wacky charm and somehow a relationship develops. This is awkward on many levels, and doesn’t really make any sense. McCarthy’s Tammy has absolutely nothing going for her, so why would Duplass’ character have any interest at all?

As much as it struggles with itself, Tammy is brutally honest. Though there’s a lot of heavy topics packed in, the film knows how to turn the discomfort into candid comedy. Kathy Bates and Sandra Oh play a lesbian couple with a passion for explosions. They make light of their struggle as a same-sex couple, and it’s genuinely funny even in its seriousness. Bates brings a lot to her role and delivers some touching moments. Sarandon’s alcoholism breeds some comedy within the sadness too.

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Hidden in all the fat jokes and potty humor is a vulnerable McCarthy, who knows how to take it and when to give it out. Though there are a lot of dumb jokes you’d expect from an Adam McKay/Will Ferrell produced comedy, there are some gems too. Her robbery antics at the Topperjacks struggling to jump over the counter and stealing hot pies gets a giggle. Her dance to “Thrift Shop” collects a grin. McCarthy puts the belly in belly laugh.

Wickedly funny at points, there’s a lot of internal strife—you know where Tammy wants to go but it takes the long way there. Despite its simplicity, McCarthy and Sarandon are quirky and fun, though far from smart. Who figured Sarandon would have any sort of comic timing? They’re not the first pair you’d want to road trip with, but at least they’re something to laugh at. If anything, Tammy is a reminder that no matter how bad life gets, it can always get a lot worse. 

C

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