13 Most Disturbing Horror Movies of the Last 13 Years

October 12, 2014 by Matt Oakes Posted in Lists, Most Popular Tagged 28 Days Later, Antichrist, Bug, Horror, I Saw the Devil, Inside, Irreversible, Kill List, Lists, Martyrs, Starry Eyes, The Descent, The Loved Ones, The Mist, Tusk 70 Comments

First of all, I’m gonna throw down the NSFW gauntlet for these 13 most disturbing horror movies of the last 13 years because what you are about to witness is, as the name suggests, a list of not exactly your grandma’s horror movies. These are the most twisted, most gnarly, most graphic horror films ever. Their intent is to scar you. Their purpose, to become your nightmare. In the patheon of twisted, these reign supreme. The sample pictures I’ve included alone should be enough to scare you off from ever watching any of these twisted entries in a troubled genre. Treat this as a dare, not a suggestion. You enter the territory of the twisted on your own accord. If you’re still around by the second to last entry, may God have mercy on your soul. Read More

13 Most Disturbing Horror Films of the Last 13 Years

October 12, 2014 by Matt Oakes Posted in Lists Tagged 28 Days Later, Antichrist, Bug, Horror, I Saw the Devil, Inside, Irreversible, Kill List, Lists, Martyrs, Starry Eyes, The Descent, The Loved Ones, The Mist, Tusk 16 Comments

First of all, I’m gonna throw down the NSFW gauntlet for these 13 most disturbing movies of the last 13 years because what you are about to witness is, as the name suggests, a list of not exactly your grandma’s horror movies. These are the most twisted, most gnarly, most graphic horror films ever. Their intent is to scar you. Their purpose, to become your nightmare. In the patheon of twisted, these reign supreme. The sample pictures I’ve included alone should be enough to scare you off from ever watching any of these twisted entries in a troubled genre. Treat this as a dare, not a suggestion. You enter the territory of the twisted on your own accord. If you’re still around by the second to last entry, may God have mercy on your soul. Read More

A Flawless, Expert, Foolproof Ranking of David Fincher’s Films

September 29, 2014 by Matt Oakes Posted in Lists Tagged Alien 3, David Fincher, Fight Club, Lists, Panic Room, Ranking, Seven, The Curious Case of Benjamin Button, The Game, The Girl With the Dragon Tattoo, The Social Network, Zodiac

Seeing that Gone Girl screens here in Seattle tonight, I’ve taken it upon myself to go through and rank the films of auteur filmmaker David Fincher. Fincher is simply one of our generation’s greatest filmmakers, offering dark, twisted and thrilling dramas riddled with psychological horror and saddled with a tone so black, it’d make a crow look pale. He’s got a visionary’s eye, a penchant for working with great actors (including a close working relationship with Brad Pitt) and a knack for technical perfection, contributing some truly amazing films to the last two centuries of film cannon. Counting down his works in anticipation of the public release of Gone Girl, these are Fincher’s films ranked for your convenience. Read More

2014 SIFF Offers 435 Films, I Offer 25 Must Sees

May 5, 2014 by Matt Oakes Posted in Festival News Tagged Boyhood, Calvary, Cannibal, Creep, Difret, Fight Church, Film Festivals, Firestorm, Frank, Grand Central, Happy Christmas, How to Train Your Dragon 2, In Order of Disappearance, Kumiko the Treasure Hunter, Leading Lady, Lists, Lucky Them, Mood Indigo, Obvious Child, Seattle International Film Festival, SIFF 2014, The Grand Seduction, The Internet's Own Boy, The Skeleton Twins, They Came Together, Time Lapse, To Kill a Man, Venus in Furs, Wetlands

Update June 3: More reviews added, no standing replacements.

Update May 17: Seeing that some of these didn’t live up to expectation, some prior “Must Sees” have been yanked and new additions have taken their place. After all, who doesn’t love some corrections and omissions?!

For its 40th, the Seattle International Film Festival is again raising the bar on itself, this year offering a whopping 435 films including 198 feature films, 60 documentaries, and 163 short films from 83 countries. Of those, 44 are world premieres, 29 North American premieres and 13 US premieres. All this amongst a slew of festival favorites from this year and last. Let’s just say that the odds of seeing them all just got that much slimmer.

Kicking the festival off is Oscar-winner (12 Years a Slave) John Ridley‘s Jimi: All is By My Side, a zero frills biopic that chronicles the afro-ed classic rocker’s year in Britain leading up to his iconic Woodstock performance. And all by his side is 12 Years alum Chiwetel Ejiofor who will be in attendance May 19 (6 PM @ The Egyptian Theater) to talk about his new film Half of a Yellow Sun, an African-produced historical drama about Nigerian’s civil war through the 60s. Ejiofor will also take place in a Q&A with an audience eager to speak with the Academy Award nominee that same evening.

The festival will close June 8 at the glorious Cinerama with The One I Love starring Elizabeth Moss (Mad Men) and Mark Duplass (The League) which saw strong reviews opening at Sundance and is said to mix elements of modern romance with “Twilight Zone” twists and turns. Add it to the ever growing “To See” List.

But likely the most exciting and anticipated film of the festival will be found in SIFF’s Centerpiece Gala in Richard Linklater‘s Boyhood on Saturday, May 31 @ 5 PM. I had the great fortune of being amongst the first audience to see this at Sundance and it did nothing short of blow me away. Though I don’t want to be greedy and steal away the seats of those yet uninitiated to Boyhood, I look forward to experiencing it again and may not be able to resist a second viewing.

Since it’s all but impossible to see everything at SIFF, I have a list of 25 must sees that should put you on the right track for this year’s festivities.

The 25 Must Sees of SIFF 2014

Boyhood
Obviously Boyhood is gonna be on the list. I absolutely loved it and could wax said love over this page all day but I’ll spare the gushing and just tell you that of the 80+ films I’ve reviewed this year (!!!) this is the only to have yet received an A+. Sundance review here.

Mood Indigo
Michael Gondry returns to the realm of the weird, this time in his native French language, in what should be equal measures charming, bittersweet, and esoteric. The incredibly alluring Audrey Tatou is Chloe, who becomes wrapped up with a quirky inventor, even though she’s dying (because she has flowers growing in her lungs.)

Grand Central
Blue is the Warmest Color star Lea Seydoux puts in her second turn against A Prophet‘s Tahar Rahim in this French/Austrian production about a risky love affair set at the nuclear power plant where they both work.

Venus in Furs
Carnage wasn’t exactly the prodigal return for Roman Polanski we might have hoped for but it was anything but bad. Polanski continues his recent tradition of adapting lauded plays with Venus in Furs which stars Mathiew Amalric (Quantum of Solace) and is filmed in Polanski’s native French. Venus focuses on a playwright’s battle with his creative side. SIFF review here.

Cannibal
The chilling promo image alone gets me thinking Psycho and added to the fact that this production is in part Spanish, Romanian, Russian and French, gives it the taste of “something new.” Hopefully it brings the scares to the table in a SIFF surprisingly short on them. No longer considered must see, read our SIFF review here.

The Double (new addition)
Jesse Eisenberg stars as two polar opposites in this Orson Welles inspired black comedy. Wickedly weird but quietly potent, The Double might not be the best doppleganger film of the year (that award goes to Enemy) but it’s certainly compelling viewing that’ll leave you oddly fulfilled. SIFF review here.

Wetlands
A brilliantly told German satirical sexploitation/black comedy based on the popular and controversial German novel from Charlotte Roche. Wetlands is ooey, gooey fun that’ll make the hardest of stomachs churn every now and again but fully worth it for anyone up to the task. Sundance review here.

Lucky Them
What better to symbolize Seattle than the Sub Pop music scene? Megan Griffiths, who directed last year’s critically acclaimed Eden, takes on an entirely different subject right here in the rainy city and feel aided by performances from Toni Collette, Thomas Haden Church, and Oliver Platt.

They Came Together
Although the trailer shown seems to suggest a movie so deep in meta that it didn’t know which way was up, They Came Together found loads of fans when it played at this year’s Sundance. The ingredients alone – Amy Poehler, Paul Rudd, David Waine (director of Wet Hot American Summer) in a doubly farcical, heavily tongue-in-cheek rom-com – seems primed for success.

How to Train Your Dragon 2
This is a tricky one to really anticipate as sequels are as much of a toss up as one can plan for but if the quality boast of Toy Story 3 and the wild success of the first How to Train Your Dragon are any indication, this could be the best widely-released animated feature of the year.

Time Lapse
Bradley King‘s directoral debut follows a group of three friends who discover a camera that shows events in the future, and looks to combine elements of sci-fi and horror into a thrilling narrative ride. Set for it’s North American premiere at SIFF, Time Lapse looks more promising than most within its field. Not gushing SIFF review here.

The Trip To Italy (new addition)
Four years after The Trip, Steve Coogan may be more clean cut than the shaggy Brit we once was but his and Rob Brydon’s chemistry is as flammable as ever. “Their old-as-they-are relationship paves the way for improvisation prowess so organic its feels more like second natural than performance. More impressions, absolutely stunning vistas, Alanis Morissette’s croon, lazily waxing on life and pasta, pasta, pasta gives intrepid life to The Trip to Italy.” SIFF review here.

The Skeleton Twins
SNL favorites Bill Hader and Kristen Wiig join Bellingham director Craig Johnson to tell his droll comedy about a pair of twins who cheat death and reunite to vent about it. Glowing SIFF review here.

Happy Christmas
Joe Swanberg returns to SIFF to present yet another unscripted, inescapably 21st-century dramedy this time starring Girls creator and star Lena Dunham. I was a big fan of Drinking Buddies and hope this can replicate a similar sense of realism in its relationship. SIFF review here.

Leading Lady
One of SIFF’s world premieres and the return of Fanie Fourie’s Lobola (SIFF’s 2013 Best Film winner) director, Leading Lady sees a struggling actress move to South Africa to prepare for the role of a lifetime but ends up finding so much more. An absolutely abysmal film that I regret ever suggesting. Please accept my apology.

Intruders (new addition)
Considering that I’ve hacked a lot of Foreign language World Cinema out of this list of Best Sees, I wanted to make sure to draw some attention to one of the better of the foreign films and a film that is sure to excite audiences willing to pop on their glasses for 90 minutes. Intruders is Hitchcock by way of South Korean, an exciting thrill ride that doesn’t let up until the credits roll. SIFF review here.

Obvious Child
Jenny Slate might be the new face of NYC faux-chic after the string of success Obvious Child has seen. Honest, hilarious and horny, this tale of growing up in a modern age has been winning support like Daenerys liberating Slavery’s Bay. SIFF review here.

Calvary
If you leave the theater after Calvary dried-eyed, you must be at least part Fembot. With a monstrous performance from Brendan Gleeson, stunning cinematography and a decidedly more mature turn for director John Michael McDonagh, Calvary is a must see. Sundance review here.

Firestorm
This 2013 Hong Kong feature was nominated for a slew of native film awards including Best Action Choreography, Best Editing, Best Visual Effects and Best New Director and with my penchant for violent Asian cinema, I have trouble believing that this won’t be a surprise victory for SIFF. Could not be less of a must see. Ugly SIFF review here.

10,000 KM (new addition)
A vivid portrayal of love fading under the constaints of long distance, this Spanish romance is filmed with lively realism and overflowing with brillant performances from its captivating leads. A definer of the phrase “must see”. SIFF review here.

Frank
Although the stars seem alligned to keep me from this film (I stood in line for it at Sundance and SXSW and was denied) the fact that it’s coming to Seattle seems to either be mocking me or setting up a third times a charm situation. The fact that I already own a Frank mask pretty much necessitates me seeing this strange musical drama starring Michael Fassbender enclosed in a giant head. SIFF review here.

The Grand Seduction
Taylor Kitsch plays a doctor, Brendan Gleeson a fisherman in this Canadian comedy that looks to play fast and loose with the deadpan side of things. Seeing Kitsch and Gleeson (much anticipated) return to comedy oughta be worth the price of admission alone. SIFF review here.

Creep
Mark Duplass returns again, this time as a twisted stalker. He chews up the scenery like never before and is an absolute joy to watch. First time director Patrick Brice has made the found footage flick his own, crafting an unnerving thriller that’s frightening and cleverly twisty to boot! SXSW review here.

The Internet’s Own Boy
I asked someone at Sundance what their favorite film at the fest was and they pointed out this unassuming documentary. Following the life of Aaron Swartz, who laid the groundwork for RSS feeds and all but invented Reddit before killing himself at age 26, The Internet’s Own Boy appears heartbreaking and need to know. SIFF review here.

In Order of Disappearance
Stellan Skarsgard plays a snowplow driver who’s son is brutally murdered, leading to a chilling dark comedy that marries bloody revenge to belly laughs in this twisted fantasy said to be a tonal cousin to Fargo. SIFF review here.

Difret
SIFF programmer Dustin Kaspar gave the insider tip on the Africa Film segment, calling Difret the early “best of fest.” A 14-year old Aberash guns down an attacker that leads into a long court trial that bleeds into an ethical tribunal on Ethiopia’s warped marriage traditions that smile on kidnapping and rape. All based on a true story. Mild SIFF review here.

To Kill a Man
You know when you’re a critic when you look at a movie’s description and “Grand Jury prize-winning,” “vigilantism” and “Chile/France” pop out to you like solid gold. In sum: a man weighs the benefits and consequences of taking revenge. SIFF review here.

Kumiko, The Treasure Hunter
There must be something in the water making us all think Fargo as the cult Coen classic seems to be at an all-time high in terms of its popularity and influence. Kumiko, The Treasure Hunter sees an outcast Japanese misanthrope travel to Minnesota to seek out Steve Buschemi‘s abandoned satchel stuffed with cold, hard ransom cash. It’s a delightfully unorthodox romp, nothing short of epic. SXSW review here.

Fight Church
A documentary about a group of church goers who beat each other up to prove their devotion to God? Sign me up. Mildly disappointed SIFF review here.

Starred Up (new addition)
A brutal prison drama starring Jack O’Connell and Ben Mendelsohn showcasing the transformative power of a jail cell, Starred Up is certainly a hard watch but one that will leave you thinking. SIFF review here.

——————————————————————————————–

Surely there are many, many (many) more and there’s a good chance that some on the above list may end up stinking and sinking but we’re still mostly doing guesswork at this stage. However from word of mouth, early reviews and first hand experience, you have a good chance of catching some great material if you follow any above recommendations.

Check out the trailer for SIFF’s 40th anniversary here and visit SIFF’s website to buy tickets and check out more of the lineup.

Follow Silver Screen Riot on Facebook
Follow Silver Screen Riot on Twitter

The Absolute Worst Movies of 2013

January 16, 2014 by Matt Oakes Posted in Lists Tagged A Good Day to Die Hard, After Earth, All the Boys Love Mandy Lane, Diana, Epic, Getaway, Iron Man, Lists, Mandela: Long Walk to Freedom, Mortal Instruments: City of Bones, Movie 43, Now You See Me, Oz: The Great and Powerful, Pacific Rim, Parkland, Prince Avalanche, Reviews, The Canyons, The Fifth Estate, The Hangover: Part 3, The Host, The Last Exorcism: Part 2, The Lone Ranger, Worst Of

With all the talk of great movies out of the way, the task of singling out and ridiculing the slate of absolutely garbage that somehow managed to limp into theaters this year has come. Now every year inevitably sees a slew of flunkies hit the big screen like a batch of rotten tomatoes but I found 2013 in general to be a torpid offender in the “worst of” category. Maybe I ought to chalk up the number of bad movies this year to the fact that I watched over 150 films but then again, I did actively skip a lot of movies that seemed objectively “bad.”

You won’t find the likes of Scary Movie 5, Grown Ups 2, Safe Haven, or Madea’s Christmas on this list because there was no way I was going to see those films. At least the ones I’ve included below had a shot at being decent. Whether or not that makes them even more offensively bad is certainly a topic worth debating, but all that really matters is that they stunk to high heavens and deserve to be watched by no one.

Before I launch into the absolute bottom of this trash bag of entertainment, I do need to recognize some crud that managed to stay off the list just because their terribleness was one-upped. But don’t confuse their absence from the coveted top ten as me patting them on the head and letting off the hook. Think of it more like a police officer letting you off for grand theft auto because someone just set fire to a hospital full of cancer babies. Obviously they’re going to go after the baby arsonist. Here, I have my sights on the baby arsonists of cinema.

Dishonorable Mentions:

Prince Avalanche
The Last Exorcism: Part 2
The Lone Ranger
Parkland
Mandela: Long Walk to Freedom
Epic
Diana
Now You See Me
Pacific Rim
A Good Day to Die Hard

10. GETAWAY

A remarkably dull endeavor that (worse than anything) turned Ethan Hawke‘s otherwise considerable year on its head, Getaway uses close quarter tactics to unwittingly beat us into a state of exhaustion and apathy. More believably a hack than a hacker, Selena Gomez offers some of the worse acting of the entire year so poor Hawke didn’t stand much of a chance. Watching them interact is like having a Skype conversation with a five second delay. There’s just absolutely no life to it. There is one definitive scene towards the end of the film that showcases how the film could have been approached successfully but, unfortunately, filmmaker Courtney Solomon decided to go the easy, cliché action route and blasted out this dud of a thrill ride that’s absent on thrills and, at the end of the day, makes absolutely no sense.

9. OZ: THE GREAT AND POWERFUL

What a plastic, cold effort from otherwise rafter-swinging Sam Raimi. In addition to being a massive disappointment, Oz: The Great and Powerful is easily one of the worst of the year. It all just seems like one big joke. The cocksure and smarmy performance from James Franco is certainly gag-worthy but it’s somehow outshone by the spam of a performance from Mila Kunis as the poorly makeup-ed Wicked Witch. Even the usually consistent Michelle Williams and Rachel Weisz are flat and ineffective. For a movie with so much talent, promise, and resources, Oz is a far cry from great and not even remotely powerful.

8. ALL THE BOYS LOVE MANDY LANE

I hate to bury Adam Levine‘s 2006 horror movie that finally saw the light of day this year but it really deserved to stay in its coffin. Existing on a purely meta level, this genre film dares us to see past the faux-irony that is having everything we expect to happen happen. Or maybe the whole thing was supposed to be a shock and I just saw through it like the 35-cent jello mold that it was. Although a small fan base slobbered this one up, it unequivocally offered nothing new in terms of surprises, effects, or execution and was as wholly flat as the Texas plains where it takes place. All the Boys Love Mandy Lane is a glowing representation of the horror of lazy horror.

7. MOVIE 43

You know this list is bad when you find Movie 43 all the way up in seventh place. Steaming pile of garbage though it was, I didn’t actively hate Movie 43 the way I did many of the others on this list. Sure, it’s lazy, dumb, obnoxious, tasteless, offensive, and desperate for laughs but at least we didn’t go in to this expecting it to be a real movie. And for the many, many misses, there were a few sketches that worked my funny bone and I gotta dish out some credit where it’s due. Still, nothing this year clawed at my nerves like the Beezel the cat sketch. That was just in a league of its own.

6. THE HANGOVER: PART 3

An ugly and unnecessary conclusion to a series that should have ended when it began, The Hangover: Part 3 has no idea what it’s doing. Instead of rehashing the events of the first one like the Bangkok-set Hangover 2 did, this second sequel turns fatally dark and all but drops the comedy angle. There’s not a laugh to be found in its 100-minute runtime. And maybe it’s the disappointment that the series has fallen so far or maybe it’s the fact that this movie is just undeniably bad to the bone but The Hangover: Part 3 is the perfect example of sequels sullying the good name of the original. The decision to carry on the franchise even though they were clearly out of ideas is only exacerbated by bringing Ken Jeong‘s cringe-worthy Chow character to the forefront. What a steaming mess this flick is from cover-to-cover.

5. THE FIFTH ESTATE

A purely pathetic effort no matter which way you look at it, The Fifth Estate is the Billy Madison of biopics. And with its agenda so clearly honed in on degrading Julian Assange, I’m surprised they didn’t just have Adam Sandler play the part. Shockingly enough, it seems to have no idea how terrible it is. There are no character revelations, no sense of arc, no focus, and no real reason for this film to exist at all. Beyond the cinematic no-no that is trying to make coding cool, Bill Condon goes so far as to craft a series of scenes that take place in “the coding world.” Part bumbling Matrix-style mind game, part collective brain fart, these recklessly awful sequences provided some of the most laughable moments of the entire year. The true shame is that within The Fifth Estate is an important story but it was approached with the finesse of a drunk chimp and made for entirely daffy drama.

4. AFTER EARTH

Look no further than Jaden Smith‘s earth-shatteringly horrendous performance to see the failings of M. Night Whoever‘s latest box-office turd. It was a miracle that anyone agreed to finance another Shyamalan film after steady and progressively worse receptions of his films but, considering the sizable budget on this one and the seeming star power in the Smiths, hope was in the air that maybe After Earth would be a redemption of sorts of the faltering director. But when it crashed landed, it couldn’t have been further from a revival. Defunct on all levels, After Earth is one of the dumbest films to see the light of day in 2013 and fails on just about every level that a film could fail at. However if there was one film this year proved to us the effectiveness of acting through pouting your lips, After Earth proudly stands on the puffiness of Jaden’s punim.

3. THE MORTAL INSTRUMENTS: CITY OF BONES

Long, unnecessary title aside, plot threads dangle throughout The Mortal Instruments: City of Bones like cobwebs in a tomb. Though convention has taught us to expect resolutions by a movie’s end, it’s almost as if the people in charge here forget how many nonsensical plot holes were left gaping by the time the lights went up. The best, and worst, example of which includes the central teenage pair who fall for each other even though they’re informed that, you know, they’re brother and sister. But, I mean, whatevz right? Backed by awful, hammed up performances across the board, this flunkie failed to make even the devout YA fans care. The saving grace is that after such a disappointing financial cull, production was halted on the follow-up that was already in progress, so it’s unlikely that we’ll ever see a sequel.

2. THE CANYONS

As ugly as it is repugnant and pseudo-intellectual, The Canyons is gross and unnecessary on all fronts. Imagine a movie so bad that Lindsay Lohan looks endlessly talented when compared to her co-stars and the solitary selling point is its close resemble to soft core porn and you have the ingredients that make The Canyons. From the very first tracking shot that just screams amateur filmmaker, I knew this film was going to be awful but nothing could have prepared me for just how hideous and empty it really was. The Canyons goes about trying to indite LA trust fund babies for being vacuous and unable to relate by being vacuous and unable to relate. Like that guy who wears neon t-shirts down to his kneecaps and leaves the sticker on his b-ball cap and think he’s the cock of the walk, the whole cast and crew in The Canyons just don’t seem to realize that we’re laughing at them, not with them.

1. THE HOST

An amazing feat of filmmaking as implosion, The Host, when it isn’t awful, is busy boring you to tears. Even for a teen franchise, The Host is dramatically inept and utterly incapable of making you care about anything or anyone. As if that’s not enough already, it lacks even one moment of genuine excitement. Even the love quadrangle will leave tweens checking their watches. The Host transforms the boredom of watching the paint dry with waiting for the wheat to grow. Seriously, there are multiple scenes where the characters are literally waiting in a cave for wheat to grow. How did anyone expect this movie would appeal to anyone?! I haven’t even mentioned the intolerable voice-over inner-monologues a la teeny-bopper arguments which serve as the brown icing smeared on this shit cake. The Host is so actively bad that it seems like the kind of thing that would play on repeat in hell while your eyes are shuttered open Clockwork Orange style.

So there it is, the worst of the worst of 2013. As a consolation prize for everyone who made it all the way to the end, here are my (brief) awards for worst actor and actress.

Worst Actor: Johnny Depp “The Lone Ranger”/Jaden Smith “After Earth”

I had to make this category a tie because both performances are truly awful, but for their own unique, special reasons. While Jaden seems to be suffering from a case of not knowing any better, Depp has no such excuse. So a tie between Johnny “I don’t want ever watch the movies I’m in”/”I’m 1/64 native American so me playing Tonto isn’t offensive” Depp and Jayden “I literally can’t act”/”But Daddy says I can” Smith seems like a fore-drawn conclusion in the worst actor of 2013 showdown. When it comes down to the wire though, I don’t think I could be forced to choose which of their performances is more actively awful. Coin toss anyone?

Worst Actress: Selena Gomez “Getaway”/”Spring Breakers”

If there’s one thing Selena Gomez has proved trying to break away from her Disney image it’s that she shouldn’t have tried to break away from her Disney image. Her wildly ineffectively chemistry with just about anyone who happens to be unlucky enough to share a scene with her is written on the walls with permanent marker. Between her pitiful performances in both Getaway and Spring Breakers, Gomez only has herself to compete against herself to be named the Prom Queen of grade-F acting.

Follow Silver Screen Riot on Facebook
Follow Silver Screen Riot on Twitter

30 Most Anticipated Films of 2014 (30-21)

January 7, 2014 by Matt Oakes Posted in Lists Tagged Chef, Dumb and Dumber To, Edge of Tomorrow, Godzilla, How to Train Your Dragon 2, Jupiter Ascending, Lists, Locke, Most Anticipated of 2014, Only Lovers Left Alive, Sin City: A Dame to Kill For, Wish I Was Here

With 2013 now in the rear mirror, it’s time to look forward into the new year and start placing our bets on what’s going to turn out best. As always, there’s a slate of big blockbusters on their way but I only have little interest in a bulk of these. For this reason, you won’t find the likes of Hunger Games, The Hobbit, Captain America: The Winter Solider, and the overpopulated The Amazing Spiderman 2 on this list. Rather, this is a collection of films that I feel could surprise me, entertain me, amaze me and really stick with me throughout the year.

Here is my most anticipated movies of 2014.

30. How to Train Your Dragon 2

Let me just start by saying I absolutely loved How to Train Your Dragon. Between the inimitable animation and heart-rending tale of unexpected friendship (and did I mention dragons galore?), it was probably the biggest surprise of 2010 (a year overflowing with out of the park animated films). While HTTYD has become a certifiable pop franchise, with a television show, plans for a second sequel and three short films already under its belt, I’m hoping that this second installment is able to capture the magic and heart of the film but fear that it will suffer the blow of sequelitis.

Releases wide in 3D on June 13.

29. Jupiter Ascending

After almost falling off the radar with the one-two punch of the Matrix sequels and the DOA Speed Racer, the Wachowskis returned to cinema in a big, bold way with last year’s Cloud Atlas, a film equal parts compelling, confusing, and, all around, courageous. Their latest, Jupiter Ascending, aside from sharing a strange, ethereal name shares the ambition found in Atlas and could potentially rise above being a B-grade sci-fi actioner. Aided by hot ticket items Channing Tatum and Mila Kunis, let’s hope that this reminds us of the stuff that put the Wachowskis on the map.

Set to debut July 18.

28. Chef

You never know quite what’s in store when Jon Favreau steps behind the camera but no one can deny that the man knows how to harness fun. Though critics widely panned Cowboys & Aliens, I sided with it, calling it for the fun, tongue-in-cheek genre mash-up a title like Cowboys & Aliens suggested. And though I had some severe issues with Iron Man 2, we gotta give Favreau credit for putting Iron Man and the MMU on the map. But that’s neither here or there as Chef is a large departure from Favreau’s big blockbuster fare of late and is more in tune with his sardonic comedies the likes of Swingers. Starring Iron Man himself, Robert Downey Jr, as a chef who is fired and turns to working at a food truck, the cast is loaded with his trusty Avengers sidekick, Scarlett Jonahsson, alongside Modern Family‘s Sofía Vergara, Dustin Hoffman, and naturally, Favreau. If things looks go down as they should, this looks to have all the ingredients for critical and financial success.

Expected to release May 9.

27. Dumb and Dumber To

It’s been 20 years since Harry and Lloyd rode a Vespa to Aspen singing Mockingbird and causing heart palpitations. This time, rather than recast the roles with two nobody actors, the original cast is back. Even better is the fact that in the time since their last outing, Jim Carrey and Jeff Daniels have gone on to lead really respectable dramatic careers. Seeing them return to their roots after a decade of serious stuff will hopefully make it all that much more sweet. While we all collectively try to forget about Dumb and Dumberer: When Harry Met (oh god I just can’t) let’s hope that they go and do something that totally redeems themselves.

Set for a November 18 release date.

26. Only Lovers Left Alive

Jim Jarmusch is pretty much the Elvis of indie film (just look at his hair), and it doesn’t hurt that his latest benefits from a killer duo in Tom Hiddelston and Tilda Swinton, so the fact that the man is now dabbling in vampires is enough to get my curiosity piqued. Add to that the fact that buzz out of Cannes and Toronto was nothing but glowing and Only Lovers Left Alive earns its place as the one vampire movie of 2014 that I won’t dread seeing. If all goes well with my flights (*fingers crossed*) this should be the first film I see at Sundance so a mere ten days away for me at this point. The rest of you will have to wait until April 11 or later.

Will play at Sundance and then open in limit theaters on April 11.

25. Wish I Was Here

Aside from having going down in history for having one of the best soundtracks ever, Garden State was widely loved by critics and audiences for its salty take on the transitory twenties. It was the kind of indie rom-com with heart and purpose that seems to escape so many filmmakers. So it’s no wonder that Zach Braff‘s sophomoric film (and it’s been ten years) lands on my list. The fact that Braff funded the film through his notorious Kickstarter campaign also means no studio interference so this is the untarnished piece bolstered by full creative control. Wish I Was Here follows Aidan Bloom, a struggling actor, father and husband, who at 35 is still trying to find his identity; a purpose for his life. Sound anything like Braff’s Andrew Largeman? I thought so. I guess we’ll see how close this one hems to being a thematic sequel to Braff’s celebrated debut.

Will premiere at Sundance. Wide release TBA.

24. Sin City: A Dame to Kill For

I’m already kind of kicking myself for including this one but my lingering affection for Robert Rodriguez‘s first adapation of Frank Miller‘s crunchy graphic novel has twisted my arm. I can’t help but feel like this will be a throwaway follow up but the fact that Rodriguez and Miller have been working on this for ten years gives me a shimmer of hope that this will be the return to form the hit-or-miss filmmaker needs. Add to that the fact that Joseph Gordon Levvitt, Jeremy Piven, Eva Green, and Josh Brolin have joined a cast that already includes Sin veterans Bruce Willis, Mickey Rourke, Eva Mendez, and Rosario Dawson and I’m left assuming that they must have at least a solid story under their belt. Here’s hoping.

A late summer release means more Sin City for August 22.

23. Locke

Locke debuted last year at the Venice Film Fest to near unanimous support and is yet another on this list that I’ll be catching at Sundance. Featuring the always triumphant Tom Hardy (The Dark Knight Rises, Bronson), Steven Knight‘s film is said to channel the minimalism utilized in the surprisingly fantastic Buried starring Ryan Reynolds. The film takes place entirely inside the car Hardy’s Ivan Locke drives while he takes a number of calls in a race-against-time scenario.

Another film featured at Sundance 2014, Locke will open April 25 in select theaters.

22. Edge of Tomorrow

Tom Cruise is dangerously close to the “he can do no wrong” page in my book so just anything with the grinny 5’7″ action hero has me turning my head. Add to that a cool sci-fi concept that mashed mech suits with a Groundhog Day playground and I’m very much listening. Although I prefered the over-the-top original title, All You Need Is Kill, to the watered down product that is Edge of Tomorrow, this could be the type of blockbuster needed to jump start our faith in blockbusters. While director Doug Liman has a bit of a spotted past (Bourne Identity = good, Jumper = no so much), everything from this so far looks pretty impressive.

With a June 6 release date, you better believe this’ll be your IMAX screening of the week.

21. Godzilla

After Roland Emmerich‘s failed 1999 Godzilla flick, it’s almost ridiculous to imagine that I would be anticipating the next stage of the lizard monster big screen return but here it is anyways. At first, the cast that includes Bryan Cranston, Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe had my interested piqued but it was really the uncharacteristically artistic approach seen in the posters and the excellent first teaser trailer that has me debuting this potential blockbuster so highly on this list. Back in his heyday, the iconic citystomper used to stand for something. His iconography is as engrained as Darth Vader or Sauron. I’m willing to bet that this Godzilla is going to put the Japanese monster back on the map in a big way.

http://www.youtube.com/watch?v=mBwsUD7jYCI

A big blockbuster date with a May 16 tentpole release.

Tomorrow the list continues with my 20-11 picks