Hope is a hammer, Ady Barkan attempts to say. His tongue, lungs, and the rest of his body devastated by ALS (an incurable degenerative disease that paralyzes and eventually kills its victims), Ady tries again and again but just can’t get the words out to the audience of thousands gathered to hear the American healthcare activist speak. This moment, one of many heartbreaking scenes in Nicholas Bruckman’s not-so-quietly devastating documentary Not Going Quietly, perhaps best encapsulates the ironic paradox of Ady’s emergent and often viral voice: the more his body fails him, the less he is physically able to move and speak, the more he has to say and the more people gather to listen to him. Read More
Sundance 2021: You Simply Cannot Unplug From Chilling Documentary ‘A GLITCH IN THE MATRIX’
No one can wring more documentarian juice from a conspiracy theory than Rodney Ascher. With A Glitch in the Matrix, the director of Room 237 – a deconstruction of the multitude of fan theories centered around Stanley Kubrick and his making of The Shining (including the oft-trend myth that the film included a subtle confession that Kubrick helped fake the moon landing) – and The Nightmare – an eerie, if wonky, study of the terrors of sleep paralysis – has settled soundly into his niche, creating his most complete and haunting film to date as he begs the question, “Are we living in a simulation?” Read More
Stirring ‘HONEYLAND’ is Documentary Filmmaking Pot of Gold
Sometimes a great documentary requires nothing more than sticking a camera in a previously unimaginable place and stepping out of the way. Honeyland is that breed of fly on the wall observational cinema but one that also magically captures universal circle of life arc. Directors Ljubomir Stefanov and Tamara Kotevska present the material in a naturalist and unfussy vérité style, dropping us into a world as alien as the surface of Mars and allowing us to exist in its fragile buzzing ecosystem for 85 wonderful minutes. Read More
Out in Theaters: ‘FREE SOLO’
The amygdala, the part of the brain responsible for triggering fear, is a critical component of human evolution. It’s the thing that tells most people not to backflip off a rooftop into a pool. Or warns them not to jump the Grand Canyon on a motorcycle. Or climb the three-thousand-plus face of Yosemite’s El Capitan without a rope. Few people see these death-defying stunts as challenges, testing the utmost limits of man. Many meet their demise in these tournaments with mortality. Read More
SIFF ’18 Capsule Review: ‘THREE IDENTICAL STRANGERS’
Eddy Galland, David Kellman, and Robert Shafran had their lives turned upside down with the discovery that the three 19-year olds were long-lost triplets. Overnight media sensations, the long-separated trio discover a nefarious plot to settle the argument on nature vs. nurture in this stranger-than-fiction type documentary from Tim Wardle. Equally compelling and fascinating, Three Identical Strangers is a psychological tragedy that shuffles between the influences of fame, genes, and mental disease to startling effect. Runs out of steam as the surprises fade away but remains a largely arresting watch nonetheless. (B) Read More
SIFF ’18 Capsule Review: ‘WON’T YOU BE MY NEIGHBOR?’
A potpourri of warmth and goodheartedness, ‘Won’t You Be My Neighbor’ explores Mr. Rogers’ overwhelming generosity of spirit and his well-concealed demons through the lens of his radically unfussy television program that ran from 1963 until 2001. Putting the unlikely star back in the spotlight, this heartwarming and tear-duct-attacking documentary from Morgan Neville dazzlingly teaches that we probably never deserved this low-spoken, child-whispering icon and yet his benevolent lessons on acceptance and kindness are more necessary today than ever. A good-natured salve for the soul and inspiring portrait of blinding decency. (A-) Read More
Out in Theaters: ‘LO AND BEHOLD: REVERIES OF THE CONNECTED WORLD’
Werner Herzog‘s dulcet tones ripple from the screen, warming the audience with his distinctive Herzogian accent and lolling cadence. His latest topic of interest: the internet. As can be expected of the revered German filmmaker and documentarian, Lo and Behold: Reveries of the Connected World is a thoughtful study of the past, present and future of this thing we call the internet; how it originated, how it binds us, and how it could lead to the end of times. Read More
Sundance ’16 Review: ‘LO AND BEHOLD: REVERIES OF THE CONNECTED WORLD’
Werner Herzog‘s dulcet tones ripple from the screen, warming the audience with his distinctive Herzogian accent and lolling cadence. His latest topic of interest: the internet. As can be expected of the revered German filmmaker and documentarian, Lo and Behold: Reveries of the Connected World is a thoughtful study of the past, present and future of this thing we call the internet; how it originated, how it binds us, and how it could lead to the end of times. Read More
Documentary Dossier: ‘RACING EXTINCTION’
Racing Extinction, Louie Psihoyos’ second documentary following 2009’s Academy Award winning The Cove, is a call to action regarding humanity’s role in the currently-unfolding extinction event. As various experts explain, we are living in the so-called Anthropocene epoch, named for the measurable effect of human beings’ behavior on the various life forms and habitats on earth.
I hesitated, at first, over whether to include “so-called” or any other indications of controversy surrounding the fact-claims of the film; there is some question, limited mostly to the far right in this country, of whether or not “global warming,” for example, exists, and further whether it is the result of our behavior, or simply a natural development; however, I’d rather not sport with your intelligence, fine readers, and I think we can get to what really matters: the quality of the film itself.
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TIFF ’15 Review: ‘WOMEN HE’S UNDRESSED’
Women He’s Undressed, Gillian Armstrong’s new documentary about Hollywood costume designer Orry Kelly, opens over an unnaturally-saturated view of a blue sky, with a quote from actress Fanny Brice: “Let the world know who you are because sooner or later, if you are posing, you will forget the pose; then where will you be?” The stage is thus set for a bio-documentary that will reveal some hidden aspect of its subject, guaranteeing an interested viewer who will surely be surprised – and likely touched – by the revelation to come. Read More