BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Friday, April 24, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

#SIFF 2018

REVIEW
SIFF ’18 Capsule Review: ‘BREATH’

SIFF ’18 Capsule Review: ‘BREATH’

Ruminating surfer drama Breath, based on the best-seller from Tim Winton, cherishes the micro exchanges of male machismo. A thoughtful meditation on self-discovery, fear, and personal limitations, this coming-of-age drama from Simon Baker features delicate performances and beautiful oceanside cinematography. Within, two teenage boys befriend a veteran surfer and learn the ebb of his unstable world. The...

FESTIVAL
SIFF ’18 Capsule Review: ‘DON’T WORRY, HE WON’T GET FAR ON FOOT’

SIFF ’18 Capsule Review: ‘DON’T WORRY, HE WON’T GET FAR ON FOOT’

Recovery is a marathon not a sprint, not that the snarky wheelchair-bound protagonist of Gus Van Sant’s Don’t Worry would be able to stand for either. Telling the true story of celebrated, irreverent Portland cartoonist John Callahan, from his reckless drinking days to his untimely paralysis to his long tenure at AA, Van Sant’s latest...

FESTIVAL
SIFF ’18 Capsule Review: ‘HEARTS BEAT LOUD’

SIFF ’18 Capsule Review: ‘HEARTS BEAT LOUD’

Nick Offerman plays a hipster record shop owner/has-been musician/doting father to the talented and driven Sam (Kiersey Clemons in a vibrant coming out party of a performance) as the two start an unlikely band in Brett Haley’s lovely indie musical Hearts Beat Loud. The pair share wonderful screen chemistry – Offerman has never been better...

FESTIVAL
SIFF ’18 Capsule Review: ‘TIGERS ARE NOT AFRAID’

SIFF ’18 Capsule Review: ‘TIGERS ARE NOT AFRAID’

Not even children are spared in this gritty Mexican fantasy-thriller from writer/director Issa López. Both grounded in dark realities and anchored by larger-than-life fantastical elements, Tigers Are Not Afraid shares DNA with Guillermo del Toro’s Spanish-language horrors movies (think Devil’s Backbone), which smuggle pervasive social commentary in with spooky, mythic thrills. A 10-year old girl...

FESTIVAL
SIFF ’18 Capsule Review: ‘THREE IDENTICAL STRANGERS’ 

SIFF ’18 Capsule Review: ‘THREE IDENTICAL STRANGERS’ 

Eddy Galland, David Kellman, and Robert Shafran had their lives turned upside down with the discovery that the three 19-year olds were long-lost triplets. Overnight media sensations, the long-separated trio discover a nefarious plot to settle the argument on nature vs. nurture in this stranger-than-fiction type documentary from Tim Wardle. Equally compelling and fascinating, Three...

FESTIVAL
SIFF ’18 Capsule Review: ‘RUIN ME’ 

SIFF ’18 Capsule Review: ‘RUIN ME’ 

This concept horror from Preston DeFrancis tries to combine the shlocky guesswork of a whodunnit in with the craze of Escape Rooms to middling effect. When ex-addict Alexandra (Marcienne Dwyer) accompanies boyfriend Nathan on Slasher Sleepout, the orchestrated haunt becomes menacingly real and the pair must fight for survival. Some of the narrative twists work...

FESTIVAL
SIFF ’18 Capsule Review: ‘LEAVE NO TRACE’ 

SIFF ’18 Capsule Review: ‘LEAVE NO TRACE’ 

Following 2010’s Winter’s Bone, Debra Granik continues to peer into the grungy sideshow of backcountry American life in the delicately told Leave No Trace. About a father and daughter who attempt to live off the land, Granik’s third feature film tackles heavy themes with a soft touch, allowing Ben Foster and Thomas Harcourt McKenzie’s soulful...

FESTIVAL
SIFF ’18 Capsule Review: ‘BEAST’ 

SIFF ’18 Capsule Review: ‘BEAST’ 

This moody slow-burn from writer-director Michael Pearce is a psychosexual tone-poem of quiet desperation. On a reclusive island, Jessie Buckley’s misfitted Mal falls for Pascal (Johnny Flynn) who just so happens to be the chief suspect for a string of heinous murders perpetrated against the communities’ women. Pearce’s seductive romantic thriller plays a tantalizing game...

FESTIVAL
SIFF ’18 Capsule Review: ‘SORRY TO BOTHER YOU’ 

SIFF ’18 Capsule Review: ‘SORRY TO BOTHER YOU’ 

Sorry to Bother You is on its own level of strangeness. Like stranger than tentacle porn strange. Bold, experimental, and loaded with rich, cryptic and powerful themes of the African American and working-class experience, Boot Riley has crafted a sashimi raw, energetic manifesto exploding with purpose, despite flaws. Seeing Lakeith Stanfield’s lackadaisical mystique dominate a...

FESTIVAL
SIFF ’18 Capsule Review: ‘BODIED’ 

SIFF ’18 Capsule Review: ‘BODIED’ 

Joseph Kahn’s battle rap satire is a dish delish of sick burn served hot and heavy. Exuberant slashes of searing bars and ill rhymes punctuate this come-up story of an unlikely friendship broiling in the maw of an oft-unseen underground culture. Kahn’s electrifying feature takes down the hip-hop scene, collegiate PC culture and the unquenchable...