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Sundance 2021: ‘SUMMER OF SOUL (…Or, When the Revolution Could Not be Televised)’ Finally Televises the Revolution…And It Rules

Summer of Soul (…Or, When the Revolution Could Not be Televised), Ahmir Khalib Thompson’s (aka Questlove) infectious collection of never-before-seen-footage of the 1969 Harlem Cultural Festival (defamed for generations as “Black Woodstock”) is both a musical spectacular blowout and a powerful deconstruction of the  Black experience of the era. In a lyrical collage of glorious music and sociological study set at the end of the Civil Rights Movement, Summer of Soul looks through the lens of performance, activism, and musical genealogy to speak to our country’s history, black identity, and the all-transformative power of soul. The musical segments alone make Questlove’s Sundance-winning documentary an absolute must-see. The sociopolitical commentary that runs throughout however makes it essential.  Read More

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Sundance 2021: Stunning Performances Make ‘MASS’ A Sorrowful Reflection On The Aftermath of Violence

Two sets of parents, Jay (Jacob Isaacs) and Gail (Martha Plimpton), and Linda (Ann Dowd) and Richard (Reed Birney), meet six years after a tragedy that forever changed their lives. A swirling character-focused chamber piece about responsibility, guilt, grief, parenting, and forgiveness, Mass is an incredibly difficult weepy that honestly confronts challenging material. To go into the specifics of those details is to deny the reader of the hard-fought suspense that the filmmaker works to achieve so do try to go into this as blind as you can.  Read More

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Sundance 2021: Oral Histories and Prison Hierarchies Make Up ‘NIGHT OF THE KINGS’ 

As a piece of metafictional drama, Philippe Lacôte’s Night of the Kings delivers a wholly unique spin on the power of storytelling, weaving a story within a story that’s characterized by Shakespearean turns and prison-palace intrigue. Deep in the first of Côte d’Ivoire’s Abidjan lies “La Maca” prison. There, the inmates run the asylum.  Read More

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Sundance 2021: Porn Industry Is More Business, Less ‘PLEASURE’ In Phenomenal Star Is Born Cum-Up

The porn industry is first and foremost just that: an industry. Pleasure, the stunning expansion of Swedish writer-director Ninja Thyberg’s 2013 short of the same name, takes an unfiltered and decidedly hardcore look at how the porn industry operates through the lens of newcomer “Bella Cherry” (an incredible Sofia Kappel). A Swedish transplant that just arrived in LA with her mind set on being the next big thing in porn, Bella declares at passport control that she’s in the States for pleasure but soon discovers that she’s there for business. And business can be a sticky situation.  Read More

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Sundance 2021: Clifton Collins Jr.’s Work As a ‘JOCKEY’ is Backbreaking but Soul-Affirming

Every rider has a laundry list of injuries: cracked ribs, broken collar bones, shattered hips, busted noses. Riding on a professional circuit comes with no shortage of physical, social, and spiritual wear and tear and Jackson (Clifton Collins Jr.) is already well into his sunset years in Clint Bentley’s spirited but gentle horse drama Jockey.  Read More

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Sundance 2021: Robin Wright Proves Herself in Wyoming-Set ‘LAND’

Everybody hurts sometimes. But for Edee (Robin Wright), hurt has pervaded every nook and cranny of existence in Wright’s somber, self-reflective directorial debut Land. We know of Edee’s loss only through fragments: the glimpses of a husband and son inauspiciously missing. The thinly-veiled threats of self-harm made to her sister (Kim Dickens.) Edee is an irrevocably altered force for reasons that are all too clear. Read More

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Sundance 2021: Twisty Holocaust Survivor Doc MISHA AND THE WOLVES’ Is Not What It Appears To Be 

At the center of Sam Hobkinson’s stirring documentary Misha and the Wolves is a beautiful story of youthful resilience: a 7-year old girl in Nazi-occupied Belgium trying to find her parents is taken in by a wolf pack. Through German forests, she evades and searches for her captive mother and father, the pack helping the young girl to survive both the elements and the Nazis that lay in her path.  Read More

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Sundance 2021: You Simply Cannot Unplug From Chilling Documentary ‘A GLITCH IN THE MATRIX’ 

No one can wring more documentarian juice from a conspiracy theory than Rodney Ascher. With A Glitch in the Matrix, the director of Room 237 – a deconstruction of the multitude of fan theories centered around Stanley Kubrick and his making of The Shining (including the oft-trend myth that the film included a subtle confession that Kubrick helped fake the moon landing) – and The Nightmare – an eerie, if wonky, study of the terrors of sleep paralysis – has settled soundly into his niche, creating his most complete and haunting film to date as he begs the question, “Are we living in a simulation?” Read More

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Sundance 2021: Stalker Thriller ‘SUPERIOR’ An Identity-Driven Throwback to the 80s

The year is 1987. Halloween is on the horizon. You can tell because there’s a calendar hanging in the kitchen marking down the days. More importantly, the footage of Erin Vassilopoulos’ Superior is intentionally dated-looking, reflecting the lo-fi technology and grainy look of the end of the Regan era. After escaping a dangerous ex, Mary retreats to her unsuspecting identical twin sister’s suburban home, the perfect (and only) hideout she can think of in her unsuspecting Middle America hometown.  Read More

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Sundance 2021: A Hijacker Can’t Hack It In Polish ‘PRIME TIME’

The largely uneventful wanna-be Polish thriller Prime Time portends to be an inditement of the modern addiction to online attention, achieved so easily through social media platforms and their endless call to share, but as a narrative feature, it largely fails to stir up much storytelling juice to serve that purpose.  Read More