Film Reviews, Interviews and Articles
Dolemite is My Name, or How Eddie Murphy Got His Groove Back, is one of those movies about a bunch of guys who don’t know how to make a movie making a movie. Craig Brewer’s biopic of industrious comedian-turned-actor/producer Rudy Ray Moore shares similar broad strokes to James Franco’s The Disaster Artist in that capacity but the flavor here is unmistakably ebony. Also, there is much clearer deference to the film’s subject and his undeniable talents. Read More
All Will Smith’s Henry Brogan wants is to retire in Ang Lee’s muddled faux-cerebral actioner Gemini Man but perhaps it’s the once-celebrated director who should be submitting his resignation instead. The two-time Oscar winner is nearly unrecognizable in his new role as a beta-James Cameron techno-chaser, confusing higher frame rates, CGI Frankenstein creations, and 4k projection for the inklings of a passable story. But even if you remove the muddled slop-fest that is Gemini Man’s narrative out of the equation, you’re left with jumbled CGI-heavy action scenes and distinctly unsophisticated moral imperatives. Read More
In the rundown of worst roommate habits, persistent flatulence has to rank pretty highly. But I can’t imagine even the gnarliest gas could possibly compete with the sour stench of stale pee stewing in a bedpan in a tight communal space. Which brings us to The Lighthouse, a film wherein, from the first moments, odors assert themselves. The celluloid reeks of old piss, beefy farts, caked-up spunk, “rotten foreskin”, man musk, and drinkable kerosene. This is a movie that would tear down the house in Smell-O-Vision. Fortunately, we do not have to endure its reek. Read More
For a man 59-years of age with well over 100 feature films under his belt, Japanese filmmaker Takashi Miike shows no signs of slowing down. The prolific auteur has dabbled in everything from sweeping historical epics (13 Assassins) to slow-burn horror showstoppers (Audition) to schlocky gangster yarns (Ichi the Killer) to gory Samurai adventure flicks (Blade of the Immortal) to child-centric ninja fare (Ninja Kids!!!) with literal countless smaller projects filling in the gaps between those more high-profile pictures that end up playing in theaters internationally. With the director often making upwards of five, six, or seven films a year, it’s nothing short of incredible that he’s able to craft something as wildly enjoyable, energetic, and giddy as his most recent film, First Love, and yet here we are. Read More
Trash is piling up in Gotham City. Plunged into a recess of political gridlock, societal malaise, and civil unrest, the city is steeped in refuge. Waste management services are on strike. Black bags of Gotham’s waste line the streets. Arthur Fleck counts himself amongst the discarded. He’s trash personified; tossed out alongside his creepy cackle. According to Arthur, he hasn’t had a happy day in his life. A simmering hotpot of childhood trauma, deep-set depression, daddy issues, hallucination-prone psychosis, sexual repression, and rage-onset tendencies, Arthur just ain’t a happy camper. And yet, he’s told to smile, to grin and bear it, to play nice. Read More
Aristotle posits that there are three types of friendships, those based in utility, pleasure or virtue, but Harpoon’s narrator (Stranger Thing’s Brett Gelman) would like to add a fourth: the friendship of history. These are friends by virtue of having been friends. Turns out that these friendships aren’t always the most healthy. Especially when you’re out to sea and uncover a love triangle of infidelity and have a harpoon (or speargun rather) at your immediate disposal. Read More
Fame is toxic. Particularly for the young. Ask River Phoenix. Or Lindsay Lohan. Brittany Spears. Macaulay Culkin. We’ve seen the tragedy of adolescent fame, one as old as the concept of fame itself, play out across history time and again. In Judy, the prepubescent bargain for fame opens the film. Flanked by a yellow brick road, a young Judy Garland (played by Darci Shaw) trades her songbird voice and every ounce of independence for the opportunity to be more than “just a mother” or another “office girl”. For the chance to be seen, admired, beloved by a nation. Unknowingly selling her soul to the devil of entertainment and damning herself to a challenging life of self-commodification, Judy is the OG tragedy girl struck down by fame’s cantankerous venom. Read More
This whole country’s a strip club. Or so says Jennifer Lopez’s hard-stripping, drug-dosing, cash-stealing Ramona. A stripper with a heart of mink fur, Ramona posits, “Someone’s got the money and the rest of us dance for it.” Her solution to this American ordeal is a brand of laissez-faire free market exchange: dress to kill, ensnare rich dudes, add drugs, run up their credit cards. Ramona and her merry band of clothing-optional pilferers trade in hitting the pole to hitting credit limits. And their gambit works. Skipping the whole lap dance flesh transaction and getting straight to the knock-out bling-bling money-please of it all, Ramona runs a crew of ambitious and unscrupulous ladies who take from the rich and give to themselves. Read More
It: Chapter Two, the highly anticipated sequel to 2017’s mega breakout hit It, is that impossibly rare horror sequel that is quite simply too big to fail. And you can damn well bet that the suits at Warner Bros are doing a high-kneed happy dance considering that, taken as a stand-alone film, It: Chapter Two is a bit of a slop-fest. Its unwieldy size and lack of editorial prowess makes for a patience-testing but scare-pocked horror odyssey better suited to the long-form narrative afforded by the small screen. In feature film form, It is more bloat than float. Read More
Sometimes a good performance comes in a, well, not so great package. Such is the story of Don’t Let Go, a hacky police procedural with loose sci-fi trappings. Leave it to David Oyelowo of Selma and Rise of the Planet of the Apes acclaim to leave a positive stain on an otherwise floundering film, his dedicated performance the only interesting thing of note. I spoke with the Nigerian-British-American actor about his career, which phone call he would place to the past to prevent some future tragedy, finding the emotionality of time travel, his favorite time travel movies, a long-awaited directorial debut and what’s next for the rising star. Read More