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‘WIDOWS’ Subverts Heist Movie Expectations with Searing Performances, Artful Direction

There’s a cold chill that hangs in the air of Widows, the collaboration between brooding auteur Steve McQueen (12 Years a Slave) and celebrated novelist and Hollywood hot ticket item Gillian Flynn (“Gone Girl”, “Sharp Objects”). Theirs is a chilly heist movie, one that draws equally from modern American racism (whose roots run deep here) and political paranoia; a feature that’s marked by events of extreme brutality and cold calculation. A far cry from the slick heist movies born of Steven Soderbergh, Edgar Wright, or Spike Lee, Widows is still complete with its share of double-crosses, smart aleck maneuverings, and bone-chattering suspense. It’s not a total top-to-bottom revision of the traditional heist flick but their offering is an artful and potent reworking of the established formula.  Read More

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Out in Theaters: ‘BLACK PANTHER’

Heavy hangs the crown in Black Panther, a Marvel movie whose real-life cultural and societal implications overshadow its storytelling prowess. The import and impact of Black Panther as a chapter in film history cannot be overstated. Although this isn’t Hollywood’s first attempt to turn a historically black superhero into the main event, headlining their own tentpole film – consider Wesley Snipes run as the vampire-hunter Blade, Halle Berry’s turn as Catwoman, Will Smith’s alcoholic anti-hero Hancock or even Shaquille O’Neal’s turn as Steel – this feels like a first in part because of how much effort has been poured into its making and, more importantly, how readily it embraces its fundamental blackness, from its colorful African settings to its tribally-influenced makeup, hairstyle, and costumes to its predominately black cast and crew, a verifiable assemblage of talent that’ll turn even the most skeptical of heads. Read More