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Out in Theaters: ‘BEAUTIFUL BOY’

In the timeless words of Mr. Mackey, “Drugs are bad, mkay?” Beautiful Boy, an addiction drama starring Steve Carell and Timothée Chalamet, reiterates this point ad-nauseam without adding a lot more complexity to the topic than could a cartoon elementary school counselor. Adapted from Nicolas and David Sheff’s tell-all memoirs about a son’s personal struggles with addiction and his father’s battle to deal, Beautiful Boy struggles to add texture to the already established conversation about the horrors of addiction and the tolls it takes on its victims and their families. The product feels overtly telegraphed; a predictable series of ups and downs that lack distinction and uniqueness. As such, the overall impact of the film remains a bit muted. Like an ex-user’s nerve endings, it just can’t deliver the feels that one craves.  Read More

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Out in Theaters: ‘CALL ME BY YOUR NAME’ 

Call Me By Your Name is that annual run-away critical darling that far too many are quick to call a modern “masterpiece” that has good odds to bore most general audiences to tears. Clocking in at 132 minutes, the film from Italian Luca Guadagnino is long-winded indeed, emphasizing its European cinematic roots by having its characters spend a good chunk of their screen time staring into the distance, ruminating internally, sighing deeply and smoking cigarettes. After all, what’s more European than smoking cigarettes and staring off into the great beyond?  Read More

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Out in Theaters: ‘LADY BIRD’ 

Indie darling Greta Gerwig breathes life into directorial “debut” (she co-directed Nights and Weekends in 2008) Lady Bird with passion and pathos. Gerwig’s strong freshman feature strikes a balance between the mumblecore sensibilities of frequent collaborators Joe Swanberg and Noah Baumbach while bringing a refreshingly anarchical female voice into the choir. Lady Bird as a character and film manages both tenderness and lawlessness; caught in the confuddling mix of teenage hormones and perceived oppressive parenting; rebelling against the grain, oft to her own detriment; Gerwig’s capable filmmaking expertly capturing that claustrophobic  feeling of teenage angst and insurgency; Saorsie Ronan performing the hell out of the role.  Read More