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Tribeca 2021: Cloaked in Disillusion and Furs, ‘WILD MEN’ Battle Existential Crises

In Thomas Daneskov’s Wild Men (original title Vildmænd), Martin (Rasmus Bjerg) has lost his way. A family man with a wife and two daughters at home, Martin’s absconded to the craggy mountains of Norway, clan in Viking attire and armed with a makeshift bow and arrow. He plans to get back to his roots and live off the land like his hunter/gather ancestors of 3000 years ago but his aspirations are beyond the reach of his skillset. We’re witness to Martin’s plentiful limitations as he hunts a goat, striking it in the haunch from afar but unable to track the bloody trail to his would-be dinner. Left instead to smash and charbroil a small toad. The next scene he wretches up his amphibian meal, hunched over and helpless, into the icy river below.

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Tribeca 2021: Collegiate Athlete Possessed by Competitive Spirit in ‘THE NOVICE’

Ernest Hemingway famously opined, “There is nothing noble in being superior to your fellow man; true nobility is being superior to your former self.” I’ve taken this sentiment to heart in my own life, allowing a competitive spirit with myself to drive my ambitions, both professionally and athletically, rather than trying to compare my skill with others. The Novice, the arresting debut feature from writer-director Lauren Hadaway, explores what happens when an obsession with besting yourself goes too far. As witnessed here, there is no nobility in obsession.  Read More

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Even Quieter Sequel ‘A QUIET PLACE PART II’ Goes Places 

John Krasinski’s Lee Abbott may have bit the dust in the actor-turned-filmmaker’s directorial debut but that doesn’t stop him from returning in the opening moments of A Quiet Place Part II. The scene is set as Marco Beltrami’s foreboding soundtrack creeps into our senses as a ‘Day 1’ title card slips into frame. The end is nigh but no one knows anything about the devastation barreling their way. In fact, it’s just another beautiful summer day in Small Town America. The Abbot family and their tight-knit community gather in blissful ignorance at a little league game. Marcus (Noah Jupe) is up to bat when the sky erupts in flaming streaks. Something is coming. Families break off into nuclear clusters, rushing to their vehicles, heading home to regroup. Before anyone has any sense of what’s happening, monsters reign down, killing anything that makes a sound. A quiet place is born, in flame and in blood.  Read More

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Scottish ‘LIMBO’ Stuck Inside the Plight of a Syrian-Refugee Llewyn Davis 

A dark, curly-haired musician wanders through a blustery, frigid no-man’s-land in Ben Sharrock’s Limbo. The man in question is indeed not Llewyn Davis, though the similarities to that Coen Brother’s characters are noteworthy.  Both are men out of place, out of time even, assaulted by the realities of a society who not only doesn’t welcome them but struggles to see their humanity and worth.  Read More

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He Did It, He Actually Did It: The Journey of ‘ZACK SNYDER’S JUSTICE LEAGUE’

Pluck the plumage off the bird because I’m prepared to eat some crow. For years, I doubted the fact that the long-rumored Zack Snyder director’s cut of Justice League would ever exist in a format suitable to be watched outside of a producer’s screening room. It just didn’t make one iota of sense. With WB having moved on from Snyder’s vision after the director was forced to leave the film mid-production when his daughter tragically committed suicide, the “Snyder Cut” was incomplete, with tens of millions of dollars in VFX shots never even brought into post-production. Read More

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SXSW 2021: Urgent School Shooter Teen Drama ‘THE FALLOUT’ is the First Defining Movie of Gen-Z 

We’re only minutes into The Fallout before the carefree world of 16-year old Vada (Jenna Ortega in a star-making role) is turned upside down by a school shooting. Up to that point, her biggest concerns were nagging parents, knowing the answers to an upcoming quiz, and which flavor cake-pop to get at the Starbucks drive through. When her doting little sister Amelia (Lumi Pollack) texts her “911” (she’s gotten her first period and needs to be talked off a ledge), Vada goes to the bathroom to provide some much-needed sisterly advice. She’ll remain trapped there, with popular girl Mia (Maddie Ziegler), when gunshots start ripping off in the hall outside, accompanied by piercing screams of abject terror.     Read More

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SXSW 2021: Floral Horror ‘GAIA’ a Nightmarish Reckoning with Nature 

Eco-horror is having a resurgence of late, as are psilocybin mushrooms as a visual language in film. Jaco Bouwer’s formidable woodland creeper Gaia fits snugly into a recent wave of psychedelic folk horror, a subgenre that binds Ari Aster’s Midsommar, Alex Garland’s Annihilation, Ben Wheatley’s In the Earth (a recent Sundance release that would make a pitch perfect double feature with Bouwer’s entry) and even Werner Herzog’s Aguirre, the Wrath of God.  Sparked by an increasing awareness of humanity’s abusive relationship with nature, eco-horror pits the survival of man and earth against one another and in the light of a global pandemic, those themes  have never been as prescient. Read More

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SXSW 2021: ALS Activism Documentary ‘NOT GOING QUIETLY’ a Devastating, Inspirational Call to Arms 

Hope is a hammer, Ady Barkan attempts to say. His tongue, lungs, and the rest of his body devastated by ALS (an incurable degenerative disease that paralyzes and eventually kills its victims), Ady tries again and again but just can’t get the words out to the audience of thousands gathered to hear the American healthcare activist speak. This moment, one of many heartbreaking scenes in Nicholas Bruckman’s not-so-quietly devastating documentary Not Going Quietly, perhaps best encapsulates the ironic paradox of Ady’s emergent and often viral voice: the more his body fails him, the less he is physically able to move and speak, the more he has to say and the more people gather to listen to him.  Read More

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Sundance 2021: Stunning Performances Make ‘MASS’ A Sorrowful Reflection On The Aftermath of Violence

Two sets of parents, Jay (Jacob Isaacs) and Gail (Martha Plimpton), and Linda (Ann Dowd) and Richard (Reed Birney), meet six years after a tragedy that forever changed their lives. A swirling character-focused chamber piece about responsibility, guilt, grief, parenting, and forgiveness, Mass is an incredibly difficult weepy that honestly confronts challenging material. To go into the specifics of those details is to deny the reader of the hard-fought suspense that the filmmaker works to achieve so do try to go into this as blind as you can.  Read More

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Sundance 2021: Porn Industry Is More Business, Less ‘PLEASURE’ In Phenomenal Star Is Born Cum-Up

The porn industry is first and foremost just that: an industry. Pleasure, the stunning expansion of Swedish writer-director Ninja Thyberg’s 2013 short of the same name, takes an unfiltered and decidedly hardcore look at how the porn industry operates through the lens of newcomer “Bella Cherry” (an incredible Sofia Kappel). A Swedish transplant that just arrived in LA with her mind set on being the next big thing in porn, Bella declares at passport control that she’s in the States for pleasure but soon discovers that she’s there for business. And business can be a sticky situation.  Read More