Gaspar Noé Hosts World’s Worst Acid Dance Party in ‘CLIMAX’

Climax is a movie only Gaspar Noé could – and would – make. The French provocateur has long embedded hallucinatory imagery into his pictures – his 2009 feature Enter the Void is a literal out-of-body experience adopting the POV of a slain drug dealer – but takes his flirtation with on-screen drug use to new levels with his latest experimental feature, which follows an acid-dosed troop of dancers over the events of an increasingly unhinged night. The journey is a dark and delirious jaw-dropping mindfuck for sure, but one of horrifying technical marksmanship that is sure to burrow under your skin and peck at one’s brain. Like blood in the carpet, these psychological stains won’t wash out easily.  Read More


Out in Theaters: ‘ATOMIC BLONDE’

You wouldn’t be wrong to assume that David Leitch’s Atomic Blonde is something akin to John Wick’s younger, hotter sister. Leitch did, after all, cut his teeth in the film industry coordinating and performing stun twork – as did Chad Stehalski, Leitch’s co-director on John Wick. The two Hollywood cowboys are equally infatuated with style above all else, though in Atomic Blonde’s instance it feels less superficial, even while embracing maybe the most superficial time in history – the bitchin’ 80’s.

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Out in Theaters: ‘STAR TREK BEYOND’

Beyond darkness. Beyond logic. Beyond hope. The latest Star Trek film zooms beyond at hyper speed, rarely pausing to strike a Thinker’s pose. (Though it would rather like you to think it does.) Whereas Auguste Rodin’s bronze baby heralds contemplation, Star Trek Beyond plows through any fleeting semblance of intelligence like a horde of metal space bees engaged in kamikaze. Failing to ruminate on why audiences ought to care one iota about its disposable, busied antics. Hurrying from one expense-sheet-filling green-screen scuttlebutt to the next. Over-relying on character relationships that are age old but still skin-deep. Just another blockbuster puffy with CG steroids that’s lacking a brain, passing off sentimentality as heart and blahly going where we’ve all certainly been before. Read More