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‘INDIANA JONES AND THE DIAL OF DESTINY’ A Lackluster Farewell to an Iconic Franchise

 Old dogs can’t learn new tricks in Indiana Jones and the Dial of Destiny. With the history books finally set to close on the beloved Indiana Jones series, and a sturdy director in James Mangold behind the camera, expectations were high for this final installment, which was tasked with righting the perceived wrongs of the previous entry, The Kingdom of the Crystal Skull, and sending our beloved grave robber out on a high note. With the original trilogy holding a special place in the hearts of many, including myself, as some of the greatest adventure films ever made, the anticipation was palpable. However, as the film made its debut at this year’s Cannes Film Festival to overwhelmingly lukewarm reviews, enthusiasm skidded to a halt: this wasn’t the final crack of the whip many had hoped it would be. Nevertheless, with a mix of hope and trepidation, I journeyed into the theater, hoping for a thrilling and satisfying conclusion to the legendary archaeologist’s expedition. Read More

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Out in Theaters: ‘THE SNOWMAN’

The Snowman, Tomas Alfredson’s (Let the Right One In) adaptation of Jo Nesbø’s Norwegian best-seller of the same name, is an icy cold movie. Frigid to the touch, there is no spark of life to be found in this desolate frozen tundra of a film nor is there anything resembling a mere flicker of intelligence. A detective joint that cannot stand up under the slightest bit of scrutiny, this mindless slog tries to follows in the footsteps of films like Seven or The Girl With The Dragon Tattoo, what with its random explosions of grizzly violence and salty procedural backbone, though nothing of that sort ever comes to pass. Instead we’re victim to a mopey, faux-edgy, pseudo-gritty, sulking, snow-blasted post-mortem noir impersonating smarter, sexier, more engaging entries from the often beloved genre. To call it freezing cold garbage is only the icing on this frosty cake of shite. Read More

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Out in Theaters: ‘ATOMIC BLONDE’

You wouldn’t be wrong to assume that David Leitch’s Atomic Blonde is something akin to John Wick’s younger, hotter sister. Leitch did, after all, cut his teeth in the film industry coordinating and performing stun twork – as did Chad Stehalski, Leitch’s co-director on John Wick. The two Hollywood cowboys are equally infatuated with style above all else, though in Atomic Blonde’s instance it feels less superficial, even while embracing maybe the most superficial time in history – the bitchin’ 80’s.

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Out in Theaters: ‘MORGAN’

When you assemble the likes of Kate Mara (House of Cards), Rose Leslie (Game of Thrones),  Anya Taylor-Joy (The Witch), Jennifer Jason Leigh (The Hateful Eight) and Michelle Yeoh (Crouching Tiger, Hidden Dragon) you’d expect all the girl power onboard to make for some exceptionally high voltage x-chromosome electricity. I mean we’re talking Ygritte, Sue Storm, Thomasin, Daisy Domergue and Wai Lin all huddled under one hot tin roof, sermonizing, philosophizing and fisticuffing under the purview of a Ridley Scott protege. But all the estrogen in the world can’t overpower Morgan’s tepid and over-familiar “lab monster” plot nor fuel its running-on-fumes third act.
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