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The Ten Best Performances of 2023

It has already begun: the long march towards coronating a new quartet of actors whose performances are deemed the finest of 2023. And while the Oscars, Globes, and flurry of other guild awards tend to recognize the same handful of actors over and over again, here at Silver Screen Riot, we have our own version of who offered the best performances of 2023. So now that we’ve already gotten our way through the Ten Best TV Shows of 2023, and the Ten Best Movies of 2023, it’s time to move onto the Ten Best Performances of 2023.

Though it should go without saying, by “best”, I mean entirely my favorites so no need to send over an Excel sheet proving me why my preferences are wrong. From a year teeming with standout performances, several noteworthy ones made the greatest impact, though I could probably double this list and be more happy with it. But time is finite (mine and yours) and so here they are: Read More

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The Ten Best Movies of 2023

End-of-year lists are a rite of passage, a time to select the best of the best from all we’ve seen. And then anguish over what we’ve chosen. Like its small-screen counterparts, 2023 proved to be an unusual year in film. Countless delays due to widespread industry strikes shifted many potential blockbusters to 2024 and beyond, while numerous big-budget films flopped. In many ways, 2023 was a sea change year, signaling that past successes may not guarantee future wins. Disney Studios, for instance, experienced more flops than hits, and only two movies ended up scraping past the billion-dollar mark at the box office. Read More

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Fiery ‘SALTBURN’ Glows With Psychosexual Heat, Palace Intrigue

In her second feature, writer, director, and producer Emerald Fennell digs her heels deeper into the themes of power dynamics and the consequences of privilege that she explored in 2020’s explosive Promising Young Woman, this time folding in palace intrigue by moving the action to the lofty estate of a family of aristocrats at the eponymous Saltburn. A decadent feast for the senses, Fennell’s sophomore feature calls to mind a tale as old as time framed through a modern lens: an unassuming Oxford scholar is allured by the corrosive power of wealth, finding himself sucked into a vortex of desire, greed, and materialism. It’s Fitzgerald’s The Great Gatsby with the hyper-modern visual high-shine of Euphoria and the cold calculation of a Bret Easton Ellis novel, plus a splash of the wealthy ennui found in a Sofia Coppola film. Read More