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Fiery ‘SALTBURN’ Glows With Psychosexual Heat, Palace Intrigue

In her second feature, writer, director, and producer Emerald Fennell digs her heels deeper into the themes of power dynamics and the consequences of privilege that she explored in 2020’s explosive Promising Young Woman, this time folding in palace intrigue by moving the action to the lofty estate of a family of aristocrats at the eponymous Saltburn. A decadent feast for the senses, Fennell’s sophomore feature calls to mind a tale as old as time framed through a modern lens: an unassuming Oxford scholar is allured by the corrosive power of wealth, finding himself sucked into a vortex of desire, greed, and materialism. It’s Fitzgerald’s The Great Gatsby with the hyper-modern visual high-shine of Euphoria and the cold calculation of a Bret Easton Ellis novel, plus a splash of the wealthy ennui found in a Sofia Coppola film. Read More

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Mulligan Shines in ‘PROMISING YOUNG WOMAN’, a Bruising Saga of XX Vengeance 

Cassie Thomas (Carey Mulligan), much like Emerald Fennell’s splashy debut Promising Young Woman, is out to ruffle feathers. That is the point after all. A scintillating first feature, Promising Young Woman, which earned high critical marks and largely enthusiastic response during its Sundance bow, is a #MeToo revenge thriller that confronts date rape and sexual assault with a fearless, take-no-prisoners approach.  Read More