In her second feature, writer, director, and producer Emerald Fennell digs her heels deeper into the themes of power dynamics and the consequences of privilege that she explored in 2020’s explosive Promising Young Woman, this time folding in palace intrigue by moving the action to the lofty estate of a family of aristocrats at the eponymous Saltburn. A decadent feast for the senses, Fennell’s sophomore feature calls to mind a tale as old as time framed through a modern lens: an unassuming Oxford scholar is allured by the corrosive power of wealth, finding himself sucked into a vortex of desire, greed, and materialism. It’s Fitzgerald’s The Great Gatsby with the hyper-modern visual high-shine of Euphoria and the cold calculation of a Bret Easton Ellis novel, plus a splash of the wealthy ennui found in a Sofia Coppola film. Read More
‘CAN YOU EVER FORGIVE ME?’ Showcases a Maturing Melissa McCarthy, Not Much Else
Lee Israel is a washed up biographer, having once flown to the heights of the New York Best Sellers list only to plummet into obscurity, a flamed out Icarus of an author. Even her agent despises Lee’s pissy, ill-tempered approach to work and world, which makes selling her niche work ever the challenge. When Lee finds herself out of work, with debt piling up, and no sign of a book advance on the horizon, she turns to counterfeiting literary letters to make ends meet, making some new friends along the way. Read More