Scorsese’s Osage Nation Crime Opus ‘KILLERS OF THE FLOWER MOON’ is a Sprawling Tragedy of American Indifference

October 17, 2023 by Matt Oakes Posted in Out in Theaters Tagged Killers of the Flower Moon, Leonardo DiCaprio, Lily Gladstone, Out in Theaters, Reviews, Robert DeNiro 5 Comments

Marty makes ‘em long. His most recent crime opus, Killers of the Flower Moon, based on David Grann’s 2017 nonfiction novel of the same name, explores themes that have long rumbled the conscience of the American auteur: corrosive greed, masculine rot, and the unsettling notion of violence as an accelerant for upward mobility. This time out, he’s dedicated 208 minutes (nearly three and a half hours, only a minute shorter than The Irishman) to telling this version of that story. That’s a full hour longer than Goodfellas, a movie that similarly deconstructed the idea of the American Dream and reframed it through the lens of rugged individualism, sickening violence, and moral decay, with startling clarity and explosive plotting. The result this time around, however, is a narrative that feels hazier in its execution, though no less lurid in its exploration of these enduring themes. By not framing this savage tale from the perspective of the affected indigenous people, Scorsese inadvertently echoes the same indifference he condemns. Read More

Preposterous Doomsday Satire ‘DON’T LOOK UP’ Explodes With Snickers, Star Power

December 8, 2021 by Matt Oakes Posted in Out in Theaters Tagged Adam McKay, Cate Blanchett, Don’t Look Up, Jennifer Lawrence, Jonah Hill, Leonardo DiCaprio, Mark Rylance, Meryl Streep, Rob Morgan, Ron Perlman, Timothée Chalamet 2 Comments

“Don’t look up,” becomes the political mantra of President Janine Orlean (Meryl Streep) as a comet nine kilometers wide barrels towards Earth. Without immediate intervention, there is a one-hundred percent chance of an extinction level event. But midterms are fast approaching and an opportunity to save the world and existence as we know it gets fed through the political machine, to the chagrin of actual scientists the world over. Taking aim at the Trump-era invention of “alternative facts”, Orlean encourages her followers to not believe their own eyes, spinning an impending apocalypse into a culture war in ways that are both all too far-fetched and tragically feasible. Read More

‘ONCE UPON A TIME…IN HOLLYWOOD’ Is Tarantino’s Underwritten, Vainglorious Ode to Himself

July 24, 2019 by Matt Oakes Posted in Out in Theaters Tagged Brad Pitt, Leonardo DiCaprio, Once Upon a Time…in Hollywood, Out in Theaters, Quentin Tarantino, Reviews Leave a comment

Quentin Tarantino famously taught himself the vocabulary of cinema working at a video rental store in 1980’s LA. The glow from old westerns and kung-fu movies – his celluloid rosetta stone – unlocking the secret language of a medium of which he would soon seek mastery. Once Upon a Time…in Hollywood, the director’s tenth movie (which he questionably calls his ninth) is both an ode to Tarantino’s cinematic upbringing and an overtly didactic examination of a Hollywood he never experienced, one in the groans of transition, leaving behind the Golden-era glow for something more experimental and hipsterish, filtered through the lens of American political rebellion and the chintzy nature of fame. Read More

‘MAD MAX: FURY ROAD’ Sweeps the 2015 Seattle Film Awards

January 13, 2016 by Matt Oakes Posted in Awards Tagged Alex Garland, Benicio Del Toro, Denis Villenueve, Leonardo DiCaprio, Mad Max: Fury Road, Mya Taylor, Nina Hoss, Phyllis Nagy, Spotlight, The 2015 Seattle Film Awards, The Look of Silence 2 Comments

This morning, the Seattle Film Critics’ Survery unleashed their winners and it was Mad Max: Fury Road who took the proverbial cake and ate it too. Curated by Should I See It‘s Mike Ward, the full press release is included below:

“George Miller’s post-apocalyptic epic Mad Max: Fury Road steamrolled the competition, and was named the Best Picture of 2015 by Seattle’s film community. The film nearly swept the competition, earning 10 out of a potential 11 award wins in the third annual Seattle Film Awards survey. Read More

Watch New ‘THE REVENANT’ Trailer

September 29, 2015 by Matt Oakes Posted in Trailers Tagged Alejandro G. Iñárritu, Leonardo DiCaprio, The Revenant, Tom Hardy, Trailers Leave a comment

Bears, Leo, Hardy and the dude who directed Birdman. The Revenant has it all. As if that isn’t enough to get your panties in a bunch, a new hot trailer is primed to make you regret not investing more time in finishing up that time machine so you could hop to December. Seriously Mr. Academy Award, just give this all the awards now. Read More

2013 Silver Screen Riot Awards

February 9, 2014 by Matt Oakes Posted in Awards Tagged American Hustle, August: Osage County, Before Midnight, Christian Bale, Cutie and the Boxer, Dallas Buyers Club, Dirty Wars, Ethan Hawke, Geoffrey Rush, Inside Llewyn Davis, Jared Leto, Jonah Hill, Julia Roberts, Julie Delpy, Kristen Scott Thomas, LaurAnyways, Laurence Anyways, Leonardo DiCaprio, Margot Robbie, Meryl Streep, Populaire, Richard Linklater, Scarlett Johansson, Silver Screen Riot Awards, Spike Jonze, Steve McQueen, The Act of Killing, The Hunt, The Wolf of Wall Street 2 Comments

With the majority of 2013 awards winding down and the Oscars gearing up for next month, it’s time for me to reflect on the best parts about last year’s films. I’ve already published my top ten list alongside the absolute worst movies of the year but with these awards, I focus on the performances, direction, music, scene work and artistry of 2013.

At first, I tried to pigeonhole five nominees into each category but found that didn’t give me enough leeway to recognize all the talent I wanted to. When I then expanded to ten, it felt like there were times where I would be putting names down to fill up spots and didn’t really work for me either. So, instead of making an arbitrary number of nominees for each category, I opted to just recognize as many people as I saw fit in each category. So while the best actor category has 11 names of note, best foreign film only had 6 nominees and so forth. I know a lot of these may see overlap with other award nominations but I tried to recognize talent from all walks, the old to the new, and award what stood out as my personal favorites.

Look out for a short breakdown in the actors and directors sections but the other categories speak for themselves.

Best Actor:

WINNER: Leonardo DiCaprio ‘The Wolf of Wall Street’
Runner Up: Christian Bale ‘Out of the Furance’ & ‘American Hustle’
Honorable Mention: Ethan Hawke ‘Before Midnight’

Also:
Matthew McConaughey ‘Dallas Buyers Club’ & ‘Mud’
Joaquin Phoenix ‘Her’
Mads Mikkelsen ‘The Hunt’
Chiwetel Elijofor ’12 Years a Slave’
Bruce Dern ‘Nebraska’
Tom Hanks ‘Captain Phillips’
Michael B. Jordan ‘Fruitvale Station’

It’s no secret that I’m a big Leonardo DiCaprio fan and it’s performances like his in The Wolf of Wall Street that earns him such a high ranking amongst my favorite working actors. With manic physicality, hypnotizing stage presence and wonderfully potent comedic timing, his take on amoral but lovin’ it Jordan Belfort is a role to remember. Christian Bale did wonders in Out of the Furnace and, even though I wasn’t head over heels for American Hustle, his performance there was nothing to balk at and one of the strongest features of the film. The most underrated performance of the year is Ethan Hawke who embodied humanity and boyish charm in my favorite film of the year Before Midnight. The film rests squarely on his and Julie Delpy‘s compotent shoulders and had their performances been any less, the impact wouldn’t have been nearly what it was.

Best Supporting Actor:

WINNER: Jared Leto ‘Dallas Buyers Club’
Runner Up: Jonah Hill ‘The Wolf of Wall Street’
Honorable Mention: Geoffrey Rush ‘The Book Thief’

Also:
Woody Harrelson ‘Out of the Furnace’
Michael Fassbender ’12 Years a Slave’
Barkhad Abdi ‘Captain Phillips’
Ben Foster ‘Lone Survivor’
Daniel Bruhl ‘Rush’
Matthew McConaughey ‘The Wolf of Wall Street’
Alexander Skaarsgard ‘What Maisie Knew’

Another crowded category, I had to go with a somewhat calculated choice, a man more than likely to win at the Academy Awards this year, Jared Leto. His performance, almost moreso than Matthew McConaughey‘s, grounds the heartbreaking tale of Dallas Buyers Club and brings humanity to those that are too often dehumanized. On the other side of the coin, Jonah Hill was a riot in The Wolf of Wall Street and between his introductory scene and subsequent cousin soliloquy and the unhinged energy he brings to the Lemmons scene, his is one of the most unforgettable performances of the year. Another under-appreciated role takes my honorable mention slot with Geoffrey Rush‘s lovely performance in the otherwise forgettable The Book Thief. Rush is an acting giant and watching him effortlessly capture our sympathy just goes to show his monumental range.

Best Actress:

WINNER: Meryl Streep ‘August: Osage County’
Runner Up: Julie Delpy ‘Before Midnight’
Honorable Mention: Scarlett Johansson ‘Her’

Also:
Cate Blanchett ‘Blue Jasmine’
Brie Larson ‘Short Term 12’
Judi Dench ‘Philomena’
Adele Exarchopoulos ‘Blue is the Warmest Color’
Shailene Woodley ‘The Spectacular Now’
Greta Gerwig ‘Frances Ha’
Emma Thompson ‘Saving Mr. Banks’

I know Cate Blanchett is the name on everyone’s lips right now and there’s no denying that her performance is a showstopper but, for me, was not quite the most impressive of the year. Speaking of cinematic giants, I just couldn’t help but give my top award to Meryl Streep for her poisonous performance in the ensemble drama August: Osage County. Streep is a chameleon and we’re used to seeing her, for the most part, play loveable roles so seeing her transform into an utterly despicable train wreck of a pill popper showcases why she is the monolithic actress she is. Watching Julie Delpy embody the role of Celine for the third (or fourth if you consider Waking Life) time, you can see how much she has sank into this role and it’s simply a beauty to behold. Although deemed ineligible for the Oscars, Scarlett Johansson is able to achieve wonders with just her voice and deserves a pile of praise for that.

Best Supporting Actress:

WINNER: Julia Roberts “August: Osage County”
Runner Up: Margot Robbie “The Wolf of Wall Street”
Honorable Mention: Kristen Scott Thomas ‘Only God Forgives’

Also:
Octavia Spenser ‘Fruitvale Station’
Jennifer Lawrence ‘American Hustle’
June Squibb ‘Nebraska’
Lupita Nyong’o ’12 Years a Slave’
Emily Watson ‘The Book Thief’
Melissa Leo ‘Prisoners’

Easily the least impressive of the four acting categories, the best supporting actress category just didn’t have quite as much to offer as the rest did this year. Going through my nominees, it was hard to choose a top spot because all were commendable but none were absolutely unforgettable. I would hardly consider Julia Roberts as someone whose films I anticipate so was caught offguard by her fantastic work in August: Osage County. She holds her own against Streep and at times even shows her up. Color me impressed. I gave the second slot to Margot Robbie of The Wolf of Wall Street because of an unforgettable scene she shares with DiCaprio that’s sexy, tortuous and hysterical all at once and would have been nothing without the presence she brings to the scene. And for all the flak Only God Forgives caught for lacking dialogue, Kristen Scott Thomas stood out as the only character with true personality and she absolutely chewed through her deluded sanctimony. She’s menacing, repulsive and commanding and totally owns every scene she’s in. And just to preempt those offended by my lack of pedastalizing Academy darling Jennifer Lawrence, I enjoyed what she did in American Hustle but could never really take her character seriously. It was fun but not near worthy the level of praise being heaped on. And Lupita Nyong’o was certainly stunning in her 12 Years a Slave scenes but remember, this is my favorites and her performance is nothing less than a chore to watch.

Best Director

WINNER: Spike Jonze ‘Her’
Runner Up: Richard Linklater ‘Before Midnight’
Honorable Mention: Steve McQueen ’12 Years a Slave’

Also:
Martin Scorsese ‘The Wolf of Wall Street’
Jean-Marc Valee ‘Dallas Buyers Club’
Alexander Payne ‘Nebraska’
Denis Villeneuve ‘Prisoners’
Alfonso Cuaron ‘Gravity’
Destin Cretton ’12 Years a Slave’
Coen Bros ‘Inside Llewyn Davis’

I have to give a leg up to the director/writer combos so it’s no surprise that Spike Jonze has secured the top position. The humanity he brings to this technological world and the insight he’s able to provide is simply stunning, aided by his sharp visual style and realistic futurism. Richard Linklater may not be the world’ most hands on director but the palpably freedom he affords his actors gives them the capacity to create the caliber of tender moments we see in Before Midnight. He’s no bleeding heart but he’s not quite a cynic either and I love watching the way he sees the world. On the more difficult side of things, I’ve seen all three of Steve McQueen‘s films and, though this comment may be hotly debated, think 12 Years a Slave is actually his least tortuous. At least to watch. It’s an amazing effort that drags us through hell and yet there is a string of hope that runs throughout the story. I guess that only someone from outside of the states could bring such honesty and power to a distinctly American story.

Best Ensemble:

WINNER: American Hustle
Runner Up: The Wolf of Wall Street
Honorable Mention: August: Osage County

Also:
12 Years a Slave
This is the End
The Counselor

Best Cinematography

WINNER: Sean Bobbitt ’12 Years A Slave’
Runner Up: Emmanuel Lubezki ‘Gravity’
Honorable Mention: Roger Deakins ‘Prisoners’

Also:
Phedon Papamichael ‘Nebraska’
Hoyte Van Hoytema ‘Her’
Bruno Delbonnel ‘Inside Llewyn Davis’
John R. Leonetti ‘The Conjuring’
Yves Bélanger ‘Lawrence Anyways’

Best Foreign Film

WINNER: The Hunt
Runner Up: Laurence Anyways
Honorable Mention: Populaire

Also:
Wajdja
Blue is the Warmest Color
Crystal Fairy and the Magical Cactus

Best Documentary:

WINNER: The Act of Killing
Runner Up: Cutie and the Boxer
Honorable Mention: Dirty Wars

Also:
The Crash Reel
Blackfish
The Square
Somm

Best Song

WINNER: “Fare Thee Well” – Inside Llewyn Davis
Runner Up: “Young and Beautiful” – Great Gatsby
Honorable Mention: “Doby” – Anchorman 2: The Journey Continues

Also:
“Please Mr. Kennedy – Inside Llewy6n Davis
“The Moon Song – Inside Llewyn Davis
“In Summer – Frozen
“Oblivion” – Oblivion

Best Scene:

WINNER: Her ‘When it All Goes Dark’
Runner Up: The Wolf of Wall Street “Lemmons 714”
Honorable Mention: Before Midnight ‘Letter from the Future’

Also:
Captain Phillips “Check Up”
August: Osage “Family Dinner”
Nebraska “Mt. Rushmore”
This is the End “Backstreets Back”
Gravity ‘Opening Sequence’
Out of the Furnace ‘Hot Dog’
Inside Llewyn Davis ‘Please Mr. Kennedy’
The Conjuring “Basement Exorcism”
Lawrence Anyways “It’s Raining Clothes”

I’d love to hear where you guys agree and disagree and would encourage you to share your own lists in the comments section below.

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Out in Theaters: THE WOLF OF WALL STREET

December 24, 2013 by Matt Oakes Posted in Out in Theaters Tagged Jean Dujardin, Jonah Hill, Kyle Chandler, Leonardo DiCaprio, Matthew McConaughey, Out in Theaters, Reviews, The Wolf of Wall Street

“The Wolf of Wall Street”
Directed by Martin Scorsese
Starring Leonardo DiCaprio, Jonah Hill, Margot Robbie, Jean Dujardin, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau, Cristin Milioti
Biography, Comedy, Crime
180 Mins
R

Martin Scorsese‘s The Wolf of Wall Street is a bombastic raunchfest spilling over with feverish humor and held in place by vibrant direction from Martin Scorsese and unhinged performances from its gifted cast. Sprawling and episodic, this “greed is great” epic is not only the funniest movie of the year, not only has one of the most outstanding performances in recent history, and not only is one of the most explicit films to hit the theaters under the guise of an R-rating, but, like icing on the proverbial cake, it offers a colossally poignant and timely cultural deconstruction of the financial institutions on which our country depends. And though it runs for exactly three hours, I’d watch this strung-out saga again in a second. A messy masterpiece on all fronts, The Wolf of Wall Street is a towering achievement.

We know that reality is often stranger than fiction but Scorsese’s encapsulation of the world of Jordan Belfort and his scurrying dervishes is like lifting a rock to find a thriving hive of ants equipped with Tony Montana-worthy piles of cocaine and strippers decked out in ever-fashionable neon beneath. Their iniquitous ways the stuff of adolescent male fantasies and their drug-fueled, deranged shenanigans straight from a Hunter S. Thompson memoir, Belfort is a modern day Dionysus. Taking the mantle of this larger-than-life imp of an investment banker, Leonardo DiCaprio is unholy goodness.

It’s no secret that I’m a massive fan of DiCaprio’s and a performance like this proves my continued faith in the multifarious thespian. Ranging from manic to disturbed, possessed to contemptible, his commanding performance scraps subtly for an off-the-walls buffet of theatrics. And though he never quite swallows the pill of reality, Belfort’s arc is splattered in sober doubt and drug-fueled confidence, always anchored by a megalomaniac’s grip on the destiny of those in his company. Twisting what it means to be generous, he takes from the rich and poor alike and distributes the riches amongst his legions of fanboy-like employees.

But for his however ethically corrupt he is, he’s got his own twisted sense of morality, at once misanthropic towards the world at large and a gentle guardian of his own flock of flunky stock pushers. His minions, led by a brilliantly toothy Jonah Hill, see him as the God he wants so badly to be.

Around the workplace, they call Belfort Wolfie; a nickname derived from his bullying brokering and his pick-up-the-scraps mentality. And as penny-stock pushers, Belfort and his henchmen turn scraps into millions, spinning gold from floss. Their office a carousal, Wolfie and Co.’s imperious rise to power is just too heinous to make up.

Beneath DiCaprio’s frantic and telescopic work as Belfort is a man feeding off his own energy. No matter how deluded Belfort can be, he’s a guy caught up in the moment, too high to not ride the waves of his own self-invented success. As an audience, we feed off the surge of energy too and let it drive us from scene to scene, always the intrigued voyeur.

And like a pitch-perfect backup singer, Hill’s Donnie Azoff (based on over-the-counter stock broker Danny Porush, who threatened to sue if they didn’t change his name) is the wind beneath DiCaprio’s wings. From the first time he steps onscreen, he demands our attention with his mammoth chompers and sleazy Long Island accent. He’s got sidekick so down pat that he may as well be the piggy Robin to Belfort’s wicked Batman. And no matter how brief his appearance is here, Matthew McConaughey is once again on fire. As a steadfast FBI agent, Kyle Chandler also breaks out of his comfort zone and puts in a performance worthy of such an accomplished cast.

Though lots of names have been tossed around for award recognition, Hill will assuredly be seeing his second (and here, more deserved) nomination for his work. His unique blend of drama and comedy is a staggering success and has knocked any skeptics off the fence in one fell, chompy swoop. And while DiCaprio’s performance here is a show for the ages, it may again go overlooked by the notoriously antiquated Academy. Regardless, he is the king of Hollywood and has proved it in spades with his astonishing work in Wolf.

But it’s not the performances alone that shine, as the movie flows smooth as butter. Looking at it as a whole, I wouldn’t want a single scene cut and that’s a testament to the seductive power of Scorsese’s film. With well over 500 counts of the f-bomb and enough female and male genitalia to perturb the most hip of parents, do be sure that you’re attending The Wolf of Wall Street with the right parties. This ain’t your grandma’s Scorsese.

A+

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First WOLF OF WALL STREET Poster Is a Big Pool Party

November 22, 2013 by Matt Oakes Posted in Movie Posters Tagged Leonardo DiCaprio, Martin Scorsese, Posters, Terence Winter, The Wolf of Wall Street

Like a young Mick Jagger, Leonardo DiCaprio belts into a mic as the crowd goes wild in this first poser for Martin Scorsese‘s The Wolf of Wall Street. Playing disgraced one-percenter Jordan Belfort, Leo looks to bring his signature charisma and acting prowess to the role. Whether or not he’ll be able to slip into an overflowing Oscar race is another story. At this point, odds are against it and he’ll need to go that extra mile in order to secure even a nomination.

Based on Belfort’s own memoirs, The Wolf of Wall Street details greed in the millions. Per the Amazon synopsis of that novel “by day he made thousands of dollars a minute. By night he spent it as fast as he could, on drugs, sex, and international globe-trotting. From the binge that sank a 170-foot motor yacht and ran up a $700,000 hotel tab, to the wife and kids waiting at home, and the fast-talking, hard-partying young stockbrokers who called him king and did his bidding, here, in his own inimitable words, is the story of the ill-fated genius they called… The Wolf of Wall Street.”

Rounding out the cast, we have Matthew McConaughey, Jonah Hill, Jean Dujardin, Rob Reiner, Kyle Chandler, Margot Robbie, Jon Bernthal, Cristin Milioti, P.J. Byrne and Ethan Suplee.

The Wolf of Wall Street is directed by Martin Scorsese and stars Leonardo Dicaprio, Jonah Hill, Matthew McConaughey, Jon Bernthal, Jon Favreau, Kyle Chandler, Jean Dujardin, Rob Reiner and Spike Jonze. It hits theaters November 15.

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DiCaprio Replaces RDJ for Iron Man 4

October 7, 2013 by Jill Landon Posted in Casting News Tagged Iron Man, Leonardo DiCaprio, Robert Downy Jr.

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