In psychology class, you learn about the concept of diffusion of responsibility, a sociopathic event that explains that when more people are present or complicit in an unfavorable event, the less personally responsible that group will feel for its outcome. The public murder of Kitty Genovese – in which a woman was stabbed to death in NYC but not one neighbor alerted the police – is a tragic true-to-life example of this but no piece of fiction or nonfiction has better captured the ghastly phenomenon than Joshua Oppenheimer‘s The Look of Silence. Read More
With the majority of 2013 awards winding down and the Oscars gearing up for next month, it’s time for me to reflect on the best parts about last year’s films. I’ve already published my top ten list alongside the absolute worst movies of the year but with these awards, I focus on the performances, direction, music, scene work and artistry of 2013.
At first, I tried to pigeonhole five nominees into each category but found that didn’t give me enough leeway to recognize all the talent I wanted to. When I then expanded to ten, it felt like there were times where I would be putting names down to fill up spots and didn’t really work for me either. So, instead of making an arbitrary number of nominees for each category, I opted to just recognize as many people as I saw fit in each category. So while the best actor category has 11 names of note, best foreign film only had 6 nominees and so forth. I know a lot of these may see overlap with other award nominations but I tried to recognize talent from all walks, the old to the new, and award what stood out as my personal favorites.
Look out for a short breakdown in the actors and directors sections but the other categories speak for themselves.
WINNER: Leonardo DiCaprio ‘The Wolf of Wall Street’ Runner Up: Christian Bale ‘Out of the Furance’ & ‘American Hustle’ Honorable Mention: Ethan Hawke ‘Before Midnight’
Also: Matthew McConaughey ‘Dallas Buyers Club’ & ‘Mud’ Joaquin Phoenix ‘Her’ Mads Mikkelsen ‘The Hunt’ Chiwetel Elijofor ’12 Years a Slave’ Bruce Dern ‘Nebraska’ Tom Hanks ‘Captain Phillips’ Michael B. Jordan ‘Fruitvale Station’
It’s no secret that I’m a big Leonardo DiCaprio fan and it’s performances like his in The Wolf of Wall Streetthat earns him such a high ranking amongst my favorite working actors. With manic physicality, hypnotizing stage presence and wonderfully potent comedic timing, his take on amoral but lovin’ it Jordan Belfort is a role to remember. Christian Bale did wonders in Out of the Furnace and, even though I wasn’t head over heels for American Hustle, his performance there was nothing to balk at and one of the strongest features of the film. The most underrated performance of the year is Ethan Hawke who embodied humanity and boyish charm in my favorite film of the year Before Midnight. The film rests squarely on his and Julie Delpy‘s compotent shoulders and had their performances been any less, the impact wouldn’t have been nearly what it was.
Best Supporting Actor:
WINNER: Jared Leto ‘Dallas Buyers Club’ Runner Up: Jonah Hill ‘The Wolf of Wall Street’ Honorable Mention: Geoffrey Rush ‘The Book Thief’
Also: Woody Harrelson ‘Out of the Furnace’ Michael Fassbender ’12 Years a Slave’ Barkhad Abdi ‘Captain Phillips’ Ben Foster ‘Lone Survivor’ Daniel Bruhl ‘Rush’ Matthew McConaughey ‘The Wolf of Wall Street’ Alexander Skaarsgard ‘What Maisie Knew’
Another crowded category, I had to go with a somewhat calculated choice, a man more than likely to win at the Academy Awards this year, Jared Leto. His performance, almost moreso than Matthew McConaughey‘s, grounds the heartbreaking tale of Dallas Buyers Club and brings humanity to those that are too often dehumanized. On the other side of the coin, Jonah Hill was a riot in The Wolf of Wall Street and between his introductory scene and subsequent cousin soliloquy and the unhinged energy he brings to the Lemmons scene, his is one of the most unforgettable performances of the year. Another under-appreciated role takes my honorable mention slot with Geoffrey Rush‘s lovely performance in the otherwise forgettable The Book Thief. Rush is an acting giant and watching him effortlessly capture our sympathy just goes to show his monumental range.
Also: Cate Blanchett ‘Blue Jasmine’ Brie Larson ‘Short Term 12’ Judi Dench ‘Philomena’ Adele Exarchopoulos ‘Blue is the Warmest Color’ Shailene Woodley ‘The Spectacular Now’ Greta Gerwig ‘Frances Ha’ Emma Thompson ‘Saving Mr. Banks’
I know Cate Blanchett is the name on everyone’s lips right now and there’s no denying that her performance is a showstopper but, for me, was not quite the most impressive of the year. Speaking of cinematic giants, I just couldn’t help but give my top award to Meryl Streep for her poisonous performance in the ensemble drama August: Osage County. Streep is a chameleon and we’re used to seeing her, for the most part, play loveable roles so seeing her transform into an utterly despicable train wreck of a pill popper showcases why she is the monolithic actress she is. Watching Julie Delpy embody the role of Celine for the third (or fourth if you consider Waking Life) time, you can see how much she has sank into this role and it’s simply a beauty to behold. Although deemed ineligible for the Oscars, Scarlett Johansson is able to achieve wonders with just her voice and deserves a pile of praise for that.
Best Supporting Actress:
WINNER: Julia Roberts “August: Osage County” Runner Up: Margot Robbie “The Wolf of Wall Street” Honorable Mention: Kristen Scott Thomas ‘Only God Forgives’
Also: Octavia Spenser ‘Fruitvale Station’ Jennifer Lawrence ‘American Hustle’ June Squibb ‘Nebraska’ Lupita Nyong’o ’12 Years a Slave’ Emily Watson ‘The Book Thief’ Melissa Leo ‘Prisoners’
Easily the least impressive of the four acting categories, the best supporting actress category just didn’t have quite as much to offer as the rest did this year. Going through my nominees, it was hard to choose a top spot because all were commendable but none were absolutely unforgettable. I would hardly consider Julia Roberts as someone whose films I anticipate so was caught offguard by her fantastic work in August: Osage County. She holds her own against Streep and at times even shows her up. Color me impressed. I gave the second slot to Margot Robbie of The Wolf of Wall Street because of an unforgettable scene she shares with DiCaprio that’s sexy, tortuous and hysterical all at once and would have been nothing without the presence she brings to the scene. And for all the flak Only God Forgivescaught for lacking dialogue, Kristen Scott Thomas stood out as the only character with true personality and she absolutely chewed through her deluded sanctimony. She’s menacing, repulsive and commanding and totally owns every scene she’s in. And just to preempt those offended by my lack of pedastalizing Academy darling Jennifer Lawrence, I enjoyed what she did in American Hustle but could never really take her character seriously. It was fun but not near worthy the level of praise being heaped on. And Lupita Nyong’o was certainly stunning in her 12 Years a Slave scenes but remember, this is my favorites and her performance is nothing less than a chore to watch.
WINNER: Spike Jonze ‘Her’ Runner Up: Richard Linklater ‘Before Midnight’ Honorable Mention: Steve McQueen ’12 Years a Slave’
Also: Martin Scorsese ‘The Wolf of Wall Street’ Jean-Marc Valee ‘Dallas Buyers Club’ Alexander Payne ‘Nebraska’ Denis Villeneuve ‘Prisoners’ Alfonso Cuaron ‘Gravity’ Destin Cretton ’12 Years a Slave’ Coen Bros ‘Inside Llewyn Davis’
I have to give a leg up to the director/writer combos so it’s no surprise that Spike Jonze has secured the top position. The humanity he brings to this technological world and the insight he’s able to provide is simply stunning, aided by his sharp visual style and realistic futurism. Richard Linklater may not be the world’ most hands on director but the palpably freedom he affords his actors gives them the capacity to create the caliber of tender moments we see in Before Midnight. He’s no bleeding heart but he’s not quite a cynic either and I love watching the way he sees the world. On the more difficult side of things, I’ve seen all three of Steve McQueen‘s films and, though this comment may be hotly debated, think 12 Years a Slaveis actually his least tortuous. At least to watch. It’s an amazing effort that drags us through hell and yet there is a string of hope that runs throughout the story. I guess that only someone from outside of the states could bring such honesty and power to a distinctly American story.
WINNER: American Hustle Runner Up: The Wolf of Wall Street Honorable Mention: August: Osage County
Also: 12 Years a Slave This is the End The Counselor
WINNER: Sean Bobbitt ’12 Years A Slave’ Runner Up: Emmanuel Lubezki ‘Gravity’ Honorable Mention: Roger Deakins ‘Prisoners’
Also: Phedon Papamichael ‘Nebraska’ Hoyte Van Hoytema ‘Her’ Bruno Delbonnel ‘Inside Llewyn Davis’ John R. Leonetti ‘The Conjuring’ Yves Bélanger ‘Lawrence Anyways’
Best Foreign Film
WINNER: The Hunt Runner Up: Laurence Anyways Honorable Mention: Populaire
Also: Wajdja Blue is the Warmest Color Crystal Fairy and the Magical Cactus
WINNER: The Act of Killing Runner Up: Cutie and the Boxer Honorable Mention: Dirty Wars
Also: The Crash Reel Blackfish The Square Somm
WINNER: “Fare Thee Well” – Inside Llewyn Davis Runner Up: “Young and Beautiful” – Great Gatsby Honorable Mention: “Doby” – Anchorman 2: The Journey Continues
Also: “Please Mr. Kennedy – Inside Llewy6n Davis “The Moon Song – Inside Llewyn Davis “In Summer – Frozen “Oblivion” – Oblivion
WINNER: Her ‘When it All Goes Dark’ Runner Up: The Wolf of Wall Street “Lemmons 714” Honorable Mention: Before Midnight ‘Letter from the Future’
Also: Captain Phillips “Check Up” August: Osage “Family Dinner” Nebraska “Mt. Rushmore” This is the End “Backstreets Back” Gravity ‘Opening Sequence’ Out of the Furnace ‘Hot Dog’ Inside Llewyn Davis ‘Please Mr. Kennedy’ The Conjuring “Basement Exorcism” Lawrence Anyways “It’s Raining Clothes”
I’d love to hear where you guys agree and disagree and would encourage you to share your own lists in the comments section below.