A24’s ‘WE LIVE IN TIME’ a Thoughtful Melodrama About Quality Time, With Strong Leads

October 9, 2024 by Matt Oakes Posted in Out in Theaters Tagged Andrew Garfield, Florence Pugh, John Crowley, Nick Payne, Reviews, We Live in Time 6 Comments

We live in time, but John Crowley’s film exists across it. An emotional portrait of a relationship unfolding across a number of years, Crowley’s romantic drama allows audiences to experience Almut and Tobias’ love story in an unconventional and nonlinear manner. Their meet-cute coincide with scenes of their later life as parents of a young daughter, punctuated by other moments throughout the beginning, middle, and end of their time together – free-form, finite and infinite. This creates a mosaic of the moments that make up a marriage – deep love, tragedy, lust, betrayal, make-up sex, arguments, flirtation – swirling in and amongst each other, unbound by the usual constraints of time. Read More

Towering ‘DUNE: PART TWO’ An Artful Masterclass in World Expansion

February 21, 2024 by Matt Oakes Posted in Most Popular, Out in Theaters Tagged Austin Butler, Charlotte Rampling, Christopher Walken, Denis Villeneuve, Dune, Dune: Part 2, Dune: Part Two, Florence Pugh, Greig Fraser, Hans Zimmer, Jacqueline West, Javier Bardem, Jon Spaights, Josh Brolin, Léa Seydoux, Patrice Vermette, Rebecca Ferguson, Shane Vieau, Stellan Skarsgård, Timothée Chalamet, Zendaya 6 Comments

Denis Villeneuve is nothing short of a living maestro. No other working director can so skillfully transmogrify a heralded text into a jaw-dropping exercise in both art and commerce, making for a sci-fi epic that’s as artistically entrancing as it is nonstop thrilling. A masterclass in world expansion, Dune: Part Two picks up where the last chapter, released simultaneously in theaters and on HBO Max in the doldrums of the lingering pandemic in 2021, left off while continuing to complicate the world of Arrakis, its mythology, its peoples, and what’s at stake for the entirety of Frank Herbert’s well-drawn universe. Villeneuve’s eleventh feature film presents a triumphant middle chapter that grapples with inner darkness, ruminative notions of prophecy and destiny, romantic entanglement, and familial tragedy in what is set to be one of the great trilogies and a true modern masterwork. Read More

Nolan’s Three-Hour Biopic Opus ‘Oppenheimer’ is Not Da Bomb

July 19, 2023 by Matt Oakes Posted in Out in Theaters Tagged Casey Affleck, Christopher Nolan, Cillian Murphy, Emily Blunt, Florence Pugh, Josh Hartnett, Kenneth Branagh, Matt Damon, Out in Theaters, Rami Malek, Reviews, Robert Downey Jr. 2 Comments

Christopher Nolan, the revered father figure of Film Twitter Bros the world over, has made his Mank (or his JFK, depending on who you ask.) Much like David Fincher’s polarizing and 10-time Oscar-nominated biopic, Oppenheimer offers a sprawling and contemplative portrayal of technology that reshaped the world, all while navigating the invasive presence of McCarthyism in America. It presents a sprawling, intricately layered narrative reminiscent of a Russian Nesting Doll, with stories within stories and a dynamic interplay of multiple timelines, including both colorized and black-and-white sequences, complemented by an ensemble cast of A-list actors. Those who caught early screening have already flocked to Twitter to lob terms like “masterpiece” and “best of the century” at Nolan’s three-hour biopic about the Father of the Atom Bomb but, much like Mank, Oppenheimer sees a celebrated filmmaker delivers a work seemingly tailored for awards recognition, though very clearly near and dear to him, yet ultimately fails to ignite the explosive impact it promises. Read More

Better Late than Never, ‘BLACK WIDOW’ Gives MCU’s Preeminent Shero a Fitting Sendoff

June 29, 2021 by Matt Oakes Posted in Out in Theaters Tagged Black Widow, Cate Shortland, David Harbour, Eric Pearson, Florence Pugh, Jac Schaeffe, Marvel, Marvel Cinematic Universe, MCU, Natasha Romanoff, Out in Theaters, Rachel Weisz, Ray Winstone, Reviews, Scarlett Johansson, William Hurt 1 Comment

The second to last of the original Avengers to get her own standalone bow (with Hawkeye’s very own miniseries hitting Disney+ late 2021), Black Widow has been long overdue her turn in the spotlight for some time now. If we weren’t living in an aggressively patriarchal society, it might seem strange that it took so long to get Scarlett Johansson, who has led the charts for most bankable actress alive for many years, her own feature film. But then again it seems that Hollywood suits only recently learned the lesson that the masses would turn out for superhero movies that starred people other than white men and so thus Black Widow was bankrolled into existence, 11 years after her debut in the Marvel Cinematic Universe. Read More

Marvel Resurrects Dead Hero in First Trailer for ‘BLACK WIDOW’

December 3, 2019 by Matt Oakes Posted in Trailers Tagged Black Widow, David Harbour, Florence Pugh, Marvel, MCU, Rachel Weisz, Scarlett Johnasson, Trailers Leave a comment

It’s hardly a spoiler at this point to acknowledge the fact that Black Widow, Marvel’s first female superhero who has been played by Scarlett Johansson since 2010, is dead. The former assassin-cum-non-powered-superhero sacrificed herself in Endgame to save the world. More specifically, her friend and partner Hawkeye. Had the movie not come out in April and gone on to make literally more money than any other movie ever, I’d maybe try and dance around that fact but let’s be honest: either you know already or you couldn’t care less about the MCU. Read More

Gerwig’s ’LITTLE WOMEN’ Is Exquisitely Crafted, Beautifully Acted Holiday Delight

November 25, 2019 by Matt Oakes Posted in Out in Theaters Tagged Bob Odenkirk, Chris Cooper, Eliza Scanlen, Emma Watson, Florence Pugh, Greta Gerwig, Laura Dern, Little Women, Louisa May Alcott, Meryl Streep, Out in Theaters, Reviews, Saoirse Ronan, Timothée Chalamet, Tracy Letts 1 Comment

In 1868, Louisa May Alcott introduced the world to Meg, Jo, Beth, and Amy in her semi-autobiographical novel “Little Women”. Alcott’s novel was almost immediately met with huge commercial success and has gone on to be retold generation after generation. First adapted for the screen in 1917 as a silent film, Little Women has gone on to become a cultural reflection of its times, a new version unspooling every twenty years or so to capture the attention of new young audiences. From 1933’s Katharine Hepburn cut to 1994’s Gillian Armstrong take (whose all-star cast included Winona Ryder, Christian Bale, Claire Danes, Susan Sarandon, and Kirsten Dunst), Little Women is a story destined to play on repeat. And, in this one such example, maybe that’s not such a bad thing. Read More