Film Reviews, Interviews and Articles
Dashed dreams and grubby hands reveal themselves to be the stuff of Edgar Wright’s nightmares in the stylish throwback Last Night in Soho. A ghostly haunter with one foot in the modern zeitgeist and one squarely in raging 1960’s London, Wright’s first foray into the horror grapples between serious social horrors and pure genre thrills, delivering a thoroughly entertaining slice of Giallo exploitation that warns of the temptation of nostalgia. Read More
It’s been a hot minute since Edgar Wright has graced us with his genius. The man responsible for such perfect fare as Shaun of the Dead andHot Fuzz, Wright has long been a pioneer of the Trojan horse comedy, trafficking highbrow laughs in with genre trappings. Unlike many of his contemporaries, Wright is known for his masterful command of visual language, finding laugh-out loud moments in sharp editing, frame composition, camera operation and a great ear for music that amplifies the deadpan, pun-happy, tongue-in-cheek writing gushing from the page. As the mainstream moves more and more toward studio comedies disemboweled by flat visual palettes that fail to embolden jokes with any discernible directorial decisions, Wright has further articulated and championed his particular filmmaking flavour and the world of cinephiles has been the more fortunate for it. Which takes us to Baby Driver. Read More
It’s been a hot minute since Edgar Wright has graced us with his genius. The man responsible for such perfect fare as Shaun of the Dead and Hot Fuzz, Wright has long been a pioneer of the Trojan horse comedy, trafficking highbrow laughs in with genre trappings. Unlike many of his contemporaries, Wright is known for his masterful command of visual language, finding laugh-out loud moments in sharp editing, frame composition, camera operation and a great ear for music that amplifies the deadpan, pun-happy, tongue-in-cheek writing gushing from the page. As the mainstream moves more and more toward studio comedies disemboweled by flat visual palettes that fail to embolden jokes with any discernible directorial decisions, Wright has further articulated and championed his particular filmmaking flavour and the world of cinephiles has been the more fortunate for it. Which takes us to Baby Driver. Read More
I’ve always wondered where our preoccupation with size came from. Maybe cause I’ve never been the biggest, or because I’ve always been more taken by the diminutive: as a self-entitled critic, attention to detail is my craft. Fortunately for movie-goers, so it goes for the folks at Marvel and Ant-Man director Peyton Reed. This edition’s got a new musk, and underneath that an exoskeletal husk of comedic explosion and graphic excitement that rivals its full-sized super-compatriots. With Ant-Man, the folks at Marvel forgot how to make a superhero movie as usual, and pumped out one of the best Marvel adaptations yet. Read More
One of the lesser known Marvel heroes is shaping up to have the most exciting movie, with Edgar Wright directing and Joe Cornish writing Ant-Man. These two’s already incredible chemistry will now be enhanced by Paul Rudd, who has reportedly taken up the title role. The distinction between good and bad superhero movies tends to be what happens when action is not on the screen. This is why Iron Man was so successful. Everyone involved in Ant-Man are people that understand this, so some optimism for this project is definitely warranted.
Marvel is aiming for a July 31, 2015 release, pitting it against Marvel’s own The Avengers: Age of Ultron and Zack Snyder’s Batman vs. Superman. Since they are not aiming to rush it out, so Ant-Man can appear in the new Avengers, we will probably have to wait a few more years to see Rudd appear alongside Robert Downy Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, and friends, in an inevitable third Avengers installment. Either way, the summer of 2015 is looking to be pretty stacked, when it comes to superhero blockbusters, but Ant-Man certainly has all the ingredients (besides a more popular superhero) to lead the pack.
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Despite many internet rumors that the contenders for the titular role in Edgar Wright’s Marvel picture Ant-Man were Paul Rudd and Joseph Gordon-Levitt, JGL has decried the news as “internet rumors” and although not directly denying the possibility, interviews at NY Comic-Con and for his recent movie Don Jon have him effectively denying his involvement in any way. This goes against Variety’s reporting that both actors had met with Marvel execs about the role, and although his de facto withdrawal seems to indicate that Rudd will take the role, the casting hasn’t yet occurred and some sources say other actors are in consideration for the role.
One of the least popularly followed Marvel superheroes, Ant-Man follows biochemist Dr. Hank Pym as he discovers a size-altering formula and the subsequent troubles and action when testing the formula on himself goes awry. Wright, who previously directed the Shaun of the Dead trilogy of films along with Scott Pilgrim vs. the World, is working with former collaborator Joe Cornish to adapt the comics originally penned by Jack Kirby, Stan Lee, and Larry Lieber into a Marvel origin story in typical super-hero movie fashion.
Given Wright’s predilection for comedy in filmmaking, it will be interesting to see if this super hero film incorporates that sensibility without loosing the comic book tradition and aesthetic that most super hero films depend on. Kevin Feige of Iron Man, X-Men, and The Avengers, will also produce, which bodes well for the film’s look and feel.
Although many online pundits and comic book aficionados openly preferred Rudd from the start for the role, others put enough weight behind JGL for this dropout to be somewhat of a disappointment. The release date is set to be July 31st, 2015, so very few details are available on what to expect from the film and its casting in general. It lands among a list of dozens of superhero films and TV projects planned for the next couple years for Marvel and DC both, meaning that comic book fans will get to see most if not all their favorite comic book heroes turned into movies before Marvel and DC have to start either making more original comics or start making remakes.
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