Sion Sono’s Tag is a maelstrom of WTF; an absolutely bonkers satire of feudal sexual tensions in his home nation of Japan, characterized by an absolutely unpredictable, heady plot wormhole that snakes from killer wind to murderous schoolteachers, wedding assassins to a simple foot marathon. Accomplished with keen wit, unnerving cinematic bravado and a healthy obsession with the eccentric, Tag is Lynchian surrealism imported from Japan; ironic, macabre, risky, weird and powerful. Just when you think you know where it’s going next, it completes a pirouette to spin you entirely off base to leave your mind somersaulting. Those expecting a B-movie splatterfest will instead find their heads pried apart by Sono’s unrelenting and challenging exploration of basic human decency in a male-dominated world. (B+)
*Capsule reviews of 100 words from the Seattle International Film Festival.
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By: Matt Oakes
Started blogging about film in college when the university paper wouldn’t have him. Dislikes your consensus film Twitter favorites. Devotee of horror movies that make him die a little inside. Catches films at festivals when he can. Proud SFCS and OFCS member and Tomatometer-approved critic. Editor-in-chief of Silver Screen Riot.
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