BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
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FESTIVAL REVIEW

SIFF ’16 Capsule Review: ‘DON’T THINK TWICE’

By Matt Oakes · June 10, 2016
SIFF ’16 Capsule Review: ‘DON’T THINK TWICE’

Improv is about following the germ of an idea until it’s reach its most preposterous conclusion and with emotionally honest and rib-tickling seriocomedy Don’t Think Twice, Mike Birbiglia has, like a great improv thread taken to its most radical extreme, tangentially bloomed into himself as a director. His comedy manifesto has always tilted at harvesting truth over triviality and his framing of lifelong relationships splintering and fraternal bonds fracturing creates a heartrending account of the invoice of self-interest as a group of comic friends/collegaues infight to land a gig on an intellectually-bankrupt SNL-type sketch show. Watching Birbiglia drive a wedge between this collection of funny people who feed off each other’s energy for a living makes for powerful, character-driven work and the cast, including a standout Keegan-Michael Key and Gillian Jacobs, is more than game bringing dramatic gravitas, in addition to comedic jabs aplenty, to the table. (B+)

*Capsule reviews of 100 words from the Seattle International Film Festival.

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