BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, April 28, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

REVIEWS

FESTIVAL
SXSW ’16 Review: ‘IN A VALLEY OF VIOLENCE’

SXSW ’16 Review: ‘IN A VALLEY OF VIOLENCE’

If you had told me that John Travolta would comeback from his recent Academy Award persona butchery (2014’s “Adele Dazeem”, 2015’s repulsively awkward Scar-Jo sneak-a-kiss) by playing a sand-blasted moral compass in a Ti West Western (a Western, it must be noted, that is of the genre through and through, absent of the horror flair...

FESTIVAL
SXSW ’16 Review: ‘MY BLIND BROTHER’

SXSW ’16 Review: ‘MY BLIND BROTHER’

In Sophie Goodhart‘s intentionally lackadaisical comedy My Blind Brother, Nick Kroll sharpens his post-television presence as unambitious deadbeat Bill whose doomed purpose in life is to be a seeing-eye underdog for his egotistical handicapable brother Robbie (Adam Scott). Complications arise when Bill and Robbie have eyes, er feelings, for the same girl, the spirited, wanna-be-do-gooder...

FESTIVAL
SXSW ’16 Review: ‘HUSH’

SXSW ’16 Review: ‘HUSH’

To start with a bit of housekeeping, Hush joined the critically acclaimed Iranian Sundance debut Under the Shadow when it was swept up by preeminent streaming service Netflix before it was ever screened in front of an audience. Adding  to their growing stockade of boutique horror films, Netflix has queued up the Mike Flanagan-directed thriller...

FESTIVAL
SXSW ’16 Review: ‘WAR ON EVERYONE’

SXSW ’16 Review: ‘WAR ON EVERYONE’

John Michael McDonagh stepped out from the shadows of filmmaker young brother Martin McDonagh, who’s crafted such cult modern classics as In Bruges and Seven Psychopaths, in 2011 when he debuted The Guard. That film went on to mild box office success (overseas) and general critical adoration, though I’ll admit the deadpan acidic humor never...

FESTIVAL
SXSW ’16 Review: ‘CLAIRE IN MOTION’

SXSW ’16 Review: ‘CLAIRE IN MOTION’

To look is not to see. And so goes Claire in Motion, a missing persons dramatic procedural that struggles to be more than meets the eye. College math professor and wife to a known hobby survivalist, Claire (Breaking Bad’s Betsy Brandt) is forced into a waking nightmare when her husband Paul (Chris Beetem) fails to...

FESTIVAL
SXSW ’16 Review: ‘A STRAY’

SXSW ’16 Review: ‘A STRAY’

An introspective sociopolitical drama about a discarded Somalian, A Stray stars Captain Phillip’s Barkhard Abdirahman as Adan, a refugee living on the streets of Minneapolis who happens upon a lost dog. Without a home or hearth of his own, Adan is unable to provide for himself much less another helpless lot of God’s creations. Complicating...

FESTIVAL
SXSW ’16 Review: ‘KEANU’

SXSW ’16 Review: ‘KEANU’

When Key & Peele premiered in 2012 on Comedy Central, it was as close to an overnight success as any sober TV producer could hope for. The sketch comedy show that covered anything from pop-culture fandom to racial relationships, all with unprecedentedly competent production value, found even more love on YouTube where many of their...

FESTIVAL
SXSW ’16 Review:  ‘MIDNIGHT SPECIAL’

SXSW ’16 Review: ‘MIDNIGHT SPECIAL’

Jeff Nichols is very quickly solidifying himself as a distinct and essential American voice. The 37-year old Arkansas native blends the mystic nostalgia of Steven Spielberg’s great wonders with the romanticized bayou lyricism of a Mark Twain novel. The result is often staggering,  the heavy, heady crossroads of lock stock ultra violence and meaningfully sentimental...

FESTIVAL
SXSW ’16 Review: ‘ANOTHER EVIL’

SXSW ’16 Review: ‘ANOTHER EVIL’

Anyone who ever found themselves wishing for a cross section between The Cable Guy and The Exorcism, rejoice in thy ancient cursed tongues. Carson D. Mell’s supernaturally awkward brom-dram is a conjoined twin of ghost tale hula-hoops and male acquaintanceship hoopla. A batty genre-defying lark to its close, Another Evil deals with the clumsy delicacies...

REVIEW
SXSW ’16 Review: ‘DEMOLITION’

SXSW ’16 Review: ‘DEMOLITION’

Led by soaring performances from Gyllenhaal and Watts and an emotionally exploratory script from Bryan Sipe, 'Demolition' is an oddball destructo-drama that measures the invoice of grief against the constructs…