BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Tuesday, April 28, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.

REVIEWS

REVIEW
Out in Theaters: ‘GREEN ROOM’

Out in Theaters: ‘GREEN ROOM’

Jeremy Saulnier's grotesquely violent 'Green Room' pits a hapless punk band against a group of militant Neo Nazis in almost pornographically gruesome fashion. That there isn't too much to the…

REVIEW
Out in Theaters: ‘THE BOSS’

Out in Theaters: ‘THE BOSS’

"While The Boss isn’t the total balut-flavored brownie promised by the Universal Studios production, no amount of Crisco is enough to slick the Melissa McCarthy-starring, tonally disparate cram into one…

REVIEW
Out in Theaters: ‘DEMOLITION’

Out in Theaters: ‘DEMOLITION’

Led by soaring performances from Gyllenhaal and Watts and an emotionally exploratory script from Bryan Sipe, 'Demolition' is an oddball destructo-drama that measures the invoice of grief against the constructs…

REVIEW
Out in Theaters: ‘EVERYBODY WANTS SOME!!’

Out in Theaters: ‘EVERYBODY WANTS SOME!!’

In the pantheon of Richard Linklater’s accomplished filmography, Everybody Wants Some is a relative softball, but even his minor work is essential viewing. A laid-back daydream of primetime golden years…

REVIEW
Out in Theaters: ‘MIDNIGHT SPECIAL’

Out in Theaters: ‘MIDNIGHT SPECIAL’

Jeff Nichols’ ‘Midnight Special’ feels like some recently discovered 80's B-movie. Purring with metaphysical musings and its own cryptic internal mythology,  the sci-fi chase movie asks more questions than it…

REVIEW
Blu-Ray Review: ‘THE HATEFUL EIGHT’

Blu-Ray Review: ‘THE HATEFUL EIGHT’

Synopsis:  “While racing toward the town of Red Rock in post-Civil War Wyoming, bounty hunter John “The Hangman” Ruth (Kurt Russell) and his fugitive prisoner (Jennifer Jason Leigh) encounter another bounty hunter (Samuel L. Jackson) and a man who claims to be a sheriff. Hoping to find shelter from a blizzard, the group travels to...

REVIEW
Out In Theaters: ‘KRISHA’

Out In Theaters: ‘KRISHA’

Backed by a spine-tingling score, 'Krisha' is a powerful journey through the dingy bowels of addiction and family secrets. Krisha Fairchild is masterful in a breakout role for the ages…

FESTIVAL
SXSW ’16 Review: ‘TRANSPECOS’

SXSW ’16 Review: ‘TRANSPECOS’

Like a lens flare cast from No Country For Old Men or an arresting never-before-seen side plot from Breaking Bad, Transpecos sets us on the belt buckle region of the Mexican-American border. In a diminutive shanty of a migra outpost – in essence, a tollbooth and boom barrier – three glorified crossing guards witness hell...