BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS BREAKING NEWS: CITIZEN KANE LOSES BEST PICTURE TO HOW GREEN WAS MY VALLEY BREAKING NEWS: HITCHCOCK'S VERTIGO BOMBS AT BOX OFFICE, DEEMED COMMERCIAL FAILURE BREAKING NEWS: KUBRICK'S 2001 TOO CONFUSING, AUDIENCES DEMAND REFUNDS BREAKING NEWS: BRANDO REFUSES OSCAR, SENDS APACHE ACTIVIST IN HIS PLACE BREAKING NEWS: THE EXORCIST FIRST FILM NOMINATED FOR BEST PICTURE FEATURING PROJECTILE DEMON VOMIT BREAKING NEWS: SPIELBERG'S JAWS BREAKS ALL-TIME BOX OFFICE RECORD BREAKING NEWS: LUCAS STEALS SPIELBERG'S BOX OFFICE RECORD WITH STAR WARS BREAKING NEWS: SPIELBERG RECLAIMS RECORD FROM LUCAS WITH E.T. BREAKING NEWS: WATERWORLD BECOMES MOST EXPENSIVE FILM IN HISTORY AT $175 MILLION BREAKING NEWS: SHOWGIRLS SETS RECORD FOR MOST RAZZIES WON BY SINGLE FILM BREAKING NEWS: ACADEMY VOTERS ASKED TO ACTUALLY WATCH ALL NOMINATED FILMS
FILM REVIEWS · FEATURES · FESTIVALS · INTERVIEWS Sunday, October 18, 2026
SILVER SCREEN RIOT
Probably hates your favorite movie. Since 2012.
REVIEW

THE KILLING Is Saved…Again!

By Matt Oakes · November 19, 2013
THE KILLING Is Saved…Again!

The-Killing-03-Mireille-Enos-Joel-Kinnaman.jpg

Talk about being dragged through the wringer. The Killing has now undergone two cancellations and, thanks to Netflix, two revivals. The first season was received rather well by critics and audiences for its dark, dark look at the murder of a young girl in Seattle. But when the first season finale didn’t wrap up the murder in question, the majority of audiences were unforgiving and failed to return for the second season. With such low numbers on the board, AMC pulled the plug for a third season.

With the demand of a few strongly-willed fans, Netflix stepped in to help finance a third season with AMC in exchange for a deal that included early broadcast rights. But no matter how much critical love this third season – which saw Peter Sarsgaard join the cast as an inmate on death row – received, the viewers still weren’t there. AMC yanked funding once more.

In an unprecedented move of television shifts, Netflix has now scooped up The Killing to air exclusively on their On Demand station for a six episode fourth season. Fans can rejoice in the fact that they will see the conclusion to the huge cliffhanger the third season walked away on as Mireille Enos and Joel Kinnaman are already set to return.

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