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‘CHALLENGERS’ Volleys Passion and Obsession in Steamy Love Triangle

“You think you know what tennis is about but you don’t,” Zendaya’s tennis wunderkind Tashi Duncan scolds best friends Art and Patrick. Tennis, she says, is about a relationship. The beauty of the sport isn’t its winning – despite that being the thing that separates champions from wash-outs – it’s about the magic of two people hitting a ball with a racket in complete synchronicity. There the rest of the world falls away, leaving behind a chorus of grunts and pools of sweat, and physical artistry. So too is Challengers about tennis and a relationship. Though the relationship at the center of Luca Guadagnino’s steamy sports drama is neither a traditional doubles or singles match, as the two young men, bunkmates-turned-teammates-turned-rivals, find themselves sparring for the affections of one woman in an awkward, decades-spanning love triangle. Read More

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Towering ‘DUNE: PART TWO’ An Artful Masterclass in World Expansion 

Denis Villeneuve is nothing short of a living maestro. No other working director can so skillfully transmogrify a heralded text into a jaw-dropping exercise in both art and commerce, making for a sci-fi epic that’s as artistically entrancing as it is nonstop thrilling. A masterclass in world expansion, Dune: Part Two picks up where the last chapter, released simultaneously in theaters and on HBO Max in the doldrums of the lingering pandemic in 2021, left off while continuing to complicate the world of Arrakis, its mythology, its peoples, and what’s at stake for the entirety of Frank Herbert’s well-drawn universe. Villeneuve’s eleventh feature film presents a triumphant middle chapter that grapples with inner darkness, ruminative notions of prophecy and destiny, romantic entanglement, and familial tragedy in what is set to be one of the great trilogies and a true modern masterwork.  Read More

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‘SPIDER-MAN: NO WAY HOME’ and The Multiverse of Monsters

Undisputedly the superhero event of the year, Spider-Man: No Way Home is a breakneck collision of past and present that explores the generational legacy of Spider-Man in unrelentingly entertaining fashion. The script from Chris McKenna and Erik Sommers wastes zero time, hitting the ground running as No Way Home picks up precisely where the previous endeavor, Far From Home, left off: with Peter Parker’s  (Tom Holland) identity revealed to the world by Daily Bugle alt-news tyrant J. Jonah Jameson (J.K. Simmons). Desperate to undo the fallout from his being unmasked, Peter turns to Doctor Stephen Strange (Benedict Cumberbatch) to conjure up an amnesia spell that would make the world forget his identity. Read More

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Sweat and Tears: Villeneuve’s Breathtaking Space Opera Epic ‘DUNE’ Rules

Behold! Denis Villeneuve has adapted Frank Herbert’s iconic 1965 science-fiction novel Dune with all the might and majesty of a true maestro. A verifiable fireworks-show of audio-visual brawn and storytelling prowess, Dune as translated by Villeneuve is a rare cinematic treat that implodes on the screen, sucking audiences into a dizzying vortex of feuding empires, space zen, and chosen-one heroics, resulting in one of the most electrifying science-fiction space operas of this generation and one of the very best films of the year. The only knock against it – and it is a reasonably-sized knock – is that this first film in the planned (but not yet green-lit) two-parter only encompasses half the total story, leaving viewers desperate for a conclusion that may or may not come to fruition. Read More