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FEAR THE WALKING DEAD Season 1 Finale “The Good Man” Review

In “A Good Man”, we all get the post-apocalypse we deserve, as Fear The Walking Dead draws to a close. All good things must come to an end. Fear The Walking Dead ended up being very good, despite a rocky start and some missteps. Most of these were corrected in FTWD’s conclusion.

First of all, let us address the rotting corpse in the room – the zombies (or “Walkers” or “biters” or “shambling bags of flesh”, choose your sobriquet.) The main criticism I saw leveled at the AMC mini-series was the lack of Walkers, which is a pretty serious allegation for a show with “The Walking Dead” making up ¾ of its title. “The Good Man” makes up for this drought in spades, with wave after wave of rotting flesh, as The Walking Dead‘s universe sees its very first herd. Read More

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‘SCREAM QUEENS’ “Chainsaw” Review

2015 has been a pretty horrorshow year for horror television. Between the high-profile, high-production-value extended Slasher Flick of MTV’s Scream: The Series and Fox’s frankly hilarious horror/comedy Scream Queens, 2015 stands to be remembered as a gold standard year for the format, helping us all to move on from the mostly underwhelming snorefest that was True Detective Season 2 and the uncertainty in our hearts towards Fear The Walking Dead. Read More

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FEAR THE WALKING DEAD “Not Fade Away” Review

The action heats up and starts to boil up on “Not Fade Away”, despite the calm on the surface and a decided dearth of Walkers.

Fear The Walking Dead has been a slow burn, thus far, taking the time to develop characters and establish the tension that ultimately makes it so successful. While many have criticized Fear The Walking Dead for being a “family drama with zombies”, that’s exactly what the creators were going for. It provides a necessary emotional subtext to really feel the onset of Armageddon. Read More

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FEAR THE WALKING DEAD “The Dog” Review

The action’s heating up, as three families in AMC’s Fear The Walking Dead leave this world behind, encroaching further into the iconic ruin of the Walker-infested wasteland.

“Civilization is like a thin layer of ice upon a deep ocean of chaos and darkness.” – Werner Herzog

 The most striking moment from an episode full of suspense, melodrama, and exploding heads was a quiet one. Travis Manawa (Cliff Curtis) and his first family, with another family, the Salazars, in the back of his pick-up, making his way to Madison’s (Kim Dickens) house. As the worried families drive in silence, the sprawling bejewelled nighttime carpet of Los Angeles is plunged into darkness, as the power outage takes hold and spreads.

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FEAR THE WALKING DEAD “So Close, Yet So Far” Recap/Review

“Can I have my knife back now?” – Tobias

The action heats up quick, like a saucepan full of nitroglycerin on the stovetop, as the contagion begin to spread. And we haven’t seen anything yet. “So Close, Yet So Far” leaves behind the family melodrama of “Pilot”, or rather, it imports it into this new world that is beginning to form as the old one decays, both with a bang and a whimper. Read More

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FEAR THE WALKING DEAD, Episode 1 ‘Pilot’ Recap/Review

“What the hell is going on?” – Madison

“I have no idea.” – Travis

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Imagine waking up in some unfamiliar place, dazed and disoriented. You stumble downstairs to a charnel house of cadavers, finding one of your good friends chewing off another friend’s face. What would you do? This cognitive dissonance, this mammalian panic terror is the core of what makes Fear The Walking Dead so deadly effective, as well as what separates it from its mothership. Read More

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TRUE DETECTIVE Season 2 Episode 8 Review “Omega Station”

Another way of understanding the existential undertow of the flat circle and how it particularly drove this season’s narrative is a simple application of physics: an object in motion will stay in motion unless acted upon by an unbalanced force. Can a subsequent generation will itself out of the inertia spun onto it by its predecessor? Perhaps it can, as the Omega Station has been reached with an answer to the series’ ongoing thesis: only the right people in our lives can alter our directed courses. Read More

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TRUE DETECTIVE Season 2 Episode 7 “Black Maps and Motel Rooms”

All the characters are trying to find their way out with black maps as we’re seeing the end of DaVinci’s beginning. Bez and Velcoro accept the circle, Frank tries to undo it, and Woodrugh attempts to outrun it.

New evidence emerges from the stolen documents that link Catalyst and McCandless to Osip. Velcoro directs the link to Davis, but he finds her in a cold motionless revelation marked by blood, the predictable fate of everything and all that tries to be an anthesis to what will always be. DaVinci is a derelict child, like Velcoro (Collin Farell), Bez (Rachel McAdams), and Woodrugh (Taylor Kitsch). But can they, will they, turn something bad into good? Read More

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TRUE DETECTIVE Season 2 Episode 6 Review “Church in Ruins”

hurch in Ruins is why True Detective was worshipped to begin with. So far, the best episode of the season is reminiscent of Rust’s extended action sequence through the ghetto. Bez’s (Rachel McAdams) subplot’s climax evoking–either a Kubrickian or Lynchian (either way, brilliantly twisted and atmospheric) tone–matches Velcoro’s unbridled snowy Cuervo bender. Read More

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TRUE DETECTIVE Season 2 Episode 5 “Other Lives”

As the first season dictates, crime predestines characters into its fold; their adopted second selves aren’t themselves, and the inevitability of the crime’s determinism has approached. In season one, after they ostensibly solved the crime, we saw Rust and Marty’s interlude draw out seemingly grounded as repaired people then pulled back into the crime’s undertow as they re-disintegrated. We only experienced a blip in this season, not even an episode, as this iteration re-awakens half way through.

And like the first season, the bad men seem amorphous, but there’s always one face formed of many like a mosaic from a distance, one singular expression–and it will reach for everything inside of them–at least, that’s what I’ve been hoping for. With three more episodes left, this dark experiment has a chance for redemption to have its potential culminate in entirety. To pull it off, every character needs to be at the end of themselves and turn back as they face new lengths in human amorality.

Post shoot-out mortem, a new stasis with new self has settled in. The investigation’s been shut down by State Attorney General Geldof, pinning Caspere’s murder on Amarilla from the Mexican outfit–and, strangely announcing his run for governor.

ep13-ss06-1920Thus, Velcoro evades his conscience by dropping the good-cop, bad-cop posture and fully commits to ambiguity by becoming a private investigator while still holding enforcer title with Frank in the midst of an ongoing custody battle; Bez is demoted to the sheriff’s office evidence lock up while pursuing Vera’s disappearance on her own timetable; Woodrugh is promoted to detective but withdrawn from the field to insurance fraud while facing extortion from Lindel; Jordan questions Franks recidivist business practices as the only way out.

But all of the character’s now independent lives and investigations evolve to one focal point of conspiracy. Frank orders Velcoro to snoop on Blake when he discovers him trafficking Frank’s prostitutes to his adversary Osip at a clinic with Pitlor and Tony present. The story takes a hard turn when Bez finds a political connection to Caspere’s hotsheet pawned blue diamonds. With plenty of evidence on the table, state investigator Davis reopens the investigation incognito. Davis wants evidence of collusion between Chessani’s political machine and the state attorney general’s chest full of campaign money–thus, no surprise to Velcoro that the state’s investigation was smoke and mirrors. Woodrugh and Bez match Caspere’s former movements to an a rural abandoned commune fitted with a bloodied sexual dungeon. Velcoro bitch slaps Pitlor around when he spits up old business between Caspere and Chessani involving escorts and real estate deals–all filmed and kept in Caspere’s pilfered hard drive to blackmail influential guests if threatened.

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While Frank has Velcoro by the strings, he attempts to leverage his former place into the corridor by blackmailing a business associate who now operates the development company that holds the land to be bought by the government. He was complicit with Frank and his former waste company in dumping contaminants on the farmland that Bez and Woodrugh discovered to lower its purchase value for the railway. But the person whom Frank then sold it to had his life tampered with involving a car that never ends well with a cliff. Frank is given a quid pro quo back into the corridor if he finds Caspere’s stolen hard drive inspired by cinema verite–this same associate that attended the escort parties Pitlor divulged to Velcoro.

As Velcoro confronts Davis about his grit, another self is revealed. Davis tells him his wife’s rapist was forensically affirmed a few weeks ago–a different lead than what Frank lured him into. As Frank holds Jordan after thinking about selling their stakes and starting over, he looks up at the ceiling and says, “No more water stains.” The dark eyes have closed for the moment.

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For prior Silver Screen Riot True Detective coverage, find archive reviews below:

TRUE DETECTIVE Season 2 Episode 1 Review “The Western Book of the Dead”
TRUE DETECTIVE Season 2 Episode 2 Review “Night Finds You”
TRUE DETECTIVE Season 2 Episode 3 Review “Maybe Tomorrow”
TRUE DETECTIVE Season 2 Episode 4 Review “Down Will Come”

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