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‘DRIVE AWAY DOLLS’ A Perplexing Lesbian Road Trip Caper From One Half of the Coen Bros 

A pair of odd couple lesbians head to Tallahassee in Ethan Coen’s (of the Coen brothers) bizarre comedy caper, Drive Away Dolls. Each looking for a fresh start, Jaime (Margaret Qualley) and Marian (Geraldine Viswanathan) form an unlikely pair. One is a fast-talkin’, easy-lovin’ free spirit. The other is an over-thinking, uptight introvert. But their friendship persists through their differences and after a breakup and professional stall-out the duo journey south in a “drive away” car, a service that allows renters to transports vehicles across state lines. One case of mistaken identity and a drive away car mix-up later, the pair realize they are transporting a valuable case of personal effects hidden in the car’s boot. A couple of inept goons are hot on their tail as their road trip takes them to various gay bars, touristy pit stops, and run-ins with the law in what can only be described as a bizarre herky-jerky pre-Y2K slapstick attempt. It’s at once perplexing, engaging, annoying, and utterly sloppy, and really serves to highlight just how much the Coen Brothers need one another as collaborators.   Read More

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Social Horror ‘CANDYMAN’ Radically Addresses Black Trauma in Brutal Fashion

For what it does right – and it does do plenty right – Bernard Rose’s 1992 cult horror-slasher Candyman feels like a dated product of its racially off-putting times. Hone in on where it focuses the spotlight: Virginia Madsen’s curious and lily white grad student Helen Lyle, out to deconstruct the urban myths of a hook-handed boogeyman terrorizing the Black community. A white woman in distress scouring the trauma of the African-American hood, Helen is a peculiar cypher for a story about the lingering horrors of race. Read More

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A Ratchet Weekend Goes Viral in A24 Sex Work Drama ‘ZOLA’

If you haven’t read the hysterically unhinged 148-tweet thread that details how the eponymous Aziah “Zola” King (Taylour Paige) and “this white bitch” Stefani (Riley Keough) fell out, fear not: Zola will gladly fill in all the gory deets for you. One of the buzziest breakout splashes from 2020’s Sundance Film Festival, Zola is a kinetic social media-influenced dark comedy that adapts what was deemed “the greatest stripper saga ever tweeted” with visual style and sardonic pizzaz to spare. Exploding with personality and a flair for Gen-Z garishness (with too many tweet-notification audio drops to count), the latest great from A24 traps audience, alongside the titular Zola, in a prison-stay of a weekend as everything goes horribly wrong. Before it all went viral. Read More

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FEAR THE WALKING DEAD Season 1 Finale “The Good Man” Review

In “A Good Man”, we all get the post-apocalypse we deserve, as Fear The Walking Dead draws to a close. All good things must come to an end. Fear The Walking Dead ended up being very good, despite a rocky start and some missteps. Most of these were corrected in FTWD’s conclusion.

First of all, let us address the rotting corpse in the room – the zombies (or “Walkers” or “biters” or “shambling bags of flesh”, choose your sobriquet.) The main criticism I saw leveled at the AMC mini-series was the lack of Walkers, which is a pretty serious allegation for a show with “The Walking Dead” making up ¾ of its title. “The Good Man” makes up for this drought in spades, with wave after wave of rotting flesh, as The Walking Dead‘s universe sees its very first herd. Read More