When discussing 2015 and its ilk of Oscar wannabes, most rallied around a similar sentiment: what an odd and unpredictable year for awards. At one point or another, as many as five of the eight Best Picture nominees (The Big Short, Bridge of Spies, Brooklyn, Mad Max: Fury Road, The Martian, Room, Spotlight, The Revenant) could have been considered the front-runner with the vast majority of the race seemingly coming down to a Big Short vs. Spotlight showdown. Huge box office tolls and unprecedented last minute momentum moved The Revenant into the pole position at an opportune time, seemingly hucking Spotlight from the, ahem, spotlight. And right when it needed it most. These tectonic shifts have made pining down the Best Picture winner a particularly challenging game this year with an unlikely chronology of match-ups apparently leaving the battle to be waged between Adam McKay‘s financial meltdown dramedy and Alejandro González Iñárritu‘s survivorman epic. That being said, one shouldn’t discount Tom McCarthy‘s Spotlight which could just pull a last minute KO. Now if only George Miller‘s supreme Mad Max: Fury Road had the same surprise comeback potential… Read More
Silver Screen Riot’s Official 2016 Oscar Nomination Predictions
Every year, us adamant movie bloggers have a tradition of predicting not only the winners of the Academy Awards but the actual nominees. Does it sound like sheer insanity? Of course it does! It’s tilting at windmills. Nothing more. Nonetheless, we labor to push the proverbial rock up the hill eternal, shooting blindly into the dark. This year there’s so many variables that predicting the nominations has been more difficult than ever. The only sure things at this point seem to be Spotlight and The Big Short for Best Picture, Leonardo DiCaprio for Best Actor, Brie Larson for Best Actress, Sylvester Stallone for Best Supporting Actor and a handful of technical nods for the likes of Mad Max and The Martian. Read More
Out in Theaters: ‘THE MARTIAN’
Ridley Scott’s most mainstream-minded movie in years, The Martian is 80 percent more Apollo 13 than it is Duncan Jones’ similarly themed (but wholly superior) Moon. Like Moon, The Martian involves a Starman (David Bowie’s space anthem of the same name is used tremendously in Scott’s film) contending with crippling solitude and psychological tremors when he’s left for dead on Mars. Unlike Moon, the narrative is a straight-forward locomotive, employing the mantra “I think I can” to such a degree that you can be almost one hundred percent confident that everything is going to work out in the end. Read More
Fall 2015 Film Preview – 22 Films To Buy Tickets for Now
September is upon us as summer creeps into the rear view. Torrential rains, blistering cold spells and the grotesqueries of changing leaf colors is set to drive the masses into the theaters. But is there anything worth seeing? But of course there is! We’ve compiled our Fall 2015 Film Preview to get the ticket-buying ball rolling and your film nerd anticipation building. Right up until an absolutely action-packed Holiday movie season, there’s a bounty of cinema that’s geared up to do nothing short of blow the doors off. If everything pans out as it should, we ought to be seeing some of the year’s first viable Oscar films as well as some of the year’s biggest blockbusters. Read More