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‘THE LION KING’ Doesn’t Have An Original Bone in its Stunningly Photorealistic Body

Not a lot of films have found success at the multiplexes this summer with franchise entries like Godzilla: King of the Monsters, Dark Phoenix and Men in Black: International crashing and burning at the global box office. What with their iron grip over Marvel (Avengers: Endgame, Spider-Man: Far From Home), Pixar (Toy Story 4) and a catalogue of classic animated films like Aladdin and Dumbo ripe for live action remakes at their disposal, Disney has kept their head above flood waters, saving the AMCs and Regals of the world from becoming desolate, sticky wastelands of stale popcorn kernels and cola syrup. Disney is a king of their domain. And that domain is business. And business is good. Read More

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Out in Theaters: ‘THE MARTIAN’

Ridley Scott’s most mainstream-minded movie in years, The Martian is 80 percent more Apollo 13 than it is Duncan Jones’ similarly themed (but wholly superior) Moon. Like Moon, The Martian involves a Starman (David Bowie’s space anthem of the same name is used tremendously in Scott’s film) contending with crippling solitude and psychological tremors when he’s left for dead on Mars. Unlike Moon, the narrative is a straight-forward locomotive, employing the mantra “I think I can” to such a degree that you can be almost one hundred percent confident that everything is going to work out in the end. Read More