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Predicting Winners at the 2019 Oscars (Plus What Should Win, And What Shoulda Been There)

I can’t recall a year where A) I cared less about the Oscars as a ceremony, B) I felt so unsure about their results, and C) I found so many of the nominees to be utterly unmoving. While a few of my very favorite films of the year scored big with nominations, most notably The Favourite with a tidy 10 noms, this year’s slate of Oscar films felt decidedly like a step backward. After the whole kerfuffle with instituting a new category that would award the Best Popular Film and then removing it, the Academy seemed to move forward with instead just nominating said “popular” films into their Best Picture category, with 2018’s domestic box office champion Black Panther scoring a Best Picture nomination in addition to a bevy of below-the-line nods as well, and critically-divisive Bohemian Rhapsody, which has been lambasted with claims of “Fake News” since its debut, collecting a heap of nominations to call its own. Read More

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Official 2018 Academy Awards Prediction

Each and every year, us film bloggers fold ourselves into a pretzel trying to prognosticate the winners of these awards downwind a country mile with nothing but the occasional whiff of “Actual Oscar Ballot”. Personally, I’ve kind of fallen out of the habit of tracking these things – but have relished the opportunity to be a voting member of our local Seattle Film Critics Society Awards – as they “sprint” (read: crawl) down the five-plus month track to the end all be all of awards’ ceremonies – The Oscars. Read More

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Silver Screen Riot’s Official 2016 Oscar Nomination Predictions

Every year, us adamant movie bloggers have a tradition of predicting not only the winners of the Academy Awards but the actual nominees. Does it sound like sheer insanity? Of course it does! It’s tilting at windmills. Nothing more. Nonetheless, we labor to push the proverbial rock up the hill eternal, shooting blindly into the dark. This year there’s so many variables that predicting the nominations has been more difficult than ever. The only sure things at this point seem to be Spotlight and The Big Short for Best Picture, Leonardo DiCaprio for Best Actor, Brie Larson for Best Actress, Sylvester Stallone for Best Supporting Actor and a handful of technical nods for the likes of Mad Max and The Martian. Read More

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Oscar Wrap Up: Winners 'n' Thoughts

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Well, as I predicted, this year was a big bust for me. My prognosticating digits went down the toilet with a paltry 16-8 (my worst year in half a decade, especially in light of my 22-2 numbers of last year) but at least I knew going into the ceremony that I was taking some gambles. Boyhood barely got a sniff at Oscar gold and Whiplash managed to steal fire in a few slots (taking home the third most awards with three total wins) but the big winners of the night were Birdman (4) and The Grand Budapest Hotel (4).

As for the actual entertainment value of the show, this critic would give it a resounding “meh.” It had its moments – Graham Moore‘s stirring speech, “Glory”, Jack Black‘s musical interruption, hammered Terrence Howard, the realization that Common’s real name is Lonnie Lynn – but its pitfalls were ever more memorable – including an impressive but overlong and unnecessary Sound of Music tribute, Neil Patrick Harris‘ wet blanket of a magic trick, John Travolta latching onto Idena Menzel‘s face like an Alien facehugger. Can we just not invite him back?

And though NPH was an all-around bust of a host, this year’s ceremony did manage to award some of the best films in a long while. Consider this year’s trio of Birdman, The Grand Budapest Hotel and Whiplash and compare to last year’s Gravity, 12 Years a Slave and Dallas Buyers Club. I know which threesome I would pick up at the video store.

As for our Oscar contest, this year’s winners were r0ckwithme and FilmActually‘s Shane Slater. Congrats! You win prizes!

You’ve likely already seen the winners list but below are the trophy-takers in bold and my incorrect predictions in red. Here’s hoping that next year I have much better numbers on the board.

BEST PICTURE
Boyhood
The Imitation Game
Birdman
The Theory of Everything
The Grand Budapest Hotel
Whiplash
Selma
American Sniper

BEST DIRECTOR
Richard Linklater, Boyhood
Alejandro González Iñárritu, Birdman
Wes Anderson, The Grand Budapest Hotel
Morten Tyldum, The Imitation Game
Bennett Miller, Foxcatcher

ACTRESS IN A LEADING ROLE
Julianne Moore, Still Alice
Reese Witherspoon, Wild
Rosamund Pike, Gone Girl
Felicity Jones, The Theory of Everything
Marion Cotillard, Two Days, One Night

ACTOR IN A LEADING ROLE
Michael Keaton, Birdman
Eddie Redmayne,
The Theory of Everything
Benedict Cumberbatch, The Imitation Game
Steve Carell, Foxcatcher
Bradley Cooper, American Sniper

ACTRESS IN A SUPPORTING ROLE
Patricia Arquette, Boyhood

Emma Stone, Birdman
Keira Knightley, The Imitation Game
Meryl Streep, Into the Woods
Laura Dern, Wild

ACTOR IN A SUPPORTING ROLE
J.K. Simmons, Whiplash

Edward Norton, Birdman
Ethan Hawke, Boyhood
Mark Ruffalo, Foxcatcher
Robert Duvall, The Judge

ORIGINAL SCREENPLAY
Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, A
rmando Bo, Birdman
Richard Linklater, Boyhood
Wes Anderson and Hugo Guinness, The Grand Budapest Hotel
Dan Gilroy, Nightcrawler
Dan Futterman and E. Max Frye, Foxcatcher

ADAPTED SCREENPLAY
Graham Moore, The Imitation Game

Anthony McCarten, The Theory of Everything
Damien Chazelle, Whiplash
Jason Hall, American Sniper
Paul Thomas Anderson, Inherent Vice

FILM EDITING
American Sniper
Boyhood
The Grand Budapest Hotel
The Imitation Game
Whiplash

FOREIGN LANGUAGE FILM
Ida (Poland)
Leviathan
(Russia)
Tangerines
(Estonia)
Timbuktu
(Mauritania)
Wild Tales
(Argentina)

ANIMATED FEATURE FILM
Big Hero 6
How to Train Your Dragon 2
The Boxtrolls
Song of the Sea
The Tale of Princess Kaguya

ANIMATED SHORT FILM
Daisy Jacobs and Christopher Hees, The Bigger Picture (National Film and Television School)
Robert Kondo and Dice Tsutsumi, The Dam Keeper (Tonko House)
Patrick Osborne and Kristina Reed, Feast (Walt Disney Animation Studios)
Torill Kove, Me and My Moulton (Mikrofilm in co-production with the National Film Board of Canada)
Joris Oprins, A Single Life (Job, Joris & Marieke)

LIVE ACTION SHORT FILM
Oded Binnun and Mihal Brezis, Aya (Chasis Films)
Michael Lennox, director, and Ronan Blaney, Boogaloo and Graham (Out of Orbit)
Hu Wei and Julien Féret, Butter Lamp (La Lampe au Beurre de Yak)(AMA Productions)
Talkhon Hamzavi and Stefan Eichenberger, Parvaneh (Zurich University of Arts)
Mat Kirkby, director and James Lucas, The Phone Call (RSA Films)

DOCUMENTARY FEATURE
Citizenfour
Last Days in Vietnam
Virunga
Finding Vivian Maier
The Salt of the Earth

DOCUMENTARY SHORT SUBJECT
Perry Films, Crisis Hotline: Veterans Press 1

Wajda Studio, Joanna
Warsaw Film School, Our Curse
Centro de Capacitación Cinematográfica, The Reaper (La Parka)
Weary Traveler, White Earth

CINEMATOGRAPHY
Emmanuel Lubezki, Birdman

Dick Pope, Mr. Turner
Robert D. Yeoman, The Grand Budapest Hotel
Ryszard Lenczewski and Łukasz Żal, Ida
Roger Deakins, Unbroken

ORIGINAL SCORE
Johann Johannsson, The Theory of Everything
Alexandre Desplat, The Imitation Game
Alexandre Desplat, The Grand Budapest Hotel
Hans Zimmer, Interstellar
Gary Yershon, Mr. Turner

ORIGINAL SONG
Gregg Alexander, Danielle Brisebois, Nick Lashley, and Nick Southwood, “Lost Stars” (Begin Again)
John Legend and Common, “Glory” (Selma)
Shawn Patterson, Joshua Bartholomew, Lisa Harriton, and The Lonely Island, “Everything Is Awesome” (The Lego Movie)
Diane Warren, “Grateful” (Beyond the Lights)
Glen Campbell, “I’m Not Gonna Miss You” (Glen Campbell … I’ll Be Me)

COSTUME DESIGN
Colleen Atwood, Into the Woods
Anna B. Sheppard and Jane Clive, Maleficent
Milena Canonero, The Grand Budapest Hotel
Jacqueline Durran, Mr. Turner
Mark Bridges, Inherent Vice

PRODUCTION DESIGN
Adam Stockhausen and Anna Pinnock, The Grand Budapest Hotel

Suzie Davies and Charlotte Watts, Mr. Turner
Dennis Gassner and Anna Pinnock, Into the Woods
Nathan Crowley, Gary Fettis, and Paul Healy, Interstellar
Maria Djurkovic and Tatiana Macdonald, The Imitation Game

MAKEUP AND HAIRSTYLING
Bill Corso and Dennis Liddiard, Foxcatcher
Frances Hannon and Mark Coulier, The Grand Budapest Hotel
Elizabeth Yianni-Georgiou and David White, Guardians of the Galaxy

VISUAL EFFECTS
Interstellar
Dawn of the Planet of the Apes
Guardians of the Galaxy
X Men: Days of Future Past
Captain America: The Winter Soldier

SOUND EDITING
Alan Robert Murray and Bub Asman, American Sniper

Martín Hernández and Aaron Glascock, Birdman
Brent Burge and Jason Canovas, The Hobbit: Battle of the Five Armies
Richard King, Interstellar
Becky Sullivan and Andrew DeCristofaro, Unbroken

SOUND MIXING
American Sniper
Birdman
Unbroken
Interstellar
Whiplash

 

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2015 Oscar Predictions (Or the Unexpected Virtue of Winning Your Oscar Pool)

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It’s that magical time of year when film come to a head, colliding in a battleground of prestige, vying for golden statuettes that boast careers and fatten paychecks. This year’s Academy Awards nomination met with controversy out of the gate – most notably for the exclusion of noted female and African-American directors, actors and screenwriters – but that hasn’t stalled the herds of celebrities literally waiting in the wings to reward each other and today is the biggest and easily the most important of the awards season. So don your fanciest dress, pop your priciest wine and set out the stinkiest cheeses because today months and months of speculation and prognostication end to the tune of shiny statues. Read More

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2014 Oscar Winners and Prediction Contest Champions

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Alright, alright, alright. After a long-winded Academy Award ceremony, barely held together by a scrambling Ellen Degeneres, we can finally confirm our suspicions that the 2014 Oscars held little surprises. In fact, it was probably the most straight forward year in Oscar prognosticating in a long time. I personally went 22 for 24, missing out on Live Action Short (a miss I hardly lament) and Documentary. I went with The Act of Killing knowing it was the underdog but I also really just didn’t want to put my money on 40 Feet from Stardom as I thought it was the least provocative of all five docs this year and would stand for a very uneventful win. Well, considering the course Ellen chartered the ceremony in, I ought to have seen uneventful in my future.

As expected, the musical numbers dragged their feet and did little more than add valuable time onto an already long-winded ceremony. The addition of Bette Midler and Pink, whose performances seemed better suited for a old folk’s home than a hurried primetime broadcast, hardly helped to distract from the fact that Lana Del Ray was shafted from the event. Just as Ellen never quite managed to have a handle on her material, the shamble from act to act showed the seams of the event coming unfurled, a clear sign of lazy production and careless direction. While the final picks themselves proved uneventful at best, the presentation of them was even more yawn-inducing.

The highlights came in the form of the four acting acceptance awards with Lupita Nyong’o offering up an eloquent speech the likes of which had the world eating from the palm of her hand. J La may be America’s sweetheart but you better believe that Lupita just made sure that no one forgets her name. An earnest and family-dedicating speech from Jared Leto showed a man who, despite all the attention he’s received this year still seems genuinely humbled by such an award. Cate Blanchett, skirting around mention of Woody, took the opportunity of her win to steer her speech into a poignant tidbit on how cinema with a female lead is not niche. For its brevity and pointedness, Blanchett had us all ears and earned our attention. However my favorite bit of the night probably came at the hands of Matthew McConaughey sermonizing about heroes then painting a potrait of his dad sauntering around the afterlife sans pans and slugging a shitty beer. In that speech, he embodied the McConassiance and I think has us all waiting to see what he’ll do next.

When all was said and done, Gravity took home the most with seven awards (mostly on the technical side but a nod to Cuaron for Director is hardly one to balk at) and Dallas Buyers Club and 12 Years a Slave took three each.

As for the contest, in first place we have the lovely Astrea Campbell-Cobb who went 21/21 of the major categories and only missed the Live Action Short. Good on ya! You have a Blu Ray of 12 Years a Slave with your name on it. In second place, we have Preston Nicholson who got 20/21 and 2/3 of the shorts. Although there were a number of other contestants who got the same stats, Preston beat the others too it, posting the second day of the contest. He will receive the Best Picture nominee from last year of his choice. Congratulations guys!

Below you’ll find the winners and nominees of each category and at the bottom of the page you’ll find the actor’s acceptance speeches to revist or watch if you missed them the first time around.

Picture

WINNER: 12 Years a Slave

Nominees: American Hustle; Captain Phillips; Dallas Buyers Club; Gravity; Her; Nebraska; Philomena; The Wolf of Wall Street; 12 Years a Slave

Actor

WINNER: Matthew McConaughey, Dallas Buyers Club

Nominees: Christian Bale, American Hustle; Bruce Dern, Nebraska; Leonardo DiCaprio, The Wolf of Wall Street; Matthew McConaughey, Dallas Buyers Club; Chiwetel Ejiofor, 12 Years a Slave

Actress

WINNER: Cate Blanchett, Blue Jasmine

Nominees: Amy Adams, American Hustle; Cate Blanchett, Blue Jasmine; Sandra Bullock, Gravity; Judi Dench, Philomena; Meryl Streep, August: Osage County

Supporting Actor

WINNER: Jared Leto, Dallas Buyers Club

Nominees: Barkhad Abdi, Captain Phillips; Bradley Cooper, American Hustle; Michael Fassbender, 12 Years a Slave; Jonah Hill, The Wolf of Wall Street; Jared Leto, Dallas Buyers Club

Supporting Actress

WINNER: Lupita Nyong’o, 12 Years a Slave

Nominees: Sally Hawkins, Blue Jasmine; Jennifer Lawrence, American Hustle; Lupita Nyong’o, 12 Years a Slave; Julia Roberts, August: Osage County; June Squibb, Nebraska

Director

WINNER: Alfonso Cuarón, Gravity

Nominees: Alfonso Cuarón, Gravity; Steve McQueen, 12 Years a Slave; Alexander Payne, Nebraska; David O. Russell, American Hustle; Martin Scorsese, The Wolf of Wall Street

Animated Feature Film

WINNER: Frozen

Nominees: The Croods; Despicable Me 2; Ernest & Celestine; Frozen; The Wind Rises

Foreign Film

WINNER: The Great Beauty

Nominees: The Broken Circle Breakdown, Belgium; The Great Beauty, Italy; The Hunt, Denmark; The Missing Picture, Cambodia; Omar, Palestine

Original Screenplay

WINNER: Her, Spike Jonze

Nominees: American Hustle, Eric Singer and David O. Russell; Blue Jasmine, Woody Allen; Dallas Buyers Club, Craig Borten and Melisa Wallack; Her, Spike Jonze; Nebraska, Bob Nelson

Adapted Screenplay

WINNER: 12 Years a Slave, John Ridley

Nominees: Before Midnight, Richard Linklater, Julie Delpy, Ethan Hawke; Captain Phillips, Billy Ray; Philomena, Steve Coogan and Jeff Pope; 12 Years a Slave, John Ridley; The Wolf of Wall Street, Terence Winter

Original Score

WINNER: Gravity

Nominees: The Book Thief; Gravity; Her; Philomena; Saving Mr. Banks

Original Song

WINNER: Let It Go, from Frozen

Nominees: Alone Yet Not Alone, from Alone Yet Not Alone; Happy, from Despicable Me 2; Let It Go, from Frozen; The Moon Song, from Her; Ordinary Love, from Mandela: Long Walk to Freedom

Cinematography

WINNER: Gravity

Nominees: The Grandmaster; Gravity; Inside Llewyn Davis; Nebraska; Prisoners

Costume Design

WINNER: The Great Gatsby

Nominees: American Hustle; The Grandmaster; The Great Gatsby; The Invisible Woman; 12 Years a Slave

Documentary Feature

WINNER: 20 Feet From Stardom

Nominees: The Act of Killing; Cutie and the Boxer; Dirty Wars; The Square; 20 Feet From Stardom

Documentary Short Subject

WINNER: The Lady in Number 6

Nominees: CaveDigger; Facing Fear; Karama Has No Walls; The Lady in Number 6; Music Saved My Life; Prison Terminal: The Last Days of Private Jack Hall

Film Editing

WINNER: Gravity

Nominees: American Hustle; Captain Phillips; Dallas Buyers Club; Gravity; 12 Years a Slave

Make and Hairstyling

WINNER: Dallas Buyers Club

Nominees: Dallas Buyers Club; Jackass Presents: Bad Grandpa; The Lone Ranger

Production Design

WINNER: The Great Gatsby

Nominees: American Hustle; Gravity; The Great Gatsby; Her; 12 Years a Slave

Sound Editing

WINNER: Gravity

Nominees: All Is Lost; Captain Phillips; Gravity; The Hobbit: The Desolation of Smaug; Lone Survivor

Sound Mixing

WINNER: Gravity

Nominees: Captain Phillips; Gravity; The Hobbit: The Desolation of Smaug; Inside Llewyn Davis; Lone Survivor

Visual Effects

WINNER: Gravity

Nominees: Gravity; The Hobbit: The Desolation of Smaug; Iron Man 3; The Lone Ranger; Star Trek Into Darkness

Animated Short Film

WINNER: Mr. Hublot

Nominees: Feral; Get a Horse!; Mr. Hublot; Possessions; Room on the Broom

Live-action Short Film

WINNER: Helium

Nominees: Aquel No Era Yo (That Wasn’t Me); Avant Que De Tout Perdre (Just Before Losing Everything); Helium; Pitaako Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?); The Voorman Problem

http://www.youtube.com/watch?v=VVe9bxtH_DI

http://www.youtube.com/watch?v=fluQ6iyy85g

http://www.youtube.com/watch?v=deNAilnDY4I

http://www.youtube.com/watch?v=s58IWv-pY2Q

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2014 Academy Award Nominations Breakdown

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Oh what a year it has been, a fact cemented this morning with the announcement of 121 Oscar nominations. Noticeably absent were a host of Academy kings and queens like Tom Hanks, who was originally looking at two potential nominations and would up with none, and Hank’s Saving Mr. Banks co-star Emma Thompson, who became a runner-up to the five ladies who secured Best Actress noms. Missing out on the expected nominations, Saving Mr Banks is definitely the biggest snubbed film as it failed to secure even one nom while it almost looked like a frontrunner at one point.

For best picture, I nailed seven of the nominations but left out Philomena, which edged out Inside Llewyn Davis and Banks. Alexander Payne took a spot in the Best Director category that many expected to head towards Paul Greengrass. The absence of both Hanks (Captain Phillips) and Robert Redford (All is Lost) opened up spots for Christian Bale (American Hustle) and Leonardo DiCaprio (The Wolf of Wall Street). And while my predictions suffered for not including either, all in all, I’m really happy with those switches as I believe Bale and DiCaprio put in two of the best performances of the year.

A couple pleasant surprises include Jonah Hill‘s Best Supporting Actor nomination and Her scooping up a few extra awards with Best Original Song and Production Design.

Amongst those films noticeable absent across the board are Inside Llewyn Davis, which only scored two nominations (Best Sound Mixing and Best Cinematography), and The Butler which didn’t see a single nom. It seems like Dallas Buyers Club got some last minute wind beneath its wings to edge out Davis in just about every category I had it positioned for nomination.

But the biggest snubs seem to come from 12 Years a Slave, which still managed nine nominations. Most notably Hans Zimmer was passed up for his score and Sean Bobbitt who served as DP on 12 Years and was thought to be a sure contender in the cinematographer field both left empty handed. Alex Ebert, who just won a Golden Globe for his All is Lost score, was also surprisingly passed up. And though I’m not shocked, it was disappointed to not see Lana Del Rey‘s stunning “Young and Beautiful” left out of the Best Original Song category.

Leading the scoreboard, both Gravity and American Hustle each have ten nominations and stunningly director David O. Russell continues his streak of just crushing it and garnishing his actors nominations in all four categories. As if he wasn’t already an actor’s dream director, he’s become so adept at scoring noms for his performers now that any future performer in an O. Russell film is essentially assured a nomination. And while American Hustle suddenly looks like the one to beat, Gravity is still poised to strike down competition in all the technical fields.

Taking Hustle and Gravity‘s domination into account, 2014 certainly signals a mood shift for the inherently old-timey Academy. More than ever, this set of nominations is a populist collection, leaning heavily towards mass approval and away from the eclectic little indies that the mainstream doesn’t often stray into. What will this mean when award times come? Most likely a bent towards the breezy, the easy, and those that don’t wallow in the muds of slavery.

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So let’s get down to the actual nominations. Without a doubt, we’re in store for an interesting season.
I’ve highlighted those that I predicted in green.

BEST PICTURE
American Hustle
12 Years a Slave
Her
Gravity
Nebraska
Saving Mr Banks
The Butler
Captain Phillips
Philomena

BEST DIRECTOR
Steve McQueen
Alfonso Cuaron
David O. Russell
Martin Scorsese
Alexander Payne

BEST ACTOR
Chiwetel Ejifor
Christian Bale
Bruce Dern
Matthew McConaughey
Leonardo DiCaprio

BEST ACTRESS
Cate Blanchett
Amy Adams
Sandra Bullock
Judi Dench
Meryl Streep

BEST SUPPORTING ACTOR
Jared Leto
Bradley Cooper
Michael Fassbender
Barkhad Abdi
Jonah Hill

BEST SUPPORTING ACTRESS
Lupita Nyong’o
June Squibb
Julia Roberts
Jennifer Lawrence
Sally Hawkins

BEST EDITING
Gravity
12 Years a Slave
Dallas Buyers Club
American Hustle
Captain Phillips

BEST ORIGINAL SCREENPLAY
Nebraska
Her
Dallas Buyers Club
Blue Jasmine
American Hustle

BEST ADAPTED SCREENPLAY
12 Years a Slave
Wolf of Wall Street
Before Midnight
Captain Phillips
Philomena

BEST FOREIGN LANGUAGE FILM
The Hunt
The Missing Picture
The Broken Circle Breakdown
The Great Beauty
Omar

BEST CINEMATOGRAPHY
The Grandmaster
Gravity
Inside Llewyn Davis
Prisoners
Nebraska

BEST PRODUCTION DESIGN
12 Years a Slave
The Great Gatsby
American Hustle
Her
Gravity

BEST SOUND MIXING
Gravity
Captain Phillips
The Hobbit: The Desolation of Smaug
Lone Survivor
Inside Llewyn Davis

BEST SOUND EDITING
Gravity
All is Lost
Captain Phillips
The Hobbit: The Desolation of Smaug
Lone Survivor

BEST COSTUME DESIGN
Michael Wilkinson “American Hustle”
William Chang Suk Ping “The Grandmaster”
Michael O’Connor “The Invisible Woman”
Catherine Martin “The Great Gatsby”
Patricia Norris “12 Years a Slave”

BEST ORIGINAL SCORE
William Butler and Owen Pallett “Her”
Steven Price “Gravity”
Thomas Newman “Saving Mr Banks”
Alexandre Desplat “Philomena”
John Williams “The Book Thief”

BEST DOCUMENTARY FEATURE
The Act of Killing
Cutie and the Boxer
Dirty War
The Square
20 Feet From Stardom

BEST ANIMATED FEATURE
Frozen
Despicable Me 2
Ernest and Celestine
The Croods
The Wind Rises

BEST VISUAL EFFECTS
Gravity
Iron Man 3
The Hobbit: The Desolation of Smaug
Star Trek into Darkness
The Lone Ranger

BEST MAKEUP & HAIRSTYLING
Bad Grandpa
Dallas Buyers Club
The Lone Ranger

BEST ORIGINAL SONG
“Let it Go” – Frozen
“Happy” – Despicable Me 2
“The Moon Son” – Her
“Alone Yet Not Alone” – Alone Yet Not Alone
“Ordinary Love” – Mandela: Long Walk to Freedom

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For their nominations, certain actors, directors have already spoken out in gratitude.

Michael Fassbender, 12 Years a Slave
“I’m really chuffed with the Oscar nomination especially being recognised alongside such great actors.  It’s a real honor.”
 
Steve McQueen, 12 Years a Slave
“I’m extraordinarily happy for all the cast and crew of our 12 Years a Slave family.  This has been an amazing ride, and to receive nine nominations from the Academy is testament to all of the hard work.  And for that I am truly grateful.”
 
Chiwetel Ejiofor, 12 Years a Slave
“At no point during filming, in the sweltering heat of New Orleans, did any of us ever foresee the journey this film would take us all on. Steve McQueen created an entire family to tell one man’s tale and I am delighted that so many of this family have also been recognized today. I am hugely grateful to the Academy for this great honour, and, of course, to Solomon Northup for sharing his story through his breathtaking book.”
 
John Ridley, 12 Years a Slave
“It feels very special, but I just really appreciate how people have responded to Solomon Northup’s story and his life.  I’m just so happy for the whole crew and cast who brought Solomon’s memoir to the screen.  It’s been a great year for film, and for people to consider 12 Years a Slave to be among the best is more humbling than you can imagine.”

Amy Adams, American Hustle
“I’m very honored to be nominated alongside such inspiring actresses. Congratulations to the cast and crew of American Hustle and Her, two films that I’m incredibly proud to be a part of.”
 
David O. Russell, American Hustle
“First of all, I want to congratulate all of the nominees from all of the films. We are all blessed to be in this business, telling stories. In American Hustle, we tried to create characters and a world that the audience would find romantic and moving and real. I am so thrilled for my partners – my actors, my producers, Eric Singer, and the craftspeople from the film – who were honored today. They gave it their all; they poured their passion into the movie and I am truly thankful to them.”
 
Dana Brunetti, Captain Phillips
“We’re so incredibly proud of this film and the team we assembled both in front of and behind the camera. Simply put, we could not have done it without the enormous talent of Paul and Tom.  It was an honor to be able to tell the heroic story of Captain Richard Phillips and the US Navy SEALS who rescued him.” –
 
Michael DeLuca, Captain Phillips
We are grateful to the Academy for the recognition and for the privilege of being included in an amazing field of movies this year. It’s all a testament to Paul Greengrass’ artistry and Tom Hanks’ craft and commitment.
 
Barkhad Abdi, Captain Phillips
“I am truly honored to have been nominated by the Academy this morning.
This has been a life changing experience for me.  I would like to congratulate all of the nominees this morning, especially the team from Captain Phillips who were recognized.  My performance is a testament to the vision of our incredible director Paul Greengrass, and our other Captain
— the generous, amazing, and inspiring Tom Hanks.”

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HER Wins National Board Of Review Best Picture

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The National Board Of Review has awarded Her best film and Spike Jonze best director. Her, 12 Years a Slave, Dallas Buyers Club, Gravity, Inside Llewyn Davis, American Hustle and The Wolf on Wall Street have each thrived throughout the precursor awards receiving a wide spread of nominations and wins, proving that this Fall season looks to redeem a very poor summer at the movies. Although, Her won’t see a wide release until January 10, 2014, it’s been screening to select audiences and critics who have received the film very, very warmly. This expected win will surely boost its chances in the upcoming Oscar season.

Spike Jonze’s track record speaks for itself and the trailer provides a haunting and thought-provoking cinematic landscape. Expect Joaquin Phoenix to be in the running for this year’s very competitive Best Actor category but considering how crowded it is, he may not quite make the grade. If he keeps turning The Master caliber performances, it’s only a matter of time until he is considered as much of a shoe-in as the likes of Daniel Day Lewis or Tom Hanks. 

What does this mean for the rest of award season? It’s anyone’s game really. 12 Years a Slave has seemed to lose some serious moment in these precursor awards but I would still be surprised if it didn’t do some serious damage at the Oscars. The aforementioned films however have certainly been delivering the proverbial chink to 12 Year’s armor.

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Clooney's MONUMENTS MEN Pushed to 2014, Leaves Oscar Race

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Another one bites the dust as George Clooney‘s much anticipated WWII drama The Monuments Men will no longer make its December 18 release date, effectively slicing it out of next year’s Oscar consideration. Following today’s official announcement that The Wolf of Wall Street will now see a Christmas day release, it seems that big 2014 Oscar contenders are crumbling like dominoes. As for the reason for the move, Clooney has cited unsatisfactory progress within the special effects department.

“We just didn’t have enough time,” Clooney told the Los Angeles Times, “If any of the effects looked cheesy, the whole movie would look cheesy. We simply don’t have enough people to work enough hours to finish it.” While the reasoning is fair, it does seem like they have quite a bit of time in the nearly two months before that release. It makes me wonder if there isn’t more to the story than is being shared at this point. On the push to 2014 affecting the film’s Oscar odds, Clooney made it clear that Oscar attention was never his goal for the film. He added, “All we’ve ever said, from the very beginning, is that we wanted to make a commercial, non-cynical piece of entertainment.”

Although Clooney seems insistent that Oscars were never the hope, the move to an early 2014 date will most certainly lower any chances for an Oscar. Whether it will remain a player next year is impossible to say now but I would put my money on a steadfast “no”.

The Monuments Men
is written, starring and directed by George Clooney. It also stars Matt Damon, Bill Murray, Cate Blanchett, Jean Dujardin, Bob Balaban, Hugh Bonneville and John Goodman. It hits theaters in the thick of Oscar season on December 18.

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