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Out in Theaters: ‘CHRISTINE’

Almost 7% of the American population has been diagnosed as suffering from depression. That’s roughly 15 million people today. In 1974, though depression was recognized as a serious mental disorder, it wasn’t regarded with the same weight that it is today. After all, the mental disease didn’t enter the DSM III until 1980.  Christine, from Simon Killer director Antonio Campos, takes a look at infamous Sarasota reporter Christine Chubbuck and her struggle with depression in sad, sanguine, cinematic streaks. Read More

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Out in Theaters: ‘THE BIRTH OF A NATION’

Nate Parker‘s The Birth of a Nation is an urgent primal scream from American history’s darkest hour. Parker produces, writes, directs and stars in this much needed telling of the trials and tribulations of slave-turned-revolutionary Nat Turner. The relatively well-to-do preacher’s eyes are open to a new interpretation of the good book when his master shops out his sermons, profiteering off Turner’s calming demeanor to quell rebellion amongst more brutalized slaves. He’s soon in high demand from the most vicious slave owners across the land, all who want less sass and more backbreaking for their neglected and enslaved laborers. Read More

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Out in Theaters: ‘GREEN ROOM’

Hot from the critical heralding of Blue Ruin, Jeremy Saulnier returns to the world of white trash and movies with colors in their title with Green Room. An ultraviolet fantasy of viscus and vengeance, Green Room is as unapologetic as a Misfits album, as dead-serious as a KKK rally and as boastfully savage as a scalping. Characters find themselves torn to kibble by attack dogs, slashed to crimson ropes by box cutters and blasted in the face at point blank range with shotguns. Read More

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Sundance ’16 Review: ‘THE BIRTH OF A NATION’

Nate Parker‘s The Birth of a Nation is an urgent primal scream from American history’s darkest hour. Parker produces, writes, directs and stars in this much needed telling of the trials and tribulations of slave-turned-revolutionary Nat Turner. The relatively well-to-do preacher’s eyes are open to a new interpretation of the good book when his master shops out his sermons, profiteering off Turner’s calming demeanor to quell rebellion amongst more brutalized slaves. He’s soon in high demand from the most vicious slave owners across the land, all who want less sass and more backbreaking for their neglected and enslaved laborers. Read More

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Sundance ’16 Review: ‘COMPLETE UNKNOWN’

An old flame forks her way back into the life of a married man in Joshua Marston‘s mysterious and somewhat satisfying Complete Unknown. Marston struck a chord with debut Maria Full of Grace, which played Sundance 12 years ago, giving a drug mule a face in performer Catalina Sandino Moreno. With Complete Unknown, the Californian director harnesses a selfsame ability to craft complex female leads but allows the narrative to come to tatters as it crests its many tonal shifts. Read More

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Sundance ’16 Review: ‘MANCHESTER BY THE SEA’

After debuting on Saturday night, Manchester by the Sea quickly became the buzziest film at Sundance. When Amazon made an unprecedented $10 million dollar deal to sweep up distributing rights, the echo chamber only got louder. On the one hand, writer/director Kenneth Lonergan must welcome the fat paycheck with open arms. And yet, such a lofty price tag sets a certain sky-high expectation for the film before its even had a chance to digest in anyone’s tummies or see the light of day for most viewers. All finances aside, Manchester by the Sea is a emotionally resonant tearjerker/masterful character study with Casey Affleck stepping up to the plate to claim some majorly overdue attention. Read More

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Sundance ’16 Review: ‘LO AND BEHOLD: REVERIES OF THE CONNECTED WORLD’

Werner Herzog‘s dulcet tones ripple from the screen, warming the audience with his distinctive Herzogian accent and lolling cadence. His latest topic of interest: the internet. As can be expected of the revered German filmmaker and documentarian, Lo and Behold: Reveries of the Connected World is a thoughtful study of the past, present and future of this thing we call the internet; how it originated, how it binds us, and how it could lead to the end of times. Read More

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Sundance ’16 Review: ‘YOGA HOSERS’

Yoga Hosers, the second feature in the proposed True North trilogy, refers to the fact that the two main characters, both named Collen, like yoga (or at least writer/director Kevin Smith‘s grossly ignorant appropriation of yoga) and are hosers (Canada’s way of saying fool or dolt.) Convenient store clerks and high school students, the Colleens are frequently buried up to their eyeballs in their smartphones, snapping selfies, posting to the ‘gram and generally disengaging from the physical world around them. When an ancient army of foot-long Nazi sausage clones, called Bratzis, begins to attack their small Canadian town, the girls must put down their iPhones to save the day. Read More

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Sundance ’16 Review: ‘CHRISTINE’

Almost 7% of the American population has been diagnosed as suffering from depression. That’s roughly 15 million people today. In 1974, though depression was recognized as a serious mental disorder, it wasn’t regarded with the same weight that it is today. After all, the mental disease didn’t enter the DSM III until 1980.  Christine, from Simon Killer director Antonio Campos, takes a look at infamous Sarasota reporter Christine Chubbuck and her struggle with depression in sad, sanguine, cinematic streaks. Read More

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Sundance ’16 Review: ‘CAPTAIN FANTASTIC’

With Captain Fantastic, writer/director Matt Ross has tapped enlightenment like a spigot into a maple tree and funneled it into crowd-pleasing dramedy. With a first-rate cast that includes Viggo Mortensen, Kathryn Hahn, Steve Zahn, Frank Langella and Ann Dowd, Ross’ second feature shows a filmmaker emerging with a booming voice, immediately confident enough to corral such talent into one articulate, sarcastic and smartly realized vision. The result is a righteously comic and deeply-felt examination of a family experimenting with life on the fringes of society. Read More