post

Out in Theaters: ‘LOGAN’

The superhero genre has (deservingly) caught a lot of flack over the years for its Saturday Morning Cartoons rendition of tentpole blockbuster cinema. The Marvel brand in particular was privy to the lather, rinse, repeat template, providing a steady stable of colorful smart asses who smash and bash and save the world, returning to the status quo (or shwarma) when all is said and done to await their next universe saving event. Then along came Deadpool. Say what you will the R-rated superhero flick – like for instance that it falls in line with many of the same familiar tropes it purports to mock – but the gleefully violent and “adult”-oriented box office smash opened the flood gates for more of its R-rated ilk, showing studios through the ever influential power of green (not Green Lantern mind you), that audiences were more than receptive to “mature” content in their superhero films. In fact, they were damn near starving for it.  Read More

post

Talking with Jeremy Saulnier of ‘GREEN ROOM’

Jeremy Saulnier emerged from the shadows last year with his not-quite-cult independent smash Blue Ruin. About a man fatally ill prepared to strike justice on the man responsible for his parent’s slaying, Saulnier managed an original voice in a familiar setting. With this year’s Green Room, he’s managed to strike the sweet spot once more. An uncompromisingly violent tale of a hapless punk band (played by Alia Shawkat, Anton Yelchin, Callum Turner and Mark Webber) who come head to head with a Neo Nazi club owner (an intimidating as hell Patrick Stewart) is shrouded in viscus and plays like a violent assault to the senses. Visceral and mean, Saulnier has sharpened his edge as a filmmaker to craft a siege film set in a seedy underbelly society that’s absolutely boiling with tension. Read More

post

Out in Theaters: ‘GREEN ROOM’

Hot from the critical heralding of Blue Ruin, Jeremy Saulnier returns to the world of white trash and movies with colors in their title with Green Room. An ultraviolet fantasy of viscus and vengeance, Green Room is as unapologetic as a Misfits album, as dead-serious as a KKK rally and as boastfully savage as a scalping. Characters find themselves torn to kibble by attack dogs, slashed to crimson ropes by box cutters and blasted in the face at point blank range with shotguns. Read More

post

DVD Review: MATCH

Synopsis: “A successful Manhattan ballet instructor and former dancer must confront his past when two fans with mysterious motives display some fancy footwork in the compelling drama Match. Steve Belber’s film, based on his Tony-nominated play, stars Patrick Stewart, Carla Gugino and Matthew Lillard who each give captivating performances in this witty, emotionally gripping adaptation of the play. Stewart stars as Tobi, an eccentric, pot-smoking Manhattan ballet instructor whose quiet life is interrupted by the arrival of a young couple from Seattle. They are presumably there to interview Tobi about his colorful life as a dancer in the 1960s. But as Tobi spins salacious tales from his early days, an ulterior motive for the couple’s visit emerges, forcing the trio to confront a secret that may connect them all.” Read More

post

Out in Theaters: ‘X-MEN: DAYS OF FUTURE PAST’

The X-Men franchise has always confronted big themes: tolerance, shame, homosexuality, even genocide. At its greatest hours, the series has relied on ideas of deontological ethics and ideologies of self-worth winning over flashy spectacle – although the vast display of superpowers were always welcome icing on the cake. Even the much derided Last Stand shoulders a message of coming together to defeat a greater enemy – about differences paling under the looming shadow of fascism – but that’s hardly something new to a series that juggles laser sight in with race extermination. Days of Future Past takes its place in the crossroads between bold ideas and blockbuster pageantry and though maybe it’s not the most outright fun X-Men film to date (that honor goes to First Class), it might be the most important. Read More

post

X-MEN: DAYS OF FUTURE PAST Gets First Trailer

xmen30f-1-web.jpg
X-Men: Days of Future Past
is not only one of the most anticipated superhero movies in the foreseeable future, it’s also an experiment in what’s to come for world building cinematic universes. Marvel had hopes that The Avengers would soar financially but even they failed to see just how successful their franchise would become. After essentially using their standalone films to promote an eventual team-up movie, interest in seeing separate films eventually come together is a market essentially untapped. Since the one-piece-at-a-time tactic has not been the explicit approach for Days of Future Past, director Bryan Singer and Fox Studios are living in a bit of a Petri dish for all to see if their approach to building a cinematic universe on the fly is a box-office success or a flop. If this first trailer, and the internet’s stunned reaction, is any indication, I’d say we’re looking at a winner.

Although this first look is notably light on action set pieces, it properly outlines the very basics of the plot – a time traveling Wolverine must warn 1970s versions of Magneto and Professor X of a coming disaster involving mutant slaying robots. But instead of selling us on the spectacle, it mostly functioning on an emotional, nostalgic level. Stirring our nerdy desire to see the characters from the past six X-Men films share the screen, Days of Future Past looks to fulfill that promise of culmination, or, at the very least, suggest that we have lift off. 

One narrative issue that the trailer suggests is that characters of the future and the past may not share many physical scenes. At least, that appears to be the case for the time being. If that approach is doubled in the film, with each set of characters condoned off into their own “present,” thusly not interacting together as a whole X-Men collective, then the promise of team-ups could come off as deceptive and insincere.

The more likely scenario is that Fox and its constituents are not going to blow that revelatory reunion moment on this first run of a trailer. If anything, it’s a trial run to gauge reaction to the concept. But if the film does end up jumping between narratives of past and present, us audience members might not be getting quite what we want. While keeping the stories largely separate could just work, it does set up a potentially disjointed narrative while also squandering the excitement of having all these actors share the same screen. If Wolverine proves to be the only connective tissue between the two subsets of X-folk, the whole trend towards character acceleration – the propulsion towards more, more, more – may prove to be too little, too late. 

X-Men: Days of Future Past is directed by Bryan Singer and stars Patrick Stewart, James McAvoy, Ian McKellen, Michael Fassbender, Jennifer Lawrence, Halle Berry, Nicholas Hoult, Peter Dinklage, Ellen Page, Anna Paquin, Shaun Ashmore, Omar Sy and Evan Peters. It hits theaters on May 23, 2014.

post

New X-MEN: DAYS OF FUTURE PAST Images Promise Lots of Characters

X-Men-Days-of-Future-Past.jpg
New images for Bryan Singer‘s X-Men: Days of Future Past have hit the interwebs in anticipation of the films first trailer, ramping up anticipation from the uproariously popular tease in the Wolverine post-credits. Plot holes be damned, the film will include a time travel story, in order to bring together the bulk of the franchises hero’s, including Patrick Stewart (Professor X), Ian McKellen (Magneto), James McAvoy (Professor X), Michael Fassbender (Magneto), Jennifer Lawrence (Mystique), and Hugh Jackman (Wolverine), newcomer Peter Dinklage, who will play villain Bolivar Trask, and many, many more.

Jamming together the old cast of the original X-Men trilogy with the new blood of the critical hit X-Men: First Class, Fox Studios are attempting an Avengers-style scheme of their own. While there’s certainly a lot on the platter, if this gambit works, they stand to make buckets upon buckets of money. While the last three X-Men outings have been a bit of a financial disappointment, it’s easy to say that the future of the franchise rests on the success of Days of Future Past. If it manages to win back old fans while tapping into a new audience, superhero movie popularity could just be starting.

 


Michael Fassbender as Young Magneto


Jennifer Lawrence as Mystique

Patrick Stewart as Old Charles Xavier and director Bryan Singer


Ellen Page as Kitty Pride/Shadowcat and Shawn Ashmore as Bobby Drake/Iceman

x-men-days-future-past-picture-7.jpg
James McAvoy as Young Charles Xavier and Michael Fassbender as Young Magneto

x-men-days-future-past-picture-2.jpg
Hugh Jackman as Wolverine

x-men-days-future-past-picture-3.jpg
Peter Dinklage as Boliver Trask

x-men-days-future-past-picture-4.jpg
Michael Fassbender as Young Magneto

x-men-days-future-past-picture-5.jpg
Hugh Jackman as Wolverine, Michael Fassbender as Young Magneto and James McAvoy as Charles Xavier

X-Men: Days of Future Past is directed by Bryan Singer and stars Patrick Stewart, James McAvoy, Ian McKellen, Michael Fassbender, Jennifer Lawrence, Halle Berry, Nicholas Hoult, Peter Dinklage, Ellen Page, Anna Paquin, Shaun Ashmore, Omar Sy and Evan Peters. It hits theaters on May 23, 2014.