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‘LAST BREATH’ an Effective Exercise in Sustained Underwater Tension

In 2019, director Alex Parkinson released Last Breath, a documentary chronicling diver Chris Lemons’ first descent 330 feet beneath the North Sea. After days of breathing a specialized gas mixture to acclimate to the brutally inhospitable conditions awaiting him, Chris is about to take on one of the world’s most dangerous jobs: repairing miles of pipeline on the ocean floor—the very infrastructure that, we’re told, keeps regular Joe Schmoes warm through the winter. He and his crew expect to be cut off from the air-breathing world for a full 28-day cycle: a few days of acclimatization, long underwater shifts divided among three teams of three, and a final three-day decompression period. But rough seas and a sudden power outage turn their routine work tour into a desperate underwater rescue when Chris’ umbilical cable is severed, leaving him trapped 100 meters below the surface—without enough oxygen to survive until help arrives. Now, in 2025, Parkinson returns to the same harrowing tale, this time adapting Last Breath as a feature film.

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Pastel-Plastered ‘BARBIE’ A Hilarious and Incisive Indictment of Modernity, Gender Roles

When Mattel recently announced that they would be launching their own extended cinematic universe (the Mattel Cinematic Universe, or MCU2), the internet groaned in exhausted unison. After all, what could be more unappealing in our era of modern moviemaking than yet another corporate attempt to coalesce blatant brand synergy and Hollywood’s necrotic trend of interconnectiveness, all to satisfy a company’s stakeholders and their own bottom line? From my very anecdotal research, this is simply not a thing that the movie-going public is clambering for.  No one is demanding a theatrical showcase where Hot Wheels, Sock ‘Em Robots, and Barbie team up in some kind of Avengers-style plot to take down the dastardly Hungry Hungry Hippos. And yet, Mattel is currently in some stage of development on a vast number of feature films based on just that with Hot Wheels, Magic 8 Ball, He-Man, Rock ‘Em Sock ‘Em Robots, Polly Pocket, View-Master, American Girl, and the card game Uno all in some form of gestational pre-production. Theirs is a gloomy future that presupposes that Hollywood hits come purely from brand recognition – a future that forecasts the further sidelining of anything truly original, championing nostalgia and brand dominance over the creation of the new.  Read More

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Fantastical but Flawed ‘SHANG-CHI AND THE LEGEND OF THE TEN RINGS’ Expands MCU’s Horizons

Indebted as much to Ang Lee’s Oscar-winning Crouching Tiger, Hidden Dragon as anything within the Marvel Cinematic Universe proper, Shang-Chi and the Legend of the Ten Rings is the MCU’s spin on a Wuxia epic. Big fantastical action mixes with Chinese mysticism and Marvel’s signature mood-lightening jokes to create a unique, if imperfect, Marvel experience, one that introduces new characters, powerful Macguffins, new brand of superpowers, and even more hidden worlds to the ever-expanding MCU. Read More