post

‘SASQUATCH SUNSET’ Jettisons Dialogue for Naturalistic Study of Being

A bewildering little cryptid curio from David Zellner and Nathan Zellner, a.k.a. the Zellner Brothers (Kumiko the Treasure Hunter, Damsel), Sasquatch Sunset is entirely its own vibe. Wholly free of dialogue and featuring a family of four Sasquatchs living their feral lives somewhere in the Pacific Northwest, their film is an arthouse experiment with form that weasels its way under the skin to draw out questions of man’s impact on the natural world. Including the fictional Yeti living in their forests. Despite featuring plenty of Sasquatch defecation, Sasquatch genitals, and Sasquatch fornication, the Zellners’ latest film, as if made for those who thought the opening shot of 2001: A Space Odyssey could have sustained an entire creature feature, is oddly affecting, couching an environmental plea inside an otherwise obscene portrait of untamed existence.   Read More

post

A Ratchet Weekend Goes Viral in A24 Sex Work Drama ‘ZOLA’

If you haven’t read the hysterically unhinged 148-tweet thread that details how the eponymous Aziah “Zola” King (Taylour Paige) and “this white bitch” Stefani (Riley Keough) fell out, fear not: Zola will gladly fill in all the gory deets for you. One of the buzziest breakout splashes from 2020’s Sundance Film Festival, Zola is a kinetic social media-influenced dark comedy that adapts what was deemed “the greatest stripper saga ever tweeted” with visual style and sardonic pizzaz to spare. Exploding with personality and a flair for Gen-Z garishness (with too many tweet-notification audio drops to count), the latest great from A24 traps audience, alongside the titular Zola, in a prison-stay of a weekend as everything goes horribly wrong. Before it all went viral. Read More

post

Out in Theaters: ‘LOGAN LUCKY’

Following a four year stint in “retirement”, American auteur Steven Soderbergh returns to the multiplexes with the kind of snappy, crowd-pleasing, whizzbang fare that throttled him from indie delight to box office superstar. Assembling a sublimely cast trio of Magic Mike (Channing Tatum), Kylo Ren (Adam Driver) and Bond, James Bond (Daniel Craig) in a delightful supporting role, Logan Lucky, much like the film that rocketed Soderbergh to success (Ocean’s Eleven), rides on the back of its stars’ natural well of charisma as well as a pithy screenplay (courtesy of maybe pseudonym Rebecca Blunt) that constantly waffles between sly, chuckle-inducing commentary and witty narrative sleight of hand.   Read More

post

Out in Theaters: ‘AMERICAN HONEY’

There comes a time in every person’s life where they fracture from the life they once knew. For many people, that demarcation arrives in the form of college but for Star (Sasha Lane) such privileges are but a pipe dream, never once considered. Rather, her life veers from its turbulent tracks with the arrival of Jake (Shia LaBeouf) a charismatic snake oil salesman-type traveling with a band of misfit teens, drinking, smoking and jamming out to Ciara, Mazzy Star and Madeintyo their way across the poverty belt of the U.S.A. Read More

post

Out in Theaters: MAD MAX: FURY ROAD

It has been a long, long time since I’ve put together one of these, but damn is it good to be back. That’s likely what Mad Max: Fury Road director George Miller had on his mind his first day on set for one of the most impressive action films in the past decade. I can only marvel at what Miller has achieved with his latest film, mouth agape and eyes fully dilated. Fury Road was one of the wildest rides I have ever had the honor to take. Read More