There are times as a film critic that I wonder why I allocate my spare time to the watching and writing about movies. This is one such occasion. Ghostbusters: Frozen Empire is a profoundly bad film, one that seems to be actively sucking the very lifeblood out of the movie industry with its lazy indifference, indifferent storytelling, and filmmaking incompetence. In a way, it’s actually more interesting as a cultural microcosm of the horrors of modern franchise filmmaking writ large. It exists in a world of franchise as mandated IP flexing. Strictly a means to an end. Ostensibly the opposite of a write-off but with the same underlying purpose. Done because it must be done to preserve intellectual property ownership, not because there is any purpose, vision, or passion involved. Read More
Derelict ‘ANT-MAN AND THE WASP: QUANTUMANIA’ Is Marvel’s Worst Yet
Ever since Endgame, the Marvel machine has seen its meticulously-plotted designs start to come apart at the seams. The latest to grind its wheels forward in this shared universe is Peyton Reed’s Ant-Man and the Wasp: Quantumania and let me tell you: it’s not good folks. It is very, very not good. Throughout 31 (!!!) films and a handful of other Disney+ tie-in shows and special presentation one-offs, the MCU has delivered its fair share of highs and lows but never before has it unleashed such an objectively terrible content clunker. Ant-Man and the Wasp: Quantumania is Marvel’s worst yet, seriously putting into question this critic’s commitment to keeping up with this increasingly disjointed and time-consuming franchise. Read More
‘GHOSTBUSTERS: AFTERLIFE’ Goes Full Amblin But Remains Haunted by Mediocrity
For some inexplicable reason, Ghostbusters just won’t stay dead. The original was a major hit at the summer ’84 box office and earned both critical and fan affection but in the nearly-four decades years since its release, there has been a not-as-well-received sequel, one season of a kids animated series, a failed video game, and two attempts at a reboot/sequel. None of them really connected with the rapidly aging fan base and all have been seen as a disappointing addendum to the popular supernatural comedy that your dad loved so much. Read More
‘AVENGERS: ENDGAME’’s Epic Stroll Down Memory Lane Makes for Best MCU Film Yet
The Marvel Cinematic Universe began in earnest when Tony Stark proclaimed, “I am Iron Man.” Then Nick Fury stepped out of the shadows and assembled a team. The movie industry shook. It was the beginning of something new; an unchartered holistic approach to franchise filmmaking and the genesis of a box office monolith unlike any to have ever proceeded it. Over the course of 21 films, the MCU has become the equivalent of global Saturday morning cartoons; serialized superhero adventure stories that somehow most of the world has bought into. And all that comes to a head in Avengers: Endgame, a movie that is so momentous, it’s difficult to classify in and amongst other general releases. Empty out your pockets now folks, cuz you’re gonna need to strap into this ride a few times. Read More
Out in Theaters: ’ANT-MAN AND THE WASP’
Bigger seems to always be better in the eyes of many studio executives but Ant-Man knows better. Marvel quite literally blew up their world in this summer’s Infinity War, a massive cross-over event starring most of the biggest names in Hollywood and three of its favorite Chrises. If only by contrast, Ant-Man and the Wasp’s shrunken stakes and narrower focus on character gives it that much more super-powered punch. Threats of world domination, universe destruction or the untethering of reality itself only carry so much weight, particularly when they’re doled out as often as an E. Coli outbreak, so making this movie more a rescue mission than another save the world ordeal works to its favor. Shrinking everything down to a nice self-contained chapter allows director Peyton Reed to hone in on what really makes these characters work, and where they come up short. Read More
Blu-Ray Review: ‘CAPTAIN AMERICA: CIVIL WAR’
Synopsis: “Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The new status quo deeply divides members of the team. Captain America (Chris Evans) believes superheroes should remain free to defend humanity without government interference. Iron Man (Robert Downey Jr.) sharply disagrees and supports oversight. As the debate escalates into an all-out feud, Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner), Vision (Paul Bettany), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Black Panther (Chadwick Boseman), Winter Solider (Sebastian Stan), Falcon (Anthony Mackie), Ant-Man (Paul Rudd) and Spider-Man (Tom Holland) all must pick a side.” Read More
Out in Theaters: ‘CAPTAIN AMERICA: CIVIL WAR’
Ever since Samuel L. Jackson cropped up in an eye patch in Iron Man’s post-credits, Marvel films have had their eye firmly planted on the future. Setting up incoming installments has been a precarious process, resulting in such face-palmingly clunky sequences as the infamous “Thor in a Bath Tub” scene and the entirety of Iron Man 2. When not preoccupied with teasing the oncoming comic strata or hogtying in easter eggs for uber-nerds to dissect and debate, Marvel has admittedly done fine work developing their roster of heroes, taking careful stock in ensuring that its non-comic reading audience has at the bare minimum a working sense of what drives these supers to strap into spandex and save the world. With Captain America: Civil War, a direct sequel to the events of Captain America: Winter Solider that employs nearly the entirety of The Avengers, those characters turn to the rear view to take stock of what has been lost along the way. Read More
Blu-Ray Review: ‘ANT-MAN’
Synopsis: “Forced out of his own company by former protégé Darren Cross (Corey Stoll), Dr. Hank Pym (Michael Douglas) recruits the talents of Scott Lang (Paul Rudd), a master thief just released from prison. Lang becomes Ant-Man, trained by Pym and armed with a suit that allows him to shrink in size, possess superhuman strength and control an army of ants. The miniature hero must use his new skills to prevent Cross, also known as Yellowjacket, from perfecting the same technology and using it as a weapon for evil.” Read More
Out in Theaters: ANT-MAN
I’ve always wondered where our preoccupation with size came from. Maybe cause I’ve never been the biggest, or because I’ve always been more taken by the diminutive: as a self-entitled critic, attention to detail is my craft. Fortunately for movie-goers, so it goes for the folks at Marvel and Ant-Man director Peyton Reed. This edition’s got a new musk, and underneath that an exoskeletal husk of comedic explosion and graphic excitement that rivals its full-sized super-compatriots. With Ant-Man, the folks at Marvel forgot how to make a superhero movie as usual, and pumped out one of the best Marvel adaptations yet. Read More
ANT-MAN Finds Another Ant-Man in Michael Douglas
After Marvel’s Phase Two, which started with Iron Man 3 and Thor: The Dark World and will continue with Captain America: The Winter Soldier and Guardians of the Galaxy, concludes with Joss Whedon‘s The Avengers 2, the next comic book movie from Marvel universe is Edgar Wright‘s long gestated Ant-Man, a tale about a scientist who creates a suit that allows him to shrink down and communicate with, and subsequently control, ants. Silly though it may seem, with these ant-like powers, Ant-man fights crime on a big scale. Funnyman Paul Rudd was cast as Ant-Man last month and many assumed that Rudd would play the original version of the superhero, Hank Pym. Those assumptions were incorrect.
As it turns out, Rudd was actually cast as the second generation Ant-Man, a Marvel mainstay by the name of Scott Lang. According to Marvel lore, Lang is a thief who steals the original Ant-Man’s technology from Pym, unintentionally burdening himself with the power and responsibility of a super. Today brought news that while Rudd would not play the original version of the character, Michael Douglas would. Obviously, this timeline will see Douglas stepping in as a more veteran version of Pym. This shift makes sense considering Rudd fits the description of a jovial thief more so than he does a serious scientist like the Hank Pym of the comics.
In the comic series, Pym plays an important and essential role in creation of The Avengers. While he was obviously omitted from the creation mythology in the Marvel Movie Universe, Pym will now get to at least have some place in the MMU Marvel films have created. Also notable, Pym was responsible for the creation of Ultron, the bio-mechanical villain from which the second Avengers movie takes its name. Whether or not Douglas will play any role in The Avengers 2 is unknown but somewhat unlikely.
By casting the venerable, well regarded, and, not to mention expensive, Douglas as Pym alongside Rudd as Lang, Marvel has proved that they are willing to continue to shell out for top-shelf talent that comes with name-brand recognition. But even more interesting than Douglas or Rudd is director Edgar Wright‘s involvement, who will likely bring his high-art blend of comedy and action, a common ingredient to the Marvel world. As far as expectations, juxtaposing the snarky Rudd with the gravitas of Douglas could create a potentially excellent repartee and sets this one up to be one of the most interesting combinations out of Marvel’s gates.
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