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Derelict ‘ANT-MAN AND THE WASP: QUANTUMANIA’ Is Marvel’s Worst Yet

Ever since Endgame, the Marvel machine has seen its meticulously-plotted designs start to come apart at the seams. The latest to grind its wheels forward in this shared universe is Peyton Reed’s Ant-Man and the Wasp: Quantumania and let me tell you: it’s not good folks. It is very, very not good. Throughout 31 (!!!) films and a handful of other Disney+ tie-in shows and special presentation one-offs, the MCU has delivered its fair share of highs and lows but never before has it unleashed such an objectively terrible content clunker. Ant-Man and the Wasp: Quantumania is Marvel’s worst yet, seriously putting into question this critic’s commitment to keeping up with this increasingly disjointed and time-consuming franchise.  Read More

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Out in Theaters: ’ANT-MAN AND THE WASP’

Bigger seems to always be better in the eyes of many studio executives but Ant-Man knows better. Marvel quite literally blew up their world in this summer’s Infinity War, a massive cross-over event starring most of the biggest names in Hollywood and three of its favorite Chrises. If only by contrast, Ant-Man and the Wasp’s shrunken stakes and narrower focus on character gives it that much more super-powered punch. Threats of world domination, universe destruction or the untethering of reality itself only carry so much weight, particularly when they’re doled out as often as an E. Coli outbreak, so making this movie more a rescue mission than another save the world ordeal works to its favor. Shrinking everything down to a nice self-contained chapter allows director Peyton Reed to hone in on what really makes these characters work, and where they come up short.  Read More

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Out in Theaters: ‘MURDER ON THE ORIENT EXPRESS’

You can heave a sigh of relief everyone, Johnny Depp doesn’t make it far in Kenneth Branagh’s Murder on the Orient Express.  An adaptation of the Agatha Christie novel of the same name, Murder quickly dispenses with the weaselly superstar, here playing a slimy criminal who ends up a pin cushion the very night the titular Orient Express departs. The attention then turns to the patrons of a first-class coach traversing the snowy countryside, each of whom may have reason to want Johnny Depp dead. Read More

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Out in Theaters: ‘mother!’

Nothing is as it seems in Darren Aronofsky’s relentlessly sinister religious parable mother! A jet-black tone poem about artistic and biological creation (and the entire span of history no less), mother! is Arofonsky firing on much the same enigmatic, musing, ethereal cylinders as he did with The Fountain and much of Noah, expect his conceit this time around contains far less about the ineffable powers of love and way more orgy murders and crowdsurfing babies and Old Testament spit fire. Part home invasion thriller, part inky-black dark comedy and all blood-stained metaphor, Aronofsky’s wanton allegory is a surreal and visceral experience, one characterized by ravaging production elements, stormy performances and a kick-you-in-the-teeth ending.  Read More