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The Top Ten Films of 2019

One hundred and fifty. That’s the final tally for new release movies I’ve seen this year as of writing this here article. The shot clock is up. The endpoint to officially putting my selection for the top ten films of 2019 is kaput. The decision is written into stone. Out into the ether. That means I had to give the old Thanos snap to 140 movies in the process and this year’s selection sumo-wrestling was just as painstaking and awful as any other. The things I do for clicks. ‘Twas a fine year for film with a smattering of highlights, from magic rock dramas to alligator horror, anime blockbusters to feminist comedy, with critical darlings and box office hits often coming from the least expected of corners. Oh and Disney cleaning up at the bank per usual. Read More

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Incisive ‘PARASITE’ a Boundary-Smashing Stroke of Genius 

Bong Joon-ho’s Parasite, a film that has received near universe praise since its Cannes debut, is a masterful synthesis of the director’s great skill as a filmmaker. The South Korean storyteller, who has been active since 1994, is known to dabble in difficult-to-confine genres, sampling his funky take on crime epics (Memories of Murder), creature features (The Host), and sci-fi larks (Snowpiercer) but always with a flair for the theatrical, a knack for the oddball, and with a good store of surprises up his sleeve. Even his sloppiest film (Okja) reveals a storyteller with an iron-clad command over his intentions. His best works though can be truly transcendent. And that is what we’re dealing with here.  Read More