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NIGHTSTREAM 2020: ’LAPSIS’ Gives Financial Dystopia A Mindbending Makeover

As boldly original a work of socially-conscience science fiction as we’re likely to see this year, Noah Hutton’s Lapsis is a stunning vision of financial dystopia that pokes at corporate injustice and tech-driven everyman ennui. Plopping a poignant deconstruction of the myth of getting ahead vis-a-vis head down labor atop a tight-constructed, well-realized sandbox, Lapsis unravels like a mystery box with something actually worthwhile at its center. Stylistically and visually similar to Charlie Brooker’s tech-driven worlds of Black Mirror, Lapsis imagines an alternative present-day where a new technology called Quantum has altered the fabric of modern society. Read More

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NIGHTSTREAM 2020: Revenge Served Cold in Well-Acted ’ROSE PLAYS JULIE’

Writer-director team Christine Molloy and Joe Lawlor put a new twist on the rape-revenge fantasy, pivoting away from the usual hot-bloodedness of the subgenre and the gory justice that often ensues. Instead, Rose Plays Julie follows in the Irish tradition of dreary realism; it’s a brooding, emotionally-charged, bluntly and quietly brutal affair. You probably will want a hot steamy shower once it’s all over.  Read More

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NIGHTSTREAM 2020: Bad Dad Exploits Power Dynamics In Discomforting Coming of Age Thriller ’DARKNESS’

The perfect Italian hybrid of Dogtooth and 10 Cloverfield Lane, Darkness (original title, Buio) creates an insular world where fiction rules over fact. Stella (Denise Tantucci) and her two younger sisters Luce (Gaia Bocci) and the mute Aria (Olimpia Tosatto) live under their father’s (Valerio Binasco) tyrannical rule. In their countryside home, he has them convinced that the apocalypse has arrived, the sun scalding people’s eyes out and causing their skin and limbs to burn away. The young girls must remain literally and metaphorically in the dark. Read More

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NIGHTSTREAM 2020: Haunting ’32 MALASAÑA STREET’ Delivers Effective Spanish Frights

It’s 1976 and the Olmedo family has decided to uproot their lives, moving from the countryside to the hustle and bustle of Madrid. Little do they know that their new flat comes furnished not only with sofas and dusty photographs but a malevolent spirit set on making their transition harder than they could have ever imagined. This slick and spooky Spanish-language supernatural-thriller takes interest in the human element and horror alike, calling to mind movies like The Conjuring and Haunting of Hill House and delivering scares with an international appeal.  Read More

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NIGHTSTREAM 2020: Atmospheric Horror Game Adaptation ’DETENTION’ Left Me Cold

John Hsu’s Detention gives a horror movie makeover to Taiwan’s darkest moment in history. Taking place during the country’s period known as the “White Terror”, a 38-year period of martial law where 140,000 alleged “political dissidents” were jailed and countless others executed by the state, Detention attempts to mix dark fantastical elements in with real-world political histories much like Guillermo del Toro did with the Spanish Civil War in Pan’s Labyrinth. The end result here is much, much less effective.  Read More

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NIGHTSTREAM 2020: Rancid ‘HUNTED’ A Sadistic Episode of Pointless Cruelty and Unchecked Misogyny

French writer-director Vincent Paronnaud’s (Persepolis) fetid attempt to pair art house with meat grinder results in one of the worst films of the year: Hunted. An impotent rape-revenge fairy tale, which borders on snuff with its malignant streak of cruelty and misogyny, Hunted takes form as a woman (Lucie Debay) is chased through the woods by two psychopathic men.  Issuing threats to “f*ck her to death”, the sexually violent antagonist (played with deranged glee by Christian Bronchart) spends the feature screaming at our heroine that she’s a “f*cking whore” or “f*cking slut”. Charming.

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