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When Sam Raimi Lets Loose, ‘DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS’ Is Pure Dark Magic. Otherwise, Meh.

Not Quite What the Doctor Ordered

The multitude of successes and failures of the larger MCU brand is put on full display with its most recent entry, Doctor Strange in the Multiverse of Madness. The film directed by Spider-Man and Evil Dead director Sam Raimi, more than any other Marvel effort to date, underscores issues of creative overlording (Kevin Feige, master of the box office, checking in) that has long plagued the comic book production house. The push and pull between actual directorial style and ownership of said style and the larger corporatized Marvel Brand has never been so readily apparent in the finished product, resulting in one of Marvel’s most split-identity entries to date. One that also houses some of its most daring and dazzling segments across all of its 28 films and six Disney+ TV events. Read More

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Out in Theaters: ‘AVENGERS: INFINITY WAR’ 

Over the course of 18 films and 10 years, Kevin Feige and his army of Marvel men and women have laid a pretty nifty foundation upon which the Marvel Cinematic Universe rests. What started with humble beginnings with 2008’s Iron Man has  since blown up into a cultural and financial supernova with no less than 30 recognizable characters and all that comes to a head with the Russo Brother’s astonishingly ambitious though perfunctorily flawed Avengers: Infinity War.  Read More

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Out in Theaters: ‘DOCTOR STRANGE’

With Doctor Strange, Marvel pries open a doorway to a new realm, one filled with magic and mysticism, dark dimensions and malevolent deities. Filled with heady three-dimensional visuals and eye-bulging psychedelic set pieces, Doctor Strange fulfills the promise of its inspired marketing push. That is, it is as close as Marvel has come to being Inception on crack. And let me assure you, that is a good thing. Led by a game Benedict Cumberbatch playing on type as a smarmy elite member of the intelligentsia, Doctor Strange nonetheless suffers the Marvel formula, the “portal problem” and yet another utterly disposable single serving villain. Read More

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Out in Theaters: THE AVENGERS: AGE OF ULTRON

What to say about The Avengers: Age of Ultron? It’s certainly a Marvel movie; a spectacle-heavy rationing of motormouthed zingers, busy with whip-pan, slo-mo action montages and done up like a prom queen with CG glitz. It’s the insatiable younger brother to Joss Whedon’s initial compulsory corporate softball tournament; a large and in charge super-conglomeration that rarely stops to make time to make sense, and though darker (emotionally), bigger (logistically) and meaner (spiritually), it’s not nearly as much fun as when space worms were involved. The Marvel brand has been defined by its sense of “fun” and Age of Ultron certainly houses the brand of larger-than-life, escapist entertainment that Marvel fans have emptied out their pockets for in the past but it misses the shock-and-awe boat that installment numero uno rode in on, instead serving up a welting reminder of the inconsequential, aggressively episodic nature of this whole shared universe business. By the end of Ultron’s short-lived age, tables have been set but little has actually changed. This is Lather, Rinse, Repeat: Age of Redundancy. Read More

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Joseph Gordon-Levitt Denies ANT-MAN Rumors, Paul Rudd Now Uncontested

Despite many internet rumors that the contenders for the titular role in Edgar Wright’s Marvel picture Ant-Man were Paul Rudd and Joseph Gordon-Levitt, JGL has decried the news as “internet rumors” and although not directly denying the possibility, interviews at NY Comic-Con and for his recent movie Don Jon have him effectively denying his involvement in any way. This goes against Variety’s reporting that both actors had met with Marvel execs about the role, and although his de facto withdrawal seems to indicate that Rudd will take the role, the casting hasn’t yet occurred and some sources say other actors are in consideration for the role.

One of the least popularly followed Marvel superheroes, Ant-Man follows biochemist Dr. Hank Pym as he discovers a size-altering formula and the subsequent troubles and action when testing the formula on himself goes awry. Wright, who previously directed the Shaun of the Dead trilogy of films along with Scott Pilgrim vs. the World, is working with former collaborator Joe Cornish to adapt the comics originally penned by Jack Kirby, Stan Lee, and Larry Lieber into a Marvel origin story in typical super-hero movie fashion.

Given Wright’s predilection for comedy in filmmaking, it will be interesting to see if this super hero film incorporates that sensibility without loosing the comic book tradition and aesthetic that most super hero films depend on. Kevin Feige of Iron Man, X-Men, and The Avengers, will also produce, which bodes well for the film’s look and feel.

Although many online pundits and comic book aficionados openly preferred Rudd from the start for the role, others put enough weight behind JGL for this dropout to be somewhat of a disappointment. The release date is set to be July 31st, 2015, so very few details are available on what to expect from the film and its casting in general. It lands among a list of dozens of superhero films and TV projects planned for the next couple years for Marvel and DC both, meaning that comic book fans will get to see most if not all their favorite comic book heroes turned into movies before Marvel and DC have to start either making more original comics or start making remakes.

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