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Beef-God Jonathan Majors Elevates Otherwise Disposable, Enjoyable ‘Creed III’

In the world of boxing movies, the overlap between predictable and enjoyable is pretty much the whole piece of the pie. The protagonist is going to take some punches, get their licks in, face unsurmountable odds, blood a lot, and then ultimately triumph. Pepper in some sweaty training montages and sizzling pump-up jams and you have the makings of a perfectly serviceable sports drama. However, the best movies within the subgenre build in stakes that don’t depend entirely on the hero winning the big match (see Rocky, Creed). Despite being entertaining to varying degrees, their sequels often fail to do the same. Read More

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Derelict ‘ANT-MAN AND THE WASP: QUANTUMANIA’ Is Marvel’s Worst Yet

Ever since Endgame, the Marvel machine has seen its meticulously-plotted designs start to come apart at the seams. The latest to grind its wheels forward in this shared universe is Peyton Reed’s Ant-Man and the Wasp: Quantumania and let me tell you: it’s not good folks. It is very, very not good. Throughout 31 (!!!) films and a handful of other Disney+ tie-in shows and special presentation one-offs, the MCU has delivered its fair share of highs and lows but never before has it unleashed such an objectively terrible content clunker. Ant-Man and the Wasp: Quantumania is Marvel’s worst yet, seriously putting into question this critic’s commitment to keeping up with this increasingly disjointed and time-consuming franchise.  Read More

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Essential ‘THE LAST BLACK MAN IN SAN FRANCISCO’ Glows With a Special Kind of Movie Magic 

Every once in a while a new voice emerges that feels so innovative, so essential, so fully-fleshed out and whole, that you just want to sing its praises from the rooftop. The Last Black Man in San Francisco, Joe Talbot and Jimmie Fails’ stunning story of a friendship, a city, a home, has reduced me to a lame rom-com fuck boy. I want to scream it from the rooftops – I love this movie. Read More