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‘THE CREATOR’ Updates Humanity With Technically Brilliant Original Sci-Fi

Good science fiction straddles the line between grappling with contemporary anxieties and reflecting on the essence of humanity, often through non-human characters. Movies such as Blade Runner, Ex Machina, Her, and even Terminator 2 explore the notion that our innate humanity transcends mere flesh and blood. Any truly meaningful exploration of humanity tends to exceed the boundaries of pure science and biology, delving into the metaphysical realms of the soul. Qualities like empathy, love, or even the ability to crack a good joke are as fundamentally human as opposable thumbs or the capacity to biologically reproduce. In one pivotal scene in Gareth Edwards’ stark and striking science fiction film The Creator, the best original sci-fi film in years, a group of American soldiers descend upon a village to extract the location of a concealed weapon. One of the soldier threatens to execute the dog of a trembling little girl unless she gives up information. It’s a stark reminder that humanity often eludes those who are, ostensibly, human themselves. Read More

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Blockbusting Bore ‘TENET’ Revels In Nolan’s Worst Instincts

Christopher Nolan’s fascination with time as a storytelling variable is well-documented throughout his filmography. In his breakout indie hit Memento, the story of John G and his murdered wife ran backwards with consecutive scenes taking place before what we have just watched; with Inception, dreams within dreams meant that different levels of the film’s universe occurred at different speeds creating a kind of temporal layer cake; and most recently, Dunkirk saw a major military event unfold over land, sea, and air in a matter of a week, a day and an hour, respectively, the various timelines intersecting and blending into one another. And the less said about Interstellar, wherein Nolan got all mushy over time and love, the better. This obsession with time as a resource and narrative centerpiece has finally gotten the best of Nolan in Tenet, an overblown blockbuster absolutely suffocated by tricks, bloated by exposition and wholly lacking in a human touch.  Read More