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Sundance ‘26: ‘THE GALLERIST’ is A Frenetic Art World Satire Hoisted on Its Own Petard 

Cathy Yan’s absurdist satirical comedy The Gallerist may attempt to be an on-the-nose skewering of the art world, but even committed performances from its all-star cast can’t make up for weak jokes and thin satire. Natalie Portman stars as Polina Poliski, an ambitious and unscrupulous gallerist who, in the midst of Art Basel Miami, is confronted with an absurd situation: after a colorful confrontation, a hackneyed, rival art influencer accidentally impales himself on one of the statues her gallery is featuring. Rather than call for help, Polina sees a publicity opportunity. She decides to “curate” his corpse into art. The piece goes viral almost immediately. And so begins a countdown to sell the “art” before it’s discovered for what it actually is. Read More

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‘DEATH OF A UNICORN’ a Satirical Creature Feature that Beats the Dead Horse

When uptight compliance attorney Elliot (Paul Rudd) drags his teenage daughter Ridley (Jenna Ortega) on an out-of-state business trip, what was meant to be a major career opportunity takes a turn for the absurd: they hit a unicorn. In a moment of panic (or probably just impatience), Elliot bludgeons the moaning mystical creature to death and stuffs its bleeding corpse into the rental’s trunk. But not before Ridley touches its horn, forming a vague, E.T.-style bond with the mythical beast. Read More

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‘SCREAM’ Takes a Stab at “Requels” with Deadly Precision 

Scream is back. And with a new Ghostface (or two) comes a biting deconstruction of not just the long-standing slasher franchise, or the nature of “requels” (a term coined in this very film), or the horror genre in general, but the movie industry writ large. Many films of recent years have tried to capture the imagination of audiences by commentating on their own storied legacy – most recently with both The Matrix: Resurrections and Spider-Man: No Way Home – but none have done it with quite as sharp a wit or a curvaceous a blade as the most recent Scream. Tapping into the meta repartee that franchise architect Wes Craven approached the material with from the very get go, this fifth installment of the 90s-born slasher whodunnit is as razor-sharp and bloody glorious as ever. Most importantly, it’s just a hell of a lot of fun.  Read More

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SXSW 2021: Urgent School Shooter Teen Drama ‘THE FALLOUT’ is the First Defining Movie of Gen-Z 

We’re only minutes into The Fallout before the carefree world of 16-year old Vada (Jenna Ortega in a star-making role) is turned upside down by a school shooting. Up to that point, her biggest concerns were nagging parents, knowing the answers to an upcoming quiz, and which flavor cake-pop to get at the Starbucks drive through. When her doting little sister Amelia (Lumi Pollack) texts her “911” (she’s gotten her first period and needs to be talked off a ledge), Vada goes to the bathroom to provide some much-needed sisterly advice. She’ll remain trapped there, with popular girl Mia (Maddie Ziegler), when gunshots start ripping off in the hall outside, accompanied by piercing screams of abject terror.     Read More