Arkansas-born filmmaker Jeff Nichols has a way of channeling a certain kind of Americana onto the screen that few of his contemporaries are able to capture. There’s a very particular kind of grit and masculinity that defines a Nichol’s feature, with characters experiencing gnawing heartache and an often overbearing patriarchal sense of responsibility, despite often being on the fringes of society, manic or mad to many outsiders looking in. This is as true in Take Shelter and Mud—both about ‘crazed’ outsiders—as it is in Loving and Midnight Special, the former depicting Richard and Mildred Loving’s arrest for their interracial marriage in 1960s Virginia, and the latter a sci-fi drama about a father protecting his ‘powered’ son at all costs. Read More
Towering ‘DUNE: PART TWO’ An Artful Masterclass in World Expansion
Denis Villeneuve is nothing short of a living maestro. No other working director can so skillfully transmogrify a heralded text into a jaw-dropping exercise in both art and commerce, making for a sci-fi epic that’s as artistically entrancing as it is nonstop thrilling. A masterclass in world expansion, Dune: Part Two picks up where the last chapter, released simultaneously in theaters and on HBO Max in the doldrums of the lingering pandemic in 2021, left off while continuing to complicate the world of Arrakis, its mythology, its peoples, and what’s at stake for the entirety of Frank Herbert’s well-drawn universe. Villeneuve’s eleventh feature film presents a triumphant middle chapter that grapples with inner darkness, ruminative notions of prophecy and destiny, romantic entanglement, and familial tragedy in what is set to be one of the great trilogies and a true modern masterwork. Read More