Fight Club by way of Yorgos Lanthimos (The Lobster), Riley Stearns’ screed on “might is right” toxic masculinity is a giggly black comedy that cowers down a twisty-turny rabbit hole. Jesse Eisenberg plays a neurotic weakling (shocker) who gets mugged and turns to karate to boast his manliness and self-confidence via the transformative power of foot punches and heavy metal. Importing the welcome strangeness of producers David and Nathan Zellner (Kumiko the Treasure Hunter), The Art of Self-Defense is hysterically dark, niche cinema, a deadpan mockery of the sanctity of life and the sacredness of death. It kicks ass. (A-)

A SIFF 2019 Capsule Review

[READ MORE: Our breakdown of Riley Stern’s excellent ‘Faults‘ as part of our feature on movies that made no money]

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